The World Is Too Much With Us

By William Wordworth

The world is too much with us; late and soon,
Getting and spending, we lay waste our powers;
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon,
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers,
For this, for everything, we are out of tune;
It moves us not. -Great God! I'd rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathed horn.

Rock and Hawk

By Robinson Jeffers

Here is a symbol in which
Many high tragic thoughts
Watch their own eyes.

This gray rock, standing tall
On the headland, where the seawind
Lets no tree grow,

Earthquake-proved, and signatured
By ages of storms: on its peak
A falcon has perched.

I think, here is your emblem
To hang in the future sky;
Not the cross, not the hive,

But this; bright power, dark peace;
Fierce consciousness joined with final
Disinterestedness;

Life with calm death; the falcon's
Realist eyes and act
Married to the massive

Mysticism of stone,
Which failure cannot cast down
Nor success make proud.

The Rosetta Stone for Birdcalls

is the Rosetta Stone for Human Suffering. Caw = territorial
outrage. Musical flutings upwards = the days of summer are always
declining. Peep = hunger. Barrage of chips = desperate hunger.
Who? = the nest has been abandoned. Varied pipings =
I surrender my eggs to a predator. Grates & rusty
noises = the distance between us can only be managed by violence.
Trill = inadequacy of desire. Low whistles = difficulties with
lice, with bacteria, with fungus, etc.

No such stone ever hewn would translate lightning or torrent
a million years elicits. No such stone would bear the
incisions of the master's awl.
Such a stone would serve instead as instruction manual for building
pyramids & museums.

When the accipiter in its suicidal plummet snatches the finch,
what instrument measures the strum of the vibrating airs? Who sees
the God who plucks this lute?


By Peter O'Leary

Famous

By Naomi Shihab Nye

The river is famous to the fish.

The loud voice is famous to silence,
which knew it would inherit the earth
before anybody said so.

The cat sleeping on the fence is famous to the birds
watching him from the birdhouse.

The tear is famous, briefly, to the cheek.

The idea you carry close to your bosom
is famous to your bosom.

The boot is famous to the earth,
more famous than the dress shoe,
which is famous only to floors.

The bent photograph is famous to the one who carries it
and not at all famous to the one who is pictured.

I want to be famous to shuffling men
who smile while crossing streets,
sticky children in grocery lines,
famous as the one who smiled back.

I want to be famous in the way a pulley is famous,
or a buttonhole, not because it did anything spectacular,
but because it never forgot what it could do.

I Sing the Body Electric

By Walt Whitman

1.

I sing the body electric,

The armies of those I love engirth me and I engirth them,

They will not let me off till I go with them, respond to them,

And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?

And if those who defile the living are as bad as they who defile the dead?

And if the body does not do fully as much as the soul? And if the body

were not the soul, what is the soul?

2.

The love of the body of man or woman balks account, the body itself

balks account,

That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,

But the expression of a well-made man appears not only in his face,

It is in his limbs and joints also, it is curiously in the joints of

his hips and wrists,

It is in his walk, the carriage of his neck, the flex of his waist

and knees, dress does not hide him,

The strong sweet quality he has strikes through the cotton and broadcloth,

To see him pass conveys as much as the best poem, perhaps more,

You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fullness of babes, the bosoms and heads of women, the

folds of their dress, their style as we pass in the street, the

contour of their shape downwards,

The swimmer naked in the swimming-bath, seen as he swims through

the transparent green-shine, or lies with his face up and rolls

silently to and from the heave of the water,

The bending forward and backward of rowers in row-boats, the

horse-man in his saddle,

Girls, mothers, house-keepers, in all their performances,

The group of laborers seated at noon-time with their open

dinner-kettles, and their wives waiting,

The female soothing a child, the farmer's daughter in the garden or

cow-yard,

The young fellow hosing corn, the sleigh-driver driving his six

horses through the crowd,

The wrestle of wrestlers, two apprentice-boys, quite grown, lusty,

good-natured, native-born, out on the vacant lot at sundown

after work,

The coats and caps thrown down, the embrace of love and resistance,

The upper-hold and under-hold, the hair rumpled over and blinding the eyes;

The march of firemen in their own costumes, the play of masculine

muscle through clean-setting trousers and waist-straps,

The slow return from the fire, the pause when the bell strikes

suddenly again, and the listening on the alert,

The natural, perfect, varied attitudes, the bent head, the curved

neck and the counting;

Such-like I love--I loosen myself, pass freely, am at the mother's

breast with the little child,

Swim with the swimmers, wrestle with wrestlers, march in line with

the firemen, and pause, listen, count.

