On Any Given Sunday

By Chad Goller-Sojourner

On Any Given Sunday 
A parishioner has just been sexually assaulted;
Someone is wrestling with another unplanned pregnancy;
The girl in the third pew has been made to share her father’s bed;
Someone has gambled away the rent money, again;
Someone is going to Church for the first time, in search of a message of hope—
And they are not saved.

On Any Given Sunday
A parishioner is struggling with addiction;
The choir director has just discovered he is HIV Positive;
A 15-year-old acolyte is starving himself to death because he thinks he is fat;
A young couple is keeping up appearances by taking separate cars to Church Even though they just spent the night together
And they are not saved.

On Any Given Sunday
A parishioner has just lost his union job;
The mother of the church has to choose between buying food and filling a prescription;
A 17-year-old altar boy is off fighting an unholy war because his parents can’t afford to send him to college;
And they are not saved.

On Any Given Sunday
An Elder’s wife is using make-up to conceal last night’s beatings;
The junior choir soloist has chosen to give her classmates oral sex, rather than spend another semester in isolation;
A Deacon is embezzling Church funds to support his pornography addiction;
An usher is contemplating suicide;
Someone is going to Church for the last time, still in search of a message of hope.
And they are not saved.

Yet On Any Given Sunday
A pastor can be found pontificating on the “Wickedness of Same-Sex Marriage.”

And still they:
The parishioner
The girl in the third pew
The choir director
The 15-year-old acolyte
The young couple
The mother of the church
The 17-year-old altar boy
The Elder’s wife
The junior choir soloist
The Deacon, and
The usher—
They are still not saved

this beginning may have always meant this end

By Camille Dungy

coming from a place where we meandered mornings and met quail, scrub jay, mockingbird, i knew coyote, like everyone else, i knew 
cactus, knew tumbleweed, lichen on the rocks and pill bugs beneath, rattlers sometimes, the soft smell of sage and the ferment of cactus pear. coming from this place, from a place where grass might grow greener on the hillside in winter than in any yard, where, the whole rest of the year, everything i loved, chaparral pea, bottle brush tree, jacaranda, mariposa, pinyon and desert oak, the kumquat in the back garden and wisteria vining the porch, the dry grass whispering long after the last rains, raccoons in and out of the hills, trash hurled by the hottest wind, the dry grass tall now and golden, lawn chairs, 
eucalyptus, everything, in a place we knew, every thing, we knew, little and large and mine and ours, except horror, all of it, everything could flame up that quickly, could flare and be gone

The New Colossus

By Emma Lazarus

Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
"Keep ancient lands, your storied pomp!" cries she
With silent lips. "Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!"

The Nutritionist

By Andrea Gibson 

The nutritionist said I should eat root vegetables

Said if I could get down 13 turnips a day
I would be grounded,
rooted.
Said my head would not keep flying away to where the darkness is.

The psychic told me my heart carries too much weight
Said for 20 dollars she’d tell me what to do
I handed her the twenty,
she said “stop worrying darling, you will find a good man soon.”

The first psychotherapist said I should spend 3 hours a day sitting in a dark closet with my eyes closed, with my ears plugged
I tried once but couldn’t stop thinking about how gay it was to be sitting in the closet

The yogi told me to stretch everything but truth,
said focus on the outbreaths,
everyone finds happiness when they can care more about what they can give than what they get

The pharmacist said klonopin, lamictil, lithium, Xanax
The doctor said an antipsychotic might help me forget what the trauma said
The trauma said don’t write this poem
Nobody wants to hear you cry about the grief inside your bones

My bones said “Tyler Clementi dove into the Hudson River convinced he was entirely alone.”
My bones said “write the poem.”

