By Charles Bukowski
Long walks at night
that's what good for the soul:i
peeking into windows
watching tired housewives
trying to fight off
their beer-maddened husbands.
The poem, I’ve always felt, is an opportunity for me to create an integrated whole from so many broken shards --Rafael Campo
Showing posts with label Charles Bukowski. Show all posts
Showing posts with label Charles Bukowski. Show all posts
Sunday, July 29, 2018
Saturday, December 30, 2017
So you want to be a writer?
By Charles Bukowski
if it doesn't come bursting out of you
in spite of everything,
don't do it.
unless it comes unasked out of your
heart and your mind and your mouth
and your gut,
don't do it.
if you have to sit for hours
staring at your computer screen
or hunched over your
typewriter
searching for words,
don't do it.
if you're doing it for money or
fame,
don't do it.
if you're doing it because you want
women in your bed,
don't do it.
if you have to sit there and
rewrite it again and again,
don't do it.
if it's hard work just thinking about doing it,
don't do it.
if you're trying to write like somebody
else,
forget about it.
if you have to wait for it to roar out of
you,
then wait patiently.
if it never does roar out of you,
do something else.
if you first have to read it to your wife
or your girlfriend or your boyfriend
or your parents or to anybody at all,
you're not ready.
don't be like so many writers,
don't be like so many thousands of
people who call themselves writers,
don't be dull and boring and
pretentious, don't be consumed with self-
love.
the libraries of the world have
yawned themselves to
sleep
over your kind.
don't add to that.
don't do it.
unless it comes out of
your soul like a rocket,
unless being still would
drive you to madness or
suicide or murder,
don't do it.
unless the sun inside you is
burning your gut,
don't do it.
when it is truly time,
and if you have been chosen,
it will do it by
itself and it will keep on doing it
until you die or it dies in you.
there is no other way.
if it doesn't come bursting out of you
in spite of everything,
don't do it.
unless it comes unasked out of your
heart and your mind and your mouth
and your gut,
don't do it.
if you have to sit for hours
staring at your computer screen
or hunched over your
typewriter
searching for words,
don't do it.
if you're doing it for money or
fame,
don't do it.
if you're doing it because you want
women in your bed,
don't do it.
if you have to sit there and
rewrite it again and again,
don't do it.
if it's hard work just thinking about doing it,
don't do it.
if you're trying to write like somebody
else,
forget about it.
if you have to wait for it to roar out of
you,
then wait patiently.
if it never does roar out of you,
do something else.
if you first have to read it to your wife
or your girlfriend or your boyfriend
or your parents or to anybody at all,
you're not ready.
don't be like so many writers,
don't be like so many thousands of
people who call themselves writers,
don't be dull and boring and
pretentious, don't be consumed with self-
love.
the libraries of the world have
yawned themselves to
sleep
over your kind.
don't add to that.
don't do it.
unless it comes out of
your soul like a rocket,
unless being still would
drive you to madness or
suicide or murder,
don't do it.
unless the sun inside you is
burning your gut,
don't do it.
when it is truly time,
and if you have been chosen,
it will do it by
itself and it will keep on doing it
until you die or it dies in you.
there is no other way.
Monday, October 2, 2017
vegas
By Charles Bukowski
there was a frozen tree that I wanted to paint
but the shells came down
and in Vegas looking across at a green sunshade
at 3:30 in the morning,
I died without nails, without a copy of the Atlantic Monthly,
the windows screamed like doves moaning the bombing of Milan
and I went out to live with the rats
but the lights were too bright
and I thought maybe I'd better go back and sit in a
poetry class:
a marvelous description of a gazelle
is hell;
the cross sits like a fly on my window,
my mother’s breath stirs small leaves
in my mind;
and I hitch-hiked back to L.A. through hangover clouds
and I pulled a letter from my pocket and read it
and the truckdriver said, what’s that?
and I said, there's some gal up North who used to
sleep with Pound, she's trying to tell me that H.D.
was our greatest scribe; well, Hilda gave us a few pink
Grecian gods in with the chinaware, but after reading her
I still have 140 icicles hanging from my bones.
