America I Do Not Call Your Name Without Hope

After Neruda

By Dean Rader

America I do not call your name without hope
not even when you lay your knife
against my throat or lace my hands
behind my back, the cuffs connecting
us like two outlaws trying to escape
history’s white horse, its heavy whip
a pistolshot in the ear. Lost land,
this is a song for the scars on your back,
for your blistered feet and beautiful
watch, it is for your windmills, your
leavened machines, for your fists. It
is for your wagon of blood, for your dogs
and their teeth of fire, for your sons
and the smoke in their hearts. This is for
your verbs, your long lurk, your whir.
This is for you and your fear, your tar,
for the white heat in your skin and
for your blue bones that one day may sing.
This is for your singing. This is for the past,
but not for what’s passed. This is for daybreak
and backbreak, for dreams and for darkness.
This song is not for your fight, but it is a song
for fighting. It is a song of flame but not for burning.
It is a song out of breath but a plea for breathing.
It is the song I will sing when you knock
on my door, my son’s name in your mouth.

America, I Do Not Call Your Name without Hope

By Pablo Neruda

When I hold the sword against the heart,
when I live with the faulty roof in the soul,
when one of your new days
pierces me coming through the windows,
I am and I stand in the light that produces me,
I live in the darkness which makes me what I am,
I sleep and awake in your fundamental sunrise:
as mild as the grapes, and as terrible,
carrier of sugar and the whip,
soaked in the sperm of your species,
nursed on the blood of your inheritance.

Translated by Robert Bly

Oklahoma

By Dan Bern

On the 19th day of April
In 1995
There was the worst car bombing
Near 200 people died

In Oklahoma City
On Wednesday 9:00
They struck the federal building
Took out near half the block

They thought it was an earthquake
Made trees and lightpoles bend
And folks thought they were seeing
The world come to an end

It blew the building open
It lay there like a wound
Twisted pipes and wires
Silent like a tomb

Yeah, they blew the building open
And blew folks lives apart
Firefighters mumbling
And wondering where to start

They rushed out some survivors
But soon could only cry
And place the dead in caskets
And ask the dear Lord why

Prayers for the missing
For daughters and for sons
Prayers for the souls of those
Who'd never hurt a one

Kevin Small was lucky
His clock needed repair
He overslept an hour
His three-year old son was spared

But for too many others
The news was not so bright
One baby got her picture in the paper
Then she died

The President, he promised
They'd pay dearly for the blast
And all across the country
Flags were flying at half mast

Shock soon turned to anger
"Who'd do this?" people said
And everyones' suspicions
Had a price upon their head

They thought it was some Arabs
And folks began to scream
"First tighten up the borders
Then hang 'em from a tree

This proves what we've been saying
'Bout our fair and gentle land
Nobody who did this
Could be an American"

The FBI got busy
Some drawings and some names
And everyone was looking
For someone else to blame

Some 50 hours later
Early Friday day
They found the man they wanted
In jail ten miles away

A so-called right extremist
A patriot government foe
An expert on explosions
And white as driven snow

When people heard the news they found it
Hard to understand
How could such a murderer
Come from our own land

But when we build walls and borders
From fear and hate and guns
The hatred turns around and
Strikes at everyone

Maybe now we'll understand
Maybe now we'll see
Superpatriots are seldom
Friends of you and me

They're scared and weak and cowards
And they think that with their guns
The ones they're most afraid of
Will turn around and run

But when we stand strong together
And let love enjoy its will
Misfortune can't defeat us
It makes us stronger still

Like on the 19th day of April
In 1995
A day all Oklahomans will
Remember all their lives


Go here to hear Dan Bern sing this song.

