By Martín Espada
I have noticed that the hostess in peasant dress,
the wait staff and the boss
share the complexion of a flour tortilla.
I have spooked the servers at my table
by trilling the word burrito.
I am aware of your T-shirt solidarity
with the refugees of the Americas,
since they steam in your kitchen.
I know my cousin Esteban the sculptor
rolled tortillas in your kitchen with the fingertips
of ancestral Puerto Rican cigarmakers.
I understand he wanted to be a waiter,
but you proclaimed his black dreadlocks unclean,
so he hissed in Spanish
and his apron collapsed on the floor.
May La Migra handcuff the wait staff
as suspected illegal aliens from Canada;
may a hundred mice dive from the oven
like diminutive leaping dolphins
during your Board of Health inspection;
may the kitchen workers strike, sitting
with folded hands as enchiladas blacken
and twisters of smoke panic the customers;
may a Zapatista squadron commander the refrigerator,
liberating a pillar of tortillas at gunpoint;
may you hallucinate dreadlocks
braided in thick vines around your ankles;
and may the Aztec gods pinned like butterflies
to the menu wait for you in the parking lot
at midnight, demanding that you spell their names.
The poem, I’ve always felt, is an opportunity for me to create an integrated whole from so many broken shards --Rafael Campo
Friday, June 13, 2014
For the Jim Crow Mexican Restaurant in Cambridge, Massachusetts Where My Cousin Esteban Was Forbidden to Wait Tables Because He Wears Dreadlocks
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Martín Espada
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