I'm not going all the way to L.A., the truckdriver said.
it's all right, I said, the calla lilies nod to our minds
and someday we’ll all go home
together.
in fact, he said, this is as far
as we go.
so I let him have it; old withered whore of time
your breasts taste the sour cream of dreaming . . .
he let me out
in the middle of the desert;
to die is to die is to die,
old phonographs in cellars,
joe di maggio,
magazines in with the onions . . .
an old Ford picked me up
45 minutes later
and, this time,
I kept my mouth
shut.
there was a frozen tree that I wanted to paint
but the shells came down
and in Vegas looking across at a green sunshade
at 3:30 in the morning,
I died without nails, without a copy of the Atlantic Monthly,
the windows screamed like doves moaning the bombing of Milan
and I went out to live with the rats
but the lights were too bright
and I thought maybe I'd better go back and sit in a
poetry class:
a marvelous description of a gazelle
is hell;
the cross sits like a fly on my window,
my mother’s breath stirs small leaves
in my mind;
and I hitch-hiked back to L.A. through hangover clouds
and I pulled a letter from my pocket and read it
and the truckdriver said, what’s that?
and I said, there's some gal up North who used to
sleep with Pound, she's trying to tell me that H.D.
was our greatest scribe; well, Hilda gave us a few pink
Grecian gods in with the chinaware, but after reading her
I still have 140 icicles hanging from my bones.
I'm not going all the way to L.A., the truckdriver said.
it's all right, I said, the calla lilies nod to our minds
and someday we’ll all go home
together.
in fact, he said, this is as far
as we go.
so I let him have it; old withered whore of time
your breasts taste the sour cream of dreaming . . .
he let me out
in the middle of the desert;
to die is to die is to die,
old phonographs in cellars,
joe di maggio,
magazines in with the onions . . .
an old Ford picked me up
45 minutes later
and, this time,
I kept my mouth
shut.
Tuesday, August 16, 2016
two nights before my 72nd birthday
By Charles Bukowski
sitting here on a boiling hot night while
after winning $232 at the track.
there's not much I can tell you except
if it weren't for my bad right leg
I don't feel much different than I did
30 or 40 years ago (except that
now I have more money and should be able
to afford a decent
burial). also,
I drive better automobiles and have
stopped carrying a
switchblade.
I am still looking for a hero, a role model,
but can't find one.
I am no more tolerant of Humanity
than I ever was.
I am not bored with myself and find
that I am the only one I can
turn to in time of
crisis.
I've been ready to die for decades and
I've been practicing, polishing up
for that end
but it's very
hot tonight
and I can think of little but
this fine cabernet,
that's gift enough for me.
sometimes I can't
believe I've come this far,
this has to be some kind of goddamned
miracle!
just another old guy
blinking at the forces,
smiling a little,
as the cities tremble and the left
hand rises,
clutching
something
real.
sitting here on a boiling hot night while
after winning $232 at the track.
there's not much I can tell you except
if it weren't for my bad right leg
I don't feel much different than I did
30 or 40 years ago (except that
now I have more money and should be able
to afford a decent
burial). also,
I drive better automobiles and have
stopped carrying a
switchblade.
I am still looking for a hero, a role model,
but can't find one.
I am no more tolerant of Humanity
than I ever was.
I am not bored with myself and find
that I am the only one I can
turn to in time of
crisis.
I've been ready to die for decades and
I've been practicing, polishing up
for that end
but it's very
hot tonight
and I can think of little but
this fine cabernet,
that's gift enough for me.
sometimes I can't
believe I've come this far,
this has to be some kind of goddamned
miracle!
just another old guy
blinking at the forces,
smiling a little,
as the cities tremble and the left
hand rises,
clutching
something
real.
Thursday, May 19, 2016
The Great Escape
By Charles Bukowski
listen, he said, you ever seen a bunch of crabs in a
bucket?
no, I told him.
well, what happens is that now and then one crab
will climb up on top of the others
and begin to climb toward the top of the bucket,
then, just as he's about to escape
another crab grabs him and pulls him back
down.
really? I asked.
really, he said, and this job is just like that, none
of the others want anybody to get out of
here. that's just the way it is
in the postal service!