Is Your Country a He Or a She in Your Mouth

By Patricia Lockwood

Mine is a man I think, I love men, they call me
a fatherlandsexual, all the motherlandsexuals
have been sailed away, and there were never
any here in the first place, they tell us. Myself
I have never seen a mountain, myself I have
never seen a valley, especially not my own,
I am afraid of the people who live there,
who eat hawk and wild rice from my pelvic
bone. Oh no, I am fourteen, I have walked
into my motherland’s bedroom, her body
is indistinguishable from the fatherland
who is ‘loving her’ from behind, so close
their borders match up, except for a notable
Area belonging to the fatherland. I am drawn
to the motherland’s lurid sunsets, I am reaching
my fingers to warm them, the people in my
valley are scooping hawk like crazy, I can no
longer tell which country is which, salt air off
both their coasts, so gross, where is a good nice gulp
of Midwestern pre-tornado? The tornado above me
has sucked up a Cow, the motherland declares,
the tornado above him has sucked up a Bull,
she says pointing to the fatherland. But the cow
is clearly a single cow, chewing a single cud
of country, chewing their countries into one,
and ‘I hate these country!’ I scream, and
their eyes shine with rain and fog, because
at last I am using the accent of the homeland,
at last I am a homelandsexual and I will never
go away from them, there will one day be two
of you too they say, but I am boarding myself
already, I recede from their coasts like a Superferry
packed stem to stern with citizens, all waving hellos
and goodbyes, and at night all my people go below
and gorge themselves with hunks of hawk,
the traditional dish of the new floating heartland.

SOMEONE KILLED THE WELWITSCHIA

By Melisa Cahnmann-Taylor

A 2000 year old plant, protected by law, the largest collection
outside Namibia at the Georgia Botany Greenhouse
where Spring 2016 someone shouted, you gotta come see this!
where "this" meant a student worker's oversight to raise the beds or water the red sand. Whomever it was, "The Plant Man" in charge hasn't arrived at forgiveness.

I took 2 peases
of your jewelry. Wy
I took it is because you wear
pretty jewelry
and it makes
me feel a lot
bad for what
I took from.

My 6 year-old daughter's friend wrote, on her mother's orders, when the girl revealed stolen necklaces hidden for months behind a chair in her room. "Stolen" might be too strong a word for the cheap, costume pieces mimicking garnet, lapis. I'd hardly noticed them gone.

Who hasn't treasured then regretted something they shouldn't have done, hidden it in a room's corner?

I was just like that once, flushing one too many baby wipes down the toilet causing $27,000 in flood damage; or tangled in bedsheets with a boy calling in "sick."

The poet says all poems are about sex or death
and if not sex, then love; if not death
then loss. Forgiveness is a little death,
losing anger's leathery ribbon leaves, the false belief that what's precious can be preserved.

I will never taka anything agian.

Her promise, a fragile scratch on vellum paper,
destined to be broken.


MELISA (Misha) CAHNMANN-TAYLOR is the author of three books: Imperfect Tense (poems), Teachers Act Up: Creating Multicultural Learning Communities Through Theatre, and Arts-Based Research in Education. Professor of Language and Literacy Education at the University of Georgia and poetry editor for Anthropology & Humanism, she directs National Endowment for the Arts "Big Read" programs and an annual poetry series. Her research, teaching, and service concern emerging and creative engagement in public (bi)literacy education.

Untitled

By Micah Fletcher

I have watched men and women

Take their skin with scissors

And cut it down the middle

Pulling it apart

Like a bad Halloween mask

I have watched men and women

Sit there and paint themselves

The color of whatever they want to be

Because they believed

That a tattoo that they were born with all over

Would stop them from being

whatever they believed was growing in them

Beautiful gut

I have watched men and women

Shatter mirrors and take the shards

And cut it open

watching their wrists

As a glass shard travels 28 centimeters

across somebody’s wrist

Just to find it is the end of the journey

All I have to say to you

And I mean you

Is I am so sorry

Stop me if you’ve heard this one before

There are some days

When you can barely lift your wings

They are heavy and cold

Wet with the teardrops

That fall from that obscene fiery ball in the sky

And there are other days

When your veins are full of kerosene

Fingers open and closed

Because they are Zippos

And your lungs are billows blowing into a furnace

where a heart should be

A burning cathedral

Born on a Monday

In a one-way alley

And three men brutalized me

At the age of seven

I knew what the cement tasted like

And there are other days

You feel empty

The fires burn out

Your wings dry and you are left to curl up in a ball

Let your outer carapace camoflouge you

On a mountaintop

Cool…hard…and empty

As if the blue pills I take in the morning

Full of amphetamines

Are instead black holes in capsules

Sucking the emotions inside of me by their tassles

Until I am left undecorated

A house made homeless

Save its roof and front door

There’s another thing I’ve met

Both men and women

Who have suffered from

Men and women who are called whores

Houses with shattered windows

And crooked panes with cracked ceilings

And faded stains

They’re victimizers

Playing these panes on the colors

Of their welcome mats

Or on the signs on the front door that read

I AM WARM SO YOU CAN CALL ME HOME

I know that being jumped and being raped

Are not the same thing

Despite both sometimes being blamed

on the way that we dressed

But why

Is it that in some situations I am called a victim

And he or she that society has the audacity

to call from some broken home

That should have known better

Than to be built in such a bad neighborhood

Are we that fucking blind?