3.

I knew a man, a common farmer, the father of five sons,

And in them the fathers of sons, and in them the fathers of sons.

This man was a wonderful vigor, calmness, beauty of person,

The shape of his head, the pale yellow and white of his hair and

beard, the immeasurable meaning of his black eyes, the richness

and breadth of his manners,

These I used to go and visit him to see, he was wise also,

He was six feet tall, he was over eighty years old, his sons were

massive, clean, bearded, tan-faced, handsome,

They and his daughters loved him, all who saw him loved him,

They did not love him by allowance, they loved him with personal

love,

He drank water only, the blood showed like scarlet through the

clear-brown skin of his face,

He was a frequent gunner and fisher, he sailed his boat himself, he

had a fine one presented to him by a ship-joiner, he had

fowling-pieces presented to him by men that loved him,

When he went with his five sons and many grand-sons to hunt or fish,

you would pick him out as the most beautiful and vigorous of

the gang,

You would wish long and long to be with him, you would wish to sit

by him in the boat that you and he might touch each other.

4.

I have perceived that to be with those I like is enough,

To stop in company with the rest at evening is enough,

To be surrounded by beautiful, curious, breathing, laughing flesh is enough,

To pass among them or touch any one, or rest my arm ever so lightly round

his or her neck for a moment, what is this then?

I do not ask any more delight, I

swim in it as in a sea.

There is something in staying close to men and women and looking on them,

and in the contact and odor of them, that pleases the soul well,

All things please the soul, but these please the soul well.

5.

This is the female form,

A divine nimbus exhales from it from head to foot,

It attracts with fierce undeniable attraction,

I am drawn by its breath as if I were no more than a helpless vapor,

all falls aside but myself and it,

Books, art, religion, time, the visible and solid earth, and what

was expected of heaven or feared of hell, are now consumed,

Mad filaments, ungovernable shoots play out of it, the response

likewise ungovernable,

Hair, bosom, hips, bend of legs, negligent falling hands all

diffused, mine too diffused,

Ebb stung by the flow and flow stung by the ebb, love-flesh swelling

and deliciously aching,

Limitless limpid jets of love hot and enormous, quivering jelly of

love, white-blow and delirious nice,

Bridegroom night of love working surely and softly into the

prostrate dawn,

Undulating into the willing and yielding day,

Lost in the cleave of the clasping and sweet-fleshed day.

This the nucleus--after the child is born of woman, man is born

of woman,

This the bath of birth, this the merge of small and large, and the

outlet again.

Be not ashamed women, your privilege encloses the rest, and is the

exit of the rest,

You are the gates of the body, and you are the gates of the soul.

The female contains all qualities and tempers them,

She is in her place and moves with perfect balance,

She is all things duly veiled, she is both passive and active,

She is to conceive daughters as well as sons, and sons as well as

daughters.

As I see my soul reflected in Nature,

As I see through a mist, One with inexpressible completeness,

sanity, beauty,

See the bent head and arms folded over the breast, the Female I see.

6.

The male is not less the soul nor more, he too is in his place,

He too is all qualities, he is action and power,

The flush of the known universe is in him,

Scorn becomes him well, and appetite and defiance become him well,

The wildest largest passions, bliss that is utmost, sorrow that is

utmost become him well, pride is for him,

The full-spread pride of man is calming and excellent to the soul,

Knowledge becomes him, he likes it always, he brings every thing to

the test of himself,

Whatever the survey, whatever the sea and the sail he strikes

soundings at last only here,

(Where else does he strike soundings except here?)

