By Grace Paley
It is the responsibility of society to let the poet be a poet
It is the responsibility of the poet to be a woman
It is the responsibility of the poet to stand on street corners
giving out poems and beautifully written leaflets
also leaflets they can hardly bear to look at
because of the screaming rhetoric
It is the responsibility of the poet to be lazy to hang out and
prophesy
It is the responsibility of the poet not to pay war taxes
It is the responsibility of the poet to go in and out of ivory
towers and two-room apartments on Avenue C
and buckwheat fields and army camps
It is the responsibility of the male poet to be a woman
It is the responsibility of the female poet to be a woman
It is the poet’s responsibility to speak truth to power
as the Quakers say
It is the poet’s responsibility to learn the truth from the
powerless
It is the responsibility of the poet to say many times: there is no
freedom without justice and this means economic
justice and love justice
It is the responsibility of the poet to sing this in all the original
and traditional tunes of singing and telling poems
It is the responsibility of the poet to listen to gossip and pass it
on in the way storytellers decant the story of life
There is no freedom without fear and bravery there is no
freedom unless
earth and air and water continue and children
also continue
It is the responsibility of the poet to be a woman to keep an eye on
this world and cry out like Cassandra, but be
listened to this time.
The poem, I’ve always felt, is an opportunity for me to create an integrated whole from so many broken shards --Rafael Campo
Showing posts with label Grace Paley. Show all posts
Showing posts with label Grace Paley. Show all posts
Wednesday, March 8, 2017
Sunday, May 20, 2012
When this old body
By Grace Paley
When this old body
finds that old body
what a nice day it is
when that old body
loves this old body
it's dreamless to sleep
and busy to wake up
when this old body says
your're a little lumpy here and there
but you're the same old body after all
old body old body in which somewhere
between crooked toe and forgetful head
the flesh encounters soul
and whispers you
When this old body
finds that old body
what a nice day it is
when that old body
loves this old body
it's dreamless to sleep
and busy to wake up
when this old body says
your're a little lumpy here and there
but you're the same old body after all
old body old body in which somewhere
between crooked toe and forgetful head
the flesh encounters soul
and whispers you
Monday, November 1, 2010
Autumn Movement
by Grace Paley
1.
What is sometimes called a
tongue of flame
or an arm extended burning
is only the long
red and orange branch of
a green maple
in early September reaching
into the greenest field
out of the green woods at the
edge of which the birch trees
appear a little tattered tired
of sustaining delicacy
all through the hot summer re-
minding everyone (in
our family) of a Russian
song a story
by Chekhov or my father
2.
What is sometimes called a
tongue of flame
or an arm extended burning
is only the long
red and orange branch of
a green maple
in early September reaching
into the greenest field
out of the green woods at the
edge of which the birch trees
appear a little tattered tired
of sustaining delicacy
all through the hot summer re-
minding everyone (in
our family) of a Russian
song a story by
Chekhov or my father on
his own lawn standing
beside his own wood in
the United States of
America saying (in Russian)
this birch is a lovely
tree but among the others
somehow superficial.
1.
What is sometimes called a
tongue of flame
or an arm extended burning
is only the long
red and orange branch of
a green maple
in early September reaching
into the greenest field
out of the green woods at the
edge of which the birch trees
appear a little tattered tired
of sustaining delicacy
all through the hot summer re-
minding everyone (in
our family) of a Russian
song a story
by Chekhov or my father
2.
What is sometimes called a
tongue of flame
or an arm extended burning
is only the long
red and orange branch of
a green maple
in early September reaching
into the greenest field
out of the green woods at the
edge of which the birch trees
appear a little tattered tired
of sustaining delicacy
all through the hot summer re-
minding everyone (in
our family) of a Russian
song a story by
Chekhov or my father on
his own lawn standing
beside his own wood in
the United States of
America saying (in Russian)
this birch is a lovely
tree but among the others
somehow superficial.
Saturday, September 25, 2010
That Year
By Grace Paley
In my family
people who were eighty-two were very different
from people who were ninety-two
The eighty-two year old people grew up
That’s why when they speak to the child
they say
The ninety-two year old people remember
When they speak to the grandchild
they say
In my family
people who were eighty-two were very different
from people who were ninety-two
The eighty-two year old people grew up
it was 1914
this is what they knew
War World War War
That’s why when they speak to the child
they say
poor little one. . .
The ninety-two year old people remember
it was the year 1905
they went to prison
they went into exile
they said ah soon
When they speak to the grandchild
they say
yes there will be revolution
then there will be revolution then
once more then the earth itself
will turn and turn and cry out oh I
have been made sick
then you my little bud
must flower and save it
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