Are we stricken or guilty?

Why don’t we just sew our eyes shut

Because we’re too scared to admit

We don’t know how to stitch bedsheets back together

When they’ve been ripped form the seams

It seems we don’t know anymore

I mean after all

Where does prevention stop

And where does protection begin?

This poem won the Verslandia Poetry Slam in 2013 and you can see Micah performing it here.  

Personal ad for my country

By Eve Lyons

Married Jewish female
seeks one person
who knows how to love country
without hating its inhabitants
who knows how to cradle
both extremes while standing
astride the middle.
Married Jewish female
whose marriage is only legal
in five states, who feels
as uncomfortable with
the Orthodox of her own kin
as she does with orthodox Christians
orthodox Muslims
orthodox capitalists
and orthodox secularists.
Married Jewish female
seeks a country
where the borders don't feel like prisons
where the talking heads
on the television
don't preach hatred
and mistrust.
Married Jewish female
seeks love.
It's hard enough
some days
to remain
a married Jewish female
without feeling the urge to
"fuck and run"
from arguments over whose turn it is
to change the cat litter
from arguments over which part of the population
deserves more funding
from attack ads
from bitter political debates
from a whole world.
Married Jewish female
seeks a home
Not a condominium or
a house or a mortgage
Not a rented space
from year to year
But a home
a place where my soul
can rest.

Previously published at Protestpoems, December 2010

This Is The Place

By Tony Walsh

This is the place
In the north-west of England. It’s ace, it’s the best
And the songs that we sing from the stands, from our bands
Set the whole planet shaking.
Our inventions are legends. There’s nowt we can’t make, and so we make brilliant music
We make brilliant bands
We make goals that make souls leap from seats in the stands

And we make things from steel
And we make things from cotton
And we make people laugh, take the mick summat rotten
And we make you at home
And we make you feel welcome and we make summat happen
And we can’t seem to help it
And if you’re looking from history, then yeah we’ve a wealth

But the Manchester way is to make it yourself.
And make us a record, a new number one
And make us a brew while you’re up, love, go on
And make us feel proud that you’re winning the league
And make us sing louder and make us believe that this is the place that has helped shape the world.

And this is the place where a Manchester girl named Emmeline Pankhurst from the streets of Moss Side led a suffragette city with sisterhood pride

And this is the place with appliance of science, we’re on it, atomic, we struck with defiance, and in the face of a challenge, we always stand tall, Mancunians, in union, delivered it all

Such as housing and libraries and health, education and unions and co-ops and first railway stations

So we’re sorry, bear with us, we invented commuters. But we hope you forgive us, we invented computers.

And this is the place Henry Rice strolled with rolls, and we’ve rocked and we’ve rolled with our own northern soul.

And so this is the place to do business then dance, where go-getters and goal-setters know they’ve a chance.

And this is the place where we first played as kids. And me mum, lived and died here, she loved it, she did.

And this is the place where our folks came to work, where they struggled in puddles, they hurt in the dirt and they built us a city, they built us these towns and they coughed on the cobbles to the deafening sound to the steaming machines and the screaming of slaves, they were scheming for greatness, they dreamed to their graves.

And they left us a spirit. They left us a vibe. That Mancunian way to survive and to thrive and to work and to build, to connect, and create and Greater Manchester’s greatness is keeping it great.

And so this is the place now with kids of our own. Some are born here, some drawn here, but they all call it home.

And they’ve covered the cobbles, but they’ll never defeat, all the dreamers and schemers who still teem through these streets.

Because this is a place that has been through some hard times: oppressions, recessions, depressions, and dark times.

But we keep fighting back with Greater Manchester spirit. Northern grit, Northern wit, and Greater Manchester’s lyrics.

And these hard times again, in these streets of our city, but we won’t take defeat and we don’t want your pity.

Because this is a place where we stand strong together, with a smile on our face, greater Manchester forever.

And we’ve got this place where a team with a dream can get funding and something to help with a scheme.

Because this is a place that understands your grand plans. We don’t do “no can do” we just stress “yes we can”

Forever Manchester’s a charity for people round here, you can fundraise, donate, you can be a volunteer. You can live local, give local, we can honestly say, we do charity different, that Mancunian way.