The man's body is sacred and the woman's body is sacred,

No matter who it is, it is sacred--is it the meanest one in the

laborers' gang?

Is it one of the dull-faced immigrants just landed on the wharf?

Each belongs here or anywhere just as much as the well-off, just as

much as you,

Each has his or her place in the procession.

(All is a procession,

The universe is a procession with measured and perfect motion.)

Do you know so much yourself that you call the meanest ignorant?

Do you suppose you have a right to a good sight, and he or she has

no right to a sight?

Do you think matter has cohered together from its diffuse float, and

the soil is on the surface, and water runs and vegetation sprouts,

For you only, and not for him and her?

7.

A man's body at auction,

(For before the war I often go to the slave-mart and watch the sale,)

I help the auctioneer, the sloven does not half know his business.

Gentlemen look on this wonder,

Whatever the bids of the bidders they cannot be high enough for it,

For it the globe lay preparing quintillions of years without one animal or plant,

For it the revolving cycles truly and steadily rolled.

In this head the all-baffling brain,

In it and below it the makings of heroes.

Examine these limbs, red, black, or white, they are cunning in tendon and nerve,

They shall be stripped that you may see them.

Exquisite senses, life-lit eyes, pluck, volition,

Flakes of breast-muscle, pliant backbone and neck, flesh not flabby, good-sized

arms and legs,

And wonders within there yet.

Within there runs blood,

The same old blood! the same red-running blood!

There swells and jets a heart, there all passions, desires, reachings,

aspirations,

(Do you think they are not there because they are not expressed in

parlors and lecture-rooms?)

This is not only one man, this the father of those who shall be fathers

in their turns,

In him the start of populous states and rich republics,

Of him countless immortal lives with countless embodiments and enjoyments.

How do you know who shall come from the offspring of his offspring

through the centuries?

(Who might you find you have come from yourself, if you could trace

back through the centuries?)

8.

A woman's body at auction,

She too is not only herself, she is the teeming mother of mothers,

She is the bearer of them that shall grow and be mates to the mothers.

Have you ever loved the body of a woman?

Have you ever loved the body of a man?

Do you not see that these are exactly the same to all in all nations and

times all over the earth?

If any thing is sacred the human body is sacred,

And the glory and sweet of a man is the token of manhood untainted,

And in man or woman a clean, strong, firm-fibred body, is more beautiful

than the most beautiful face.

Have you seen the fool that corrupted his own live body? or the fool

that corrupted her own live body?

For they do not conceal themselves, and cannot conceal themselves.

9.

O my body! I dare not desert the likes of you in other men and women,

nor the likes of the parts of you,

I believe the likes of you are to stand or fall with the likes of the

soul, (and that they are the soul,)

I believe the likes of you shall stand or fall with my poems, and

that they are my poems,

Man's, woman's, child, youth's, wife's, husband's, mother's,

father's, young man's, young woman's poems,

Head, neck, hair, ears, drop and tympan of the ears,

Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or

sleeping of the lids,

Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the

jaw-hinges,

Nose, nostrils of the nose, and the partition,

Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,

Strong shoulders, manly beard, scapula, hind-shoulders, and the

ample side-round of the chest,

Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,

Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger,

finger-joints, finger-nails,

Broad breast-front, curling hair of the breast, breast-bone, breast-side,

Ribs, belly, backbone, joints of the backbone,

Hips, hip-sockets, hip-strength, inward and outward round, man-balls, man-root,

Strong set of thighs, well carrying the trunk above,

Leg-fibres, knee, knee-pan, upper-leg, under-leg,

Ankles, instep, foot-ball, toes, toe-joints, the heel;