The lamplight.
Considering the river bed.
To the chandelier of your fate hanging by a thread.
To everyday you could not get out of bed.
To the bulls eye on your wrist
To anyone who has ever wanted to die.
I have been told, sometimes, the most healing thing to do-
Is remind ourselves over and over and over
Other people feel this too

The tomorrow that has come and gone
And it has not gotten better
When you are half finished writing that letter to your mother that says “I swear to God I tried”
But when I thought I hit bottom, it started hitting back
There is no bruise like the bruise of loneliness kicks into your spine

So let me tell you I know there are days it looks like the whole world is dancing in the streets when you break down like the doors of the looted buildings
You are not alone and wondering who will be convicted of the crime of insisting you keep loading your grief into the chamber of your shame
You are not weak just because your heart feels so heavy

I have never met a heavy heart that wasn’t a phone booth with a red cape inside
Some people will never understand the kind of superpower it takes for some people to just walk outside
Some days I know my smile looks like the gutter of a falling house
But my hands are always holding tight to the ripchord of believing
A life can be rich like the soil
Can make food of decay
Can turn wound into highway
Pick me up in a truck with that bumper sticker that says
“it is no measure of good health to be well adjusted to a sick society”

I have never trusted anyone with the pulled back bow of my spine the way I trusted ones who come undone at the throat
Screaming for their pulses to find the fight to pound
Four nights before Tyler Clementi jumped from the George Washington bridge I was sitting in a hotel room in my own town
Calculating exactly what I had to swallow to keep a bottle of sleeping pills down

What I know about living is the pain is never just ours
Every time I hurt I know the wound is an echo
So I keep a listening to the moment the grief becomes a window
When I can see what I couldn’t see before,
through the glass of my most battered dream, I watched a dandelion lose its mind in the wind
and when it did, it scattered a thousand seeds.

So the next time I tell you how easily I come out of my skin, don’t try to put me back in
just say here we are together at the window aching for it to all get better
but knowing as bad as it hurts our hearts may have only just skinned their knees knowing there is a chance the worst day might still be coming
let me say right now for the record, I’m still gonna be here
asking this world to dance, even if it keeps stepping on my holy feet

you- you stay here with me, okay?
You stay here with me.
Raising your bite against the bitter dark
Your bright longing
Your brilliant fists of loss
Friend

if the only thing we have to gain in staying is each other,

my god that’s plenty

my god that’s enough
my god that is so so much for the light to give
each of us at each other’s backs whispering over and over and over
“Live”
“Live”
“Live”

You Don't Know What Love Is (An evening with Charles Bukowski)