And we fund local kids, and we fund local teams. We support local dreamers to work for their dreams. We support local groups and the great work they do. So can you help us. help local people like you?

Because this is the place in our hearts, in our homes, because this is the place that’s a part of our bones.

Because Greater Manchester gives us such strength from the fact that this is the place, we should give something back.

Always remember, never forget, forever Manchester.

Who Said It Was Simple

By Audre Lorde

There are so many roots to the tree of anger
that sometimes the branches shatter
before they bear.

Sitting in Nedicks
the women rally before they march
discussing the problematic girls
they hire to make them free.
An almost white counterman passes
a waiting brother to serve them first
and the ladies neither notice nor reject
the slighter pleasures of their slavery.
But I who am bound by my mirror
as well as my bed
see causes in colour
as well as sex

and sit here wondering
which me will survive
all these liberations.

The Action in the Ghetto of Rohatyn, March 1942

By Alexander Kimel

Do I want to remember?
The peaceful ghetto, before the raid:
Children shaking like leaves in the wind.
Mothers searching for a piece of bread.
Shadows, on swollen legs, moving with fear.
No, I don’t want to remember, but how can I forget?
Do I want to remember, the creation of hell?
The shouts of the Raiders, enjoying the hunt.
Cries of the wounded, begging for life.
Faces of mothers carved with pain.
Hiding Children, dripping with fear.
No, I don’t want to remember, but how can I forget?
Do I want to remember, my fearful return?
Families vanished in the midst of the day.
The mass grave steaming with vapor of blood.
Mothers searching for children in vain.
The pain of the ghetto, cuts like a knife.
No, I don’t want to remember, but how can I forget?
Do I want to remember, the wailing of the night?
The doors kicked ajar, ripped feathers floating the air.
The night scented with snow-melting blood.
While the compassionate moon, is showing the way.
For the faceless shadows, searching for kin.
No, I don’t want to remember, but I cannot forget.
Do I want to remember this world upside down?
Where the departed are blessed with an instant death.
While the living condemned to a short wretched life,
And a long tortuous journey into unnamed place,
Converting Living Souls, into ashes and gas.
No. I Have to Remember and Never Let You Forget.

War Cry

By Cherrie Moraga

lo que quiero es
tierra
si no tierra, pueblo
si no pueblo, amante
si no amante, niño
si no nino
soledad
tranquilidad
muerte

tierra.

what I want is
earth
if not earth, town
if not town, lover
if not people, child
if not child
solitude
peace
death

earth.

(Translated by Eve Lyons & Melisa Cahnmann-Taylor )

The Arrival of Rain

By Kathleen Hart

The president scrubbed climate change
from the pages of whitehouse. gov, but
the crack in the Antarctic ice shelf
had the gall to grow by 6 more miles
on the same day.

I have declared global warming to be
a Chinese plot, the president proclaimed, but
the silly scientists disobeyed, and announced
2016 to be the hottest year on record 2 days
after the inauguration.

A senior aide appears to soothe us,
explaining that there are alternative
facts, but the weather won’t cooperate ,

the snow in California, where all trends
start, having the insolence to warm
to rain, and rain, the bastard, promising
nothing but flood, flood, flood.


Kathleen Hart's collection A Cut -and-Paste Country is the recipient of the inaugural Jacopone da Todi  Poetry Prize. Poems have appeared or will appear in A Quiet Courage and Glass: a Journal of Poetry.  Hart is a former college instructor and high school teacher who currently resides in Texas. 

Song of Construction Workers

By Cheng Peng

We built it! The flower-gardened villas. Where you live
you so-called princelings, owners of the city
we’re the same age, you walk dogs, dogs of noble blood
but they’re still mutts. That glare at what we’re doing

Our construction worker blood is inlaid with bricks
to shelter you from wind and rain. You so-called high officials and VIPs
magnates, national cadres, public servants. I want to wake you with my screams use your conscience to measure the weight of our aluminum souls

National sites, official buildings, government halls, mayoral mansions
we built them! We built those thresholds for you, ones we can no longer cross
we built the Labor Law Building, where someone is dozing
we built the People’s Mansion, which we can only gaze at

Picks and banners rust into our rallying banner
let my poetry call to you!
On the great road to communism, so many ghosts
can’t return home. We built it!