All attitudes, all the shapeliness, all the belongings of my or your body

or of any one's body, male or female,

The lung-sponges, the stomach-sac, the bowels sweet and clean,

The brain in its folds inside the skull-frame,

Sympathies, heart-valves, palate-valves, sexuality, maternity,

Womanhood, and all that is a woman, and the man that comes from woman,

The womb, the teats, nipples, breast-milk, tears, laughter, weeping,

love-looks, love-perturbations and risings,

The voice, articulation, language, whispering, shouting aloud,

Food, drink, pulse, digestion, sweat, sleep, walking, swimming,

Poise on the hips, leaping, reclining, embracing, arm-curving and

tightening,

The continual changes of the flex of the mouth, and around the eyes,

The skin, the sunburnt shade, freckles, hair,

The curious sympathy one feels when feeling with the hand the naked

meat of the body,

The circling rivers the breath, and breathing it in and out,

The beauty of the waist, and thence of the hips, and thence downward

toward the knees,

The thin red jellies within you or within me, the bones and the

marrow in the bones,

The exquisite realization of health;

O I say these are not the parts and poems of the body only, but of

the soul,

O I say now these are the soul!

The Best Time of the Day

By Raymond Carver

Cool summer nights.
Windows open.
Lamps burning.
Fruit in the bowl.
And your head on my shoulder.
These the happiest moments in the day.

Next to the early morning hours,
of course. And the time
just before lunch.
And the afternoon, and
early evening hours.
But I do love

these summer nights.
Even more, I think,
than those other times.
The work finished for the day.
And no one who can reach us now.
Or ever.

Meditation Before Reading the Torah

By Marge Piercy

We are the people of the word
and the breath of the word fills our minds with light
We are the people of the word
and the breath of life sings through us
playing on the pipes of our bones
and the strings of our sinews
an ancient song carved in the Laurentian granite
and new as a spring azure butterfly just drying her wings
in a moment's splash of sun.
We must life the word and make it real.

We are the people of the book
and the letters march busy as ants
carrying the work of the ages through our minds.

We are the people of the book.
Through fire and mud and dust we have borne
our scrolls tenderly as a baby swaddled in a blanket,
traveling with our words sewn in our clothes
and carried on our backs.

Let us take up the scroll of Torah
and dance with it and touch it
and read it out, for the mind
touches the word and makes it light.
So does light enter us, and we shine.

The Road Not Taken

By Robert Frost

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I--
I took the one less traveled by,
And that has made all the difference.

God Went to Beauty School

By Cynthia Rylant

He went there to learn how
to give a good perm
and ended up just crazy
about nails
so He opened up His own shop.
"Nails by Jim" He called it.
He was afraid to call it
Nails by God.
He was sure people would
think He was being
disrespectful and using
His own name in vain
and nobody would tip.
He got into nails, of course,
because He'd always loved
hands--
hands were some of the best things
He'd ever done
and this way He could just
hold one in His
and admire those delicate
bones just above the knuckles,
delicate as birds' wings,
and after He'd done that
awhile,
He could paint all the nails
any color He wanted,
then say,
"Beautiful,"
and mean it.

The Cities Inside Us

By Alberto Ríos

We live in secret cities
And we travel unmapped roads.

We speak words between us that we recognize
But which cannot be looked up.

They are our words.
They come from very far inside our mouths.

You and I, we are the secret citizens of the city
Inside us, and inside us

There go all the cars we have driven
And seen, there are all the people

We know and have known, there
Are all the places that are

But which used to be as well. This is where
They went. They did not disappear.

We each take a piece
Through the eye and through the ear.

It's loud inside us, in there, and when we speak
In the outside world

We have to hope that some of that sound
Does not come out, that an arm

Not reach out
In place of the tongue.

Ancient Theories

By Nick Lantz

A horse hair falls into the water and grows into an eel.
Even Aristotle believed that frogs
formed from mud,
that mice sprouted like seedlings in the damp hay.

I used to believe the world spoke
in code. I lay awake
and tried to parse the flashes of the streetlight—
obscured, revealed,
obscured by the wind-sprung tree.
Stranded with you at the Ferris wheel's apogee
I learned the physics
of desire—fixed at the center,
it spins and goes nowhere.