By Raymond Carver

You don't know what love is Bukowski said
I'm 51 years old look at me
I'm in love with this young broad
I got it bad but she's hung up too
so it's all right man that's the way it should be
I get in their blood and they can't get me out
They try everything to get away from me
but they all come back in the end
They all came back to me except
the one I planted
I cried over that one
but I cried easy in those days
Don't let me get onto the hard stuff man
I get mean then
I could sit here and drink beer
with you hippies all night
I could drink ten quarts of this beer
and nothing it's like water
But let me get onto the hard stuff
and I'll start throwing people out windows
I'll throw anybody out the window
I've done it
But you don't know what love is
You don't know because you've never
been in love it's that simple
I got this young broad see she's beautiful
She calls me Bukowski
Bukowski she says in this little voice
and I say What
But you don't know what love is
I'm telling you what it is
but you aren't listening
There isn't one of you in this room
would recognize love if it stepped up
and buggered you in the ass
I used to think poetry readings were a copout
Look I'm 51 years old and I've been around
I know they're a copout
but I said to myself Bukowski
starving is even more of a copout
So there you are and nothing is like it should be
That fellow what's his name Galway Kinnell
I saw his picture in a magazine
He has a handsome mug on him
but he's a teacher
Christ can you imagine
But then you're teachers too
here I am insulting you already
No I haven't heard of him
or him either
They're all termites
Maybe it's ego I don't read much anymore
but these people who build
reputations on five or six books
termites
Bukowski she says
Why do you listen to classical music all day
Can't you hear her saying that
Bukowski why do you listen to classical music all day
That surprises you doesn't it
You wouldn't think a crude bastard like me
could listen to classical music all day
Brahms Rachmaninoff Bartok Telemann
Shit I couldn't write up here
Too quiet up here too many trees
I like the city that's the place for me
I put on my classical music each morning
and sit down in front of my typewriter
I light a cigar and I smoke it like this see
and I say Bukowski you're a lucky man
Bukowski you've gone through it all
and you're a lucky man
and the blue smoke drifts across the table
and I look out the window onto Delongpre Avenue
and I see people walking up and down the sidewalk
and I puff on the cigar like this
and then I lay the cigar in the ashtray like this and take a deep breath
and I begin to write
Bukowski this is the life I say
it's good to be poor it's good to have hemorrhoids
it's good to be in love
But you don't know what it's like
You don't know what it's like to be in love
If you could see her you'd know what I mean
She thought I'd come up here and get laid
She just knew it
She told me she knew it
Shit I'm 51 years old and she's 25
and we're in love and she's jealous
Jesus it's beautiful
she said she'd claw my eyes out if I came up here
and got laid
Now that's love for you
What do any of you know about it
Let me tell you something
I've met men in jail who had more style
than the people who hang around colleges
and go to poetry readings
They're bloodsuckers who come to see
if the poet's socks are dirty
or if he smells under the arms
Believe me I won't disappoint em
But I want you to remember this
there's only one poet in this room tonight
only one poet in this town tonight
maybe only one real poet in this country tonight
and that's me
What do any of you know about life
What do any of you know about anything
Which of you here has been fired from a job
or else has beaten up your broad
or else has been beaten up by your broad
I was fired from Sears and Roebuck five times
They'd fire me then hire me back again
I was a stockboy for them when I was 35
and then got canned for stealing cookies
I know what's it like I've been there
I'm 51 years old now and I'm in love
This little broad she says
Bukowski
and I say What and she says
I think you're full of shit
and I say baby you understand me
She's the only broad in the world
man or woman
I'd take that from
But you don't know what love is
They all came back to me in the end too
every one of em came back
except that one I told you about
the one I planted
We were together seven years
We used to drink a lot
I see a couple of typers in this room but
I don't see any poets
I'm not surprised
You have to have been in love to write poetry
and you don't know what it is to be in love
that's your trouble
Give me some of that stuff
That's right no ice good
That's good that's just fine
So let's get this show on the road
I know what I said but I'll have just one
That tastes good
Okay then let's go let's get this over with
only afterwards don't anyone stand close
to an open window

Jakarta, January

By Sarah Kay

After Hanif Abdurraqib & Frank O’Hara

It is the last class of the day & I am teaching a classroom of sixth graders about poetry & across town a man has walked into a Starbucks & blown himself up while some other men throw grenades in the street & shoot into the crowd of civilians & I am 27 years old which means I am the only person in this room who was alive when this happened in New York City & I was in eighth grade & sitting in my classroom for the first class of the day & I made a joke about how mad everyone was going to be at the pilot who messed up & later added, how stupid do you have to be for it to happen twice? & the sixth graders are practicing listing sensory details & somebody calls out blue skies as a sight they love & nobody in this classroom knows what has happened yet & they do not know that the school is in lockdown which is a word we did not have when I was in sixth grade & the whole class is laughing because a boy has called out dog poop as a smell he does not like & what is a boy if not a glowing thing learning what he can get away with & I was once a girl in a classroom on the lucky side of town who did not know what had happened yet & electrical fire is a smell I did not know I did not like until my neighborhood smelled that way for weeks & blue skies is a sight I have never trusted again & poetry is what I reached for in the days when the ash would not stop falling & there is a sixth grade girl in this classroom whose father is in that Starbucks & she does not know what has happened yet & what is a girl if not a pulsing thing learning what the world will take from her & what if I am still a girl sitting in my classroom on the lucky side of town making a careless joke looking at the teacher for some kind of answer & what if I am also the teacher without any answers looking back at myself & what is an adult if not a terrified thing desperate to protect something you cannot save? & how lucky do you have to be for it to miss you twice? & tomorrow a sixth grade girl will come to class while her father has the shrapnel pulled from his body & maybe she will reach for poetry & the sky outside the classroom is so terribly blue & the students are quiet & looking at me & waiting for a grown-up or a poem or an answer or a bell to ring & the bell rings & they float up from their seats like tiny ghosts & are gone