This Might Not Make Sense Now, But Don’t Worry, It Will

By Noah Michelson

For Paolo Fanoli 

When I ask Paolo how to draw the line between
not wanting to live anymore and wanting to die,
all he’ll quietly commit to is “that isn’t funny.”

I’m worried I worry him.

He says if I ever left him he would keep my body
under his bed and drag it out once a day to remember me,
prop up the less and less of me that’s left of me
and remind me of the world I left behind me — just look!
Some people can wake up every morning, open their
eyes and recognize something beautiful, even if it’s
just the sun slobbering across the bedroom floor with its
hot black tongue,

so, why can’t you?

He’s right, of course, but when I was 14, nothing was
more beautiful than the thought of the heavy gray
garage door guarding the far edge of my family’s driveway
and how sweetly, how surely it could kiss my head
apart from the rest of my body if only I asked it sweetly
enough.

Things were different then —

I still was afraid to ask for what I wanted then and I
spent my lunch hours holed up in the biology lab hiding
from the other boys, sobbing into my sandwich, another
pickled frog prince bobbing in his embalming fluid, one more

never-born piglet day-drunk on the useless daydream of
one day living someone else’s life on the other side of the glass
but we both know how that story ends.

Self-Help for Refugees

By Li-Young Lee

If your name suggests a country where bells
might have been used for entertainment

or to announce the entrances and exits of the seasons
or the birthdays of gods and demons,

it's probably best to dress in plain clothes
when you arrive in the United States,
and try not to talk too loud.

If you happen to have watched armed men
beat and drag your father
out the front door of your house
and into the back of an idling truck

before your mother jerked you from the threshold
and buried your face in her skirt folds,
try not to judge your mother too harshly.

Don't ask her what she thought she was doing
turning a child's eyes
away from history
and toward that place all human aching starts.

And if you meet someone
in your adopted country,
and think you see in the other's face
an open sky, some promise of a new beginning,
it probably means you're standing too far.

Or if you think you read in the other, as in a book
whose first and last pages are missing,
the story of your own birthplace,
a country twice erased,
once by fire, once by forgetfulness,
it probably means you're standing too close.

In any case, try not to let another carry
the burden of your own nostalgia or hope.

And if you're one of those
whose left side of the face doesn't match
the right, it might be a clue

looking the other way was a habit
your predecessors found useful for survival.
Don't lament not being beautiful.

Get used to seeing while not seeing.
Get busy remembering while forgetting.
Dying to live while not wanting to go on.

Very likely, your ancestors decorated
their bells of every shape and size
with elaborate calendars
and diagrams of distant star systems,
but with no maps for scattered descendants.

And I bet you can't say what language
your father spoke when he shouted to your mother
from the back of the truck, "Let the boy see!"

Maybe it wasn't the language you used at home.
Maybe it was a forbidden language.
Or maybe there was too much screaming
and weeping and the noise of guns in the streets.

It doesn't matter. What matters is this:
The kingdom of heaven is good.
But heaven on earth is better.

Thinking is good.
But living is better.
Alone in your favorite chair
with a book you enjoy
is fine. But spooning
is even better.

Marathon

By E. Ethelbert Miller

it’s a strange time which finds me jogging
in early morning
the deadness of sleep alive in this world
the empty parks filled with unloved strangers
buildings grey with solitude
now near the end of another decade
i am witness to the loss of my twenties
a promise invisible
i run without purpose
far from the north star
i run with the sound of barking dogs closing in
i have lost count of the miles
i am older and nothing much matters
or has changed

A Song for Mardi Gras

By Rolfe Humphries

(Variation on a Welsh refrain Dy garu di a gerais)

I have loved loving you
O my dear, my softly spoken,
Now the forty days draw near,
Vows are made, vows are broken
Fare thee well, my little slim-waist,
Till Easter Monday all are chaste.

I have loved loving you,
O my fond, O my darling,
In the season and beyond
Under moon, under star
Now the time comes to fast -
Till Easter Monday all are chaste.

I have loved loving you,
O my linnet, O my dove,
God have mercy on a sinner!
Fare the well and absent, love,
Moon and star must go to waste
Till Easter Monday all are chaste.

I have loved loving you,
O my green, O my shadow,
In the ambush set between
Mountainside, moor, and meadow.
March be gone, April haste
Till Easter Monday all are chaste.

 
This poem originally appeared in The New Yorker on March 2, 1957.

Trigger Guard

By Joanna Fuhrman

Everyone I ever loved is standing
on a platform with a gun.