Pliny described eight-foot lobsters
sunning themselves
on the banks of the Ganges. The cuckoo devouring
its foster mother. Bees alighting
on Plato's young lips.

In the Andes, a lake disappears overnight, sucked
through cracks in the earth.
How can I explain
the sunlight stippling your face in the early morning?

Why not believe that the eye throws its own light,
that seeing illuminates
the world?
On the moon,
astronaut David Scott drops a hammer and a falcon feather,
and we learn nothing
we didn't already know.

Ode to Mix Tapes

By Sherman Alexie

These days, it's too easy to make mix tapes.
CD burners, iPods, and iTunes
Have taken the place
Of vinyl and cassette. And, soon
Enough, clever introverts will create
Quicker point-and-click ways to declare
One's love, lust, friendship, and favor.
But I miss the labor
Of making old school mix tapes-- the mid air

Acrobatics of recording one song
At a time. It sometimes took days
To play, choose, pause,
Ponder, record, replay, erase,
And replace. But there was no magic wand.
It was blue-collar work. A great mix tape
Was sculpture designed to seduce
And let the hounds loose.
A great mix tape was a three-chord parade

Led by the first song, something bold and brave,
A heat-seeker like Prince with "Cream,"
Or "Let's Get It on," by Marvin Gaye.
The next song was always Patsy Cline's "Sweet Dreams,"
or something by Hank. But O, the last track
Was the vessel that contained
The most devotion and pain
And made promises that you couldn't take back.

Go here to hear Sherman Alexie read this poem.

Fear

By Ciarán Carson

I fear the vast dimensions of eternity.
I fear the gap between the platform and the train.
I fear the onset of a murderous campaign.
1 fear the palpitations caused by too much tea.

I fear the drawn pistol of a rapparee.
I fear the books will not survive the acid rain.
I fear the ruler and the blackboard and the cane.
I fear the Jabberwock, whatever it might be.

I fear the bad decisions of a referee.
I fear the only recourse is to plead insane.
I fear the implications of a lawyer's fee.

I fear the gremlins that have colonized my brain.
I fear to read the small print of the guarantee.
And what else do I fear? Let me begin again.

On the day my daughter was born no one died

By Yehuda Amichai

On the day my daughter was born no one died
In the hospital and at the entrance
Was written: “Today the Cohanim may enter.”
Out of great joy
I went with my friend to the hills of Sha’ar Hagay.

We saw a sick, bare pine tree covered only with countless pine cones. Zvi said that trees about to die bear more cones than the vital ones. I said to him: That was a poem and you didn’t even realize it. Even though you are a man of exact sciences you made a poem. He replied: And even though you are a man of dreams, you made a precise little girl with all the precise instruments for her life.

Some Kiss We Want

By Rumi

There is some kiss we want with
our whole lives, the touch of

spirit on the body. Seawater
begs the pearl to break its shell.

And the lily, how passionately
it needs some wild darling! At

night, I open the window and ask
the moon to come and press its

face against mine. Breathe into
me. Close the language- door and

open the love window. The moon
won't use the door, only the window.

Translated by Coleman Barks

Tulips

By Sylvia Plath

The tulips are too excitable, it is winter here.
Look how white everything is, how quiet, how snowed-in
I am learning peacefulness, lying by myself quietly
As the light lies on these white walls, this bed, these hands.
I am nobody; I have nothing to do with explosions.
I have given my name and my day-clothes up to the nurses
And my history to the anaesthetist and my body to surgeons.

They have propped my head between the pillow and the sheet-cuff
Like an eye between two white lids that will not shut.
Stupid pupil, it has to take everything in.
The nurses pass and pass, they are no trouble,
They pass the way gulls pass inland in their white caps,
Doing things with their hands, one just the same as another,
So it is impossible to tell how many there are.

My body is a pebble to them, they tend it as water
Tends to the pebbles it must run over, smoothing them gently.
They bring me numbness in their bright needles, they bring me sleep.
Now I have lost myself I am sick of baggage -
My patent leather overnight case like a black pillbox,
My husband and child smiling out of the family photo;
Their smiles catch onto my skin, little smiling hooks.

