A collaborative slow renga written by Fiona Lesley Bennett, Andrea Witzke Slot, Eve Lyons, and Katherine Perry from January-April, 2017
Wild geese streaming in ribbons
across the sky, too many to count
like the women, marching
and bundled in winter coats, knitted hats,
flying together through historic streets.
Branches brush windows,
while sleepers toss violently.
Televisions glow,
the moon glows, lies low in the sky.
The crowd roars with chants and cheers.
A daughter peers through solid glass;
bleak sunlight appears on the swept kitchen floor.
She watches orange fade into white.
The air tepid and full of threat
as day breaks on dark water.
Yellow light spreads gold and purple
soon the sun's angry glare will be here,
we'll play in the ocean.
She chewed the mandarin peel, waiting.
Without paying, she took three more and ran.
A masterclass in initiative, just him
and the chair, the different ways
you could get up out of it.
Leaves decompose, become dirt.
We all have to let go sometimes.
In cupped palms, she cradles an orchid:
not a ghost or impossible-to-find rarity,
but standard white petals promising fertility.
Morning’s milky mist falls soft on worried lands.
Children wake in the flowers, blinking.
The poem, I’ve always felt, is an opportunity for me to create an integrated whole from so many broken shards --Rafael Campo
Tuesday, April 24, 2018
Monday, April 23, 2018
No Hands
By Carol Muske-Dukes
He rode “no hands,” speeding
headlong down the hill near
our house, his arms extended,
held rigid away from his body,
our small daughter behind him
on the bike in her yellow sunsuit,
bareheaded. She held on to him
for her life. I watched them from
above – helpless: a failed brake.
Far below us, a stop-sign rose
like a child’s toy shield. He could
not stop, he would not. That hunger
for display overrode danger, illusions
of safety. Even death had less to do
with it than the will’s eventual triumph
over stasis: how he’d finally fly free
and how she might accompany him,
as an audience travels with a performer,
an object of regard. Downward, fast –
so what cannot stop holds on, holds on
to a mind flying away from itself, seeking
release from the soul speeding away, yet
staying close as breath, even at this distance.
He rode “no hands,” speeding
headlong down the hill near
our house, his arms extended,
held rigid away from his body,
our small daughter behind him
on the bike in her yellow sunsuit,
bareheaded. She held on to him
for her life. I watched them from
above – helpless: a failed brake.
Far below us, a stop-sign rose
like a child’s toy shield. He could
not stop, he would not. That hunger
for display overrode danger, illusions
of safety. Even death had less to do
with it than the will’s eventual triumph
over stasis: how he’d finally fly free
and how she might accompany him,
as an audience travels with a performer,
an object of regard. Downward, fast –
so what cannot stop holds on, holds on
to a mind flying away from itself, seeking
release from the soul speeding away, yet
staying close as breath, even at this distance.
Monday, April 16, 2018
Visions at 74
By Frank Bidart
The planet turns there without you, beautiful.
Exiled by death you cannot
touch it. Weird joy to watch postulates
lived out and discarded, something crowded
inside us always craving to become something
glistening outside us, the relentless planet
showing itself the logic of what is
buried inside it. To love existence
is to love what is indifferent to you
you think, as you watch it turn there, beautiful.
World that can know itself only by
world, soon it must colonize and infect the stars.
You are an hypothesis made of flesh.
What you will teach the stars is constant
rage at the constant prospect of not-being.
Sometimes when I wake it’s because I hear
a knock. Knock,
Knock. Two
knocks, quite clear.
I wake and listen. It’s nothing.
The planet turns there without you, beautiful.
Exiled by death you cannot
touch it. Weird joy to watch postulates
lived out and discarded, something crowded
inside us always craving to become something
glistening outside us, the relentless planet
showing itself the logic of what is
buried inside it. To love existence
is to love what is indifferent to you
you think, as you watch it turn there, beautiful.
World that can know itself only by
world, soon it must colonize and infect the stars.
You are an hypothesis made of flesh.
What you will teach the stars is constant
rage at the constant prospect of not-being.
Sometimes when I wake it’s because I hear
a knock. Knock,
Knock. Two
knocks, quite clear.
I wake and listen. It’s nothing.
Monday, April 2, 2018
Madam Physician
By Fae Kayarian
Madam Physician-
I never saw myself in medicine
until I met you.
I only knew of straight white men,
wearing straight white coats,
who always assured me that
It’s too complicated to explain
and You should try something else.
All I’ve ever wanted to be
is a clinician, a physician, a doctor,
but all people can ever see
is just a girl, a female, a woman.
Madam Physician-
Seeing you changed how
I see myself.
You commanded the operating room,
not by force or fear,
but with a presence that announced
We must do our best
and Let’s fight with everything we’ve got.
I can’t imagine being
a clinician, a physician, a doctor,
who transcends the label of
being just a girl, a female, a woman.
Madam Physician-
I will always be humbled by the gift
you gave me.
I can remember your eyes,
always focused and always giving,
that looked into mine as you told me
You are worthy of dreaming
and You have a place in medicine.
Madam Physician-
I am everything I am
I can become everything I wish to be.
Fae Kayarian lives in Boston, Massachusetts, where she is an undergraduate student enrolled in the Behavioral Neuroscience program at Northeastern University. She is also a research student and a volunteer at Beth Israel Deaconess Medical Center, a teaching hospital of Harvard Medical School. She is a proud Bostonian, and enjoys running, biking and discovering music venues in the city.
Madam Physician-
I never saw myself in medicine
until I met you.
I only knew of straight white men,
wearing straight white coats,
who always assured me that
It’s too complicated to explain
and You should try something else.
All I’ve ever wanted to be
is a clinician, a physician, a doctor,
but all people can ever see
is just a girl, a female, a woman.
Madam Physician-
Seeing you changed how
I see myself.
You commanded the operating room,
not by force or fear,
but with a presence that announced
We must do our best
and Let’s fight with everything we’ve got.
I can’t imagine being
a clinician, a physician, a doctor,
who transcends the label of
being just a girl, a female, a woman.
Madam Physician-
I will always be humbled by the gift
you gave me.
I can remember your eyes,
always focused and always giving,
that looked into mine as you told me
You are worthy of dreaming
and You have a place in medicine.
Madam Physician-
I am everything I am
I can become everything I wish to be.
Fae Kayarian lives in Boston, Massachusetts, where she is an undergraduate student enrolled in the Behavioral Neuroscience program at Northeastern University. She is also a research student and a volunteer at Beth Israel Deaconess Medical Center, a teaching hospital of Harvard Medical School. She is a proud Bostonian, and enjoys running, biking and discovering music venues in the city.
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