In the cartoon version, a flag pops
with the word 'bang.'

In the soap opera version,
my face turns the color of merlot.

In the haiku version,
metal gleams in the narrow shadow.

In the Republican version,
two guns wrap themselves in a single flag.

In the Langpo version.
idolatry yips yaps paradigm the.

In my diary version,
I wonder why everyone hates me.

In the indie film version,
a gun flickers over a mumbled tune.

In the Chekhov version,
(well, you already know.)

In the 10 o'clock news version,
the crisis in violence is rising.

In the action film version,
a shot means profits are rolling.

In the catalog version,
the smoke's hue is a burnished moss.

In the teen movie version,
a nerdy gun removes her glasses.

In the lucid dream version,
I kiss a muzzle and it blossoms.

In the music video version,
a gun turns into a mouth.

Babi Yar

By Yevgeni Yevtushenko

No monument stands over Babi Yar.
A steep cliff only, like the rudest headstone.
I am afraid.
Today, I am as old
As the entire Jewish race itself.

I see myself an ancient Israelite.
I wander o’er the roads of ancient Egypt
And here, upon the cross, I perish, tortured
And even now, I bear the marks of nails.

It seems to me that Dreyfus is myself.
The Philistines betrayed me – and now judge.
I’m in a cage. Surrounded and trapped,
I’m persecuted, spat on, slandered, and
The dainty dollies in their Brussels frills
Squeal, as they stab umbrellas at my face.

I see myself a boy in Belostok
Blood spills, and runs upon the floors,
The chiefs of bar and pub rage unimpeded
And reek of vodka and of onion, half and half.

I’m thrown back by a boot, I have no strength left,
In vain I beg the rabble of pogrom,
To jeers of “Kill the Jews, and save our Russia!”
My mother’s being beaten by a clerk.

O, Russia of my heart, I know that you
Are international, by inner nature.
But often those whose hands are steeped in filth
Abused your purest name, in name of hatred.

I know the kindness of my native land.
How vile, that without the slightest quiver
The antisemites have proclaimed themselves
The “Union of the Russian People!”

It seems to me that I am Anna Frank,
Transparent, as the thinnest branch in April,
And I’m in love, and have no need of phrases,
But only that we gaze into each other’s eyes.
How little one can see, or even sense!
Leaves are forbidden, so is sky,
But much is still allowed – very gently
In darkened rooms each other to embrace.

“They come!”

“No, fear not – those are sounds
Of spring itself. She’s coming soon.v Quickly, your lips!”

“They break the door!”

“No, river ice is breaking…”

Wild grasses rustle over Babi Yar,
The trees look sternly, as if passing judgement.
Here, silently, all screams, and, hat in hand,
I feel my hair changing shade to gray.

And I myself, like one long soundless scream
Above the thousands of thousands interred,
I’m every old man executed here,
As I am every child murdered here.

No fiber of my body will forget this.
May “Internationale” thunder and ring
When, for all time, is buried and forgotten
The last of antisemites on this earth.

There is no Jewish blood that’s blood of mine,
But, hated with a passion that’s corrosive
Am I by antisemites like a Jew.
And that is why I call myself a Russian!


NOTES Translated by Benjamin Okopnik, 10/96

American Nightmare, Day Two*

By Carol Seitchik

"Never doubt that a small group of thoughtful, committed people can change the world. Indeed, it is the only thing that ever has."  Margaret Mead


Be vigilant, America.
This is what Feminism looks like.
This is what democracy looks like.

Females are as strong as hell
when women of the world resist.
And you haven’t seen nasty yet.

This march is not about you, Donny.
You’re out of your element.
Feminism is my Trump card.

Keep your laws off my body.
Our daughters need to know
their bodies are their own.

Action is an antidote for despair.
But now, hell hath no fury
like a woman reborn.

Women united are stronger
than a country divided.
I voted for love not hate.

I will not be silent.
I will not play dead.
I will fight.

I am woman hear me roar.
Hear us, hear our voices.
This is just the beginning.

*All taken from signs from the various marches


Carol Seitchik comes to poetry after a long career in the visual arts. Her poems have appeared in the anthology, A Feast of Cape Ann Poets and various journals such as Endicott Review, Zingology, Gemini Press, and Heartlodge. She has been nominated for a Pushcart award and has won prizes from the North Shore Poets Forum, Byline and the Indiana Review. Carol is a member of Cape Ann Poets and lives in Beverly, MA.