I have let things slip, a thirty-year-old cargo boat
Stubbornly hanging on to my name and address.
They have swabbed me clear of my loving associations.
Scared and bare on the green plastic-pillowed trolley
I watched my teaset, my bureaus of linen, my books
Sink out of sight, and the water went over my head.
I am a nun now, I have never been so pure.

I didn't want any flowers, I only wanted
To lie with my hands turned up and be utterly empty.
How free it is, you have no idea how free -
The peacefulness is so big it dazes you,
And it asks nothing, a name tag, a few trinkets.
It is what the dead close on, finally; I imagine them
Shutting their mouths on it, like a Communion tablet.

The tulips are too red in the first place, they hurt me.
Even through the gift paper I could hear them breathe
Lightly, through their white swaddlings, like an awful baby.
Their redness talks to my wound, it corresponds.
They are subtle: they seem to float, though they weigh me down,
Upsetting me with their sudden tongues and their colour,
A dozen red lead sinkers round my neck.

Nobody watched me before, now I am watched.
The tulips turn to me, and the window behind me
Where once a day the light slowly widens and slowly thins,
And I see myself, flat, ridiculous, a cut-paper shadow
Between the eye of the sun and the eyes of the tulips,
And I hve no face, I have wanted to efface myself.
The vivid tulips eat my oxygen.

Before they came the air was calm enough,
Coming and going, breath by breath, without any fuss.
Then the tulips filled it up like a loud noise.
Now the air snags and eddies round them the way a river
Snags and eddies round a sunken rust-red engine.
They concentrate my attention, that was happy
Playing and resting without committing itself.

The walls, also, seem to be warming themselves.
The tulips should be behind bars like dangerous animals;
They are opening like the mouth of some great African cat,
And I am aware of my heart: it opens and closes
Its bowl of red blooms out of sheer love of me.
The water I taste is warm and salt, like the sea,
And comes from a country far away as health.

The Past Shops at Trader Joe's

By Ren Jender


She was wearing a t-shirt in a shade of light blue that no one wears anymore except for the cashiers at Trader Joe’s--and they only wear that color because they have no say in the matter. We were in Trader Joe’s, so the shirt wasn’t remarkable. Nothing about her was. Still, I recognized her, the woman whose name is a flower, from the back, at a glance. We had dated, for a brief time, eight years before.

There must have been something special about her: why else would she have spent a four-month stint temping as the most important person in my life? I remembered that shortly after they first met my mother had said of--oh, let’s call her Violette---“She’s the cutest little thing,” which had unnerved me. I never expect my mother with her teased hair, orange lipstick and 1950s mindset, to say anything nice about my girlfriends especially not the butch ones. Mum usually waits until after a terrible breakup, when I most need her to be on my side, to say good things about anyone I’ve dated.

Ex-girlfriends aren’t good for much else, but they can be effective teaching tools. Violette taught me I didn’t want a normal life. I might have come to this realization snarking at Violette’s straight roommate who had even fewer social skills than most science nerds. She stayed in watching TV every night, her hand tight around the remote. So whenever we were at Violette’s place, we ended up watching the same shit she did: science fiction and Jessica Alba in an unholy alliance. But even when Violette and I were alone I wanted to surreptitiously unplug the set, jab at the buttons and say “Oh look, it’s broken.”

Maybe I came to the realization when Violette and I were driving to Provincetown. For the last half-hour, instead of keeping the conversation going, as I had, like a cocaine-addled cruise director, for most of the previous four months, I relished the silence underneath the soft, dreampoppy sobs of Mazzy Starr and tried to convince myself that people who knew each other well didn’t need to talk.

I was the one who wore the lipstick, so I got to do all of the cooking. Because I was “good at” cooking, as if I were born knowing how to make hummus starting with the dried chickpeas and ending with a swirl of extra virgin olive oil flecked with good paprika or how to stew lemon slices and figs into a fruit compote that makes oatmeal palatable. Like every other skill, cooking is a matter of practice. I tell people--I must have told Violette, “You burn enough stuff, you learn.”

That Violette was food-shopping made me think she might have settled down with someone, either a femme who wrote the list and would chop, sauté and serve-- or another soft butch, maybe a fellow scientist. I imagined the two of them living like bachelors, heating up frozen enchiladas and rice that came already cooked.

One night I had been stirring a pot in Violette’s kitchen while crap TV blared in the next room and I thought, “I want to go home.”

My apartment then was small and ugly, but it was mine, quiet, with no one but the cat expecting a meal from me. I left Violette's place. As I walked into the fresh cool night air, I ignored her voice calling, “Come back,” from the open window. I could never figure out if she wanted me or the fruit compote I had tucked under my arm.

Cold Spring

By Lawrence Raab

The last few gray sheets of snow are gone,
winter’s scraps and leavings lowered
to a common level. A sudden jolt
of weather pushed us outside, and now
this larger world once again belongs to us.
I stand at the edge of it, beside the house,
listening to the stream we haven’t heard
since fall, and I imagine one day thinking
back to this hour and blaming myself
for my worries, my foolishness, today’s choices
having become the accomplished
facts of change, accepted
or forgotten. The woods are a mangle
of lines, yet delicate, yet precise,
when I take the time to look closely.
If I’m not happy it must be my own fault.
At the edge of the lawn my wife
bends down to uncover a flower, then another.
The first splurge of crocuses.
And for a moment the sweep and shudder
of the wind seems indistinguishable
from the steady furl of water
just beyond her.

Against Self-Pity

By Rita Dove

It gets you nowhere but deeper
your own shit - pure misery a luxury
one never learns to enjoy.  There's always some

meatier malaise, a misalliance ripe
to burst: Soften the mouth to a smile and
it stutters; laugh, and your drink spills onto the wake

of repartee gone cold. Oh, you know
all the right things to say to yourself: Seize
the day, keep the faith, remember the children

starving in India...the same stuff
you say to your daughter
whenever a poked-out lip betrays

a less than noble constitution. (Not that
you'd consider actually going to India - all
these diseases and fervent eyes.) But if it's

not your collapsing line of credit, it's
the scream you let rip when a centipede
shrieks up the patio wall. And that

daughter? She'll find a reason to laugh
at you, her dear mother: Poor thing, 
wouldn't harm a soul! She'll say, as if

she knew of such things -
innocence, and a soul smart enough to know
when to get out of the way.

At Blackwater Pond

By Mary Oliver

At Blackwater Pond the tossed waters have settled
after a night of rain.
I dip my cupped hands. I drink
a long time. It tastes
like stone, leaves, fire. It falls cold
into my body, waking the bones. I hear them
deep inside me, whispering
oh what is that beautiful thing
that just happened?

On Going Back To The Street After Viewing An Art Show

By Charles Bukowski

they talk down through
the centuries to us,
and this we need more and more,
the statues and paintings
in midnight age
as we go along
holding dead hands.

and we would say
rather than delude the knowing:
a damn good show,
but hardly enough for a horse to eat,
and out on the sunshine street where
eyes are dabbled in metazoan faces
i decide again
that in theses centuries
they have done very well
considering the nature of their
brothers:
it's more than good
that some of them,
(closer really to the field-mouse than
falcon)
have been bold enough to tr

The Dictators

By Pablo Neruda

An odor has remained among the sugarcane:
a mixture of blood and body, a penetrating
petal that brings nausea.
Between the coconut palms the graves are full
of ruined bones, of speechless death-rattles.
The delicate dictator is talking
with top hats, gold braid, and collars.
The tiny palace gleams like a watch
and the rapid laughs with gloves on
cross the corridors at times
and join the dead voices
and the blue mouths freshly buried.
The weeping cannot be seen, like a plant
whose seeds fall endlessly on the earth,
whose large blind leaves grow even without light.
Hatred has grown scale on scale,
blow on blow, in the ghastly water of the swamp,
with a snout full of ooze and silence.