I believe you, I said.
just then the supervisor walked up and said,
you fellows were talking.
there is no talking allowed on this
job.
I had been there for eleven and one-half
years.
I got up off my stool and climbed right up the
supervisor
and then I reached up and pulled myself right
out of there.
it was so easy it was unbelievable.
but none of the others followed me.
and after that, whenever I had crab legs
I thought about that place.
I must have thought about that place
maybe 5 or 6 times
before I switched to lobster
listen, he said, you ever seen a bunch of crabs in a
bucket?
no, I told him.
well, what happens is that now and then one crab
will climb up on top of the others
and begin to climb toward the top of the bucket,
then, just as he's about to escape
another crab grabs him and pulls him back
down.
really? I asked.
really, he said, and this job is just like that, none
of the others want anybody to get out of
here. that's just the way it is
in the postal service!
I believe you, I said.
just then the supervisor walked up and said,
you fellows were talking.
there is no talking allowed on this
job.
I had been there for eleven and one-half
years.
I got up off my stool and climbed right up the
supervisor
and then I reached up and pulled myself right
out of there.
it was so easy it was unbelievable.
but none of the others followed me.
and after that, whenever I had crab legs
I thought about that place.
I must have thought about that place
maybe 5 or 6 times
before I switched to lobster
Tuesday, July 2, 2013
on the continent
By Charles Bukowski
I'm soft. I
dream too.
I let myself dream. I dream of
being famous. I dream of
walking the streets of London and
Paris. I dream of
sitting in cafes
drinking fine wines and
taking a taxi back to a good
hotel.
I dream of
meeting beautiful ladies in the hall
and
turning them away because
I have a sonnet in mind
that I want to write
before sunrise. at sunrise
I will be asleep and there will be a
strange cat curled up on the
windowsill.
I think we all feel like this
now and then.
I'd even like to visit
Andernach, Germany, the place where
I began, then I'd like to
fly on to Moscow to check out
their mass transit system so
I'd have something faintly lewd to
whisper into the ear of the mayor of
Los Angeles upon to my return to this
fucking place.
it could happen.
I'm ready.
I've watched snails crawl over
ten foot walls
and vanish.
you mustn't confuse this with
ambition.
I would be able to laugh at my
good turn of the cards -
and I won't forget you.
I'll send postcards and
snapshots, and the
finished sonnet.
I'm soft. I
dream too.
I let myself dream. I dream of
being famous. I dream of
walking the streets of London and
Paris. I dream of
sitting in cafes
drinking fine wines and
taking a taxi back to a good
hotel.
I dream of
meeting beautiful ladies in the hall
and
turning them away because
I have a sonnet in mind
that I want to write
before sunrise. at sunrise
I will be asleep and there will be a
strange cat curled up on the
windowsill.
I think we all feel like this
now and then.
I'd even like to visit
Andernach, Germany, the place where
I began, then I'd like to
fly on to Moscow to check out
their mass transit system so
I'd have something faintly lewd to
whisper into the ear of the mayor of
Los Angeles upon to my return to this
fucking place.
it could happen.
I'm ready.
I've watched snails crawl over
ten foot walls
and vanish.
you mustn't confuse this with
ambition.
I would be able to laugh at my
good turn of the cards -
and I won't forget you.
I'll send postcards and
snapshots, and the
finished sonnet.
Tuesday, December 11, 2012
The Laughing Heart
By Charles Bukowski
your life is your life
don’t let it be clubbed into dank submission.
be on the watch.
there are ways out.
there is a light somewhere.
it may not be much light but
it beats the darkness.
be on the watch.
the gods will offer you chances.
know them.
take them.
you can’t beat death but
you can beat death in life, sometimes.
and the more often you learn to do it,
the more light there will be.
your life is your life.
know it while you have it.
you are marvelous
the gods wait to delight
in you.
your life is your life
don’t let it be clubbed into dank submission.
be on the watch.
there are ways out.
there is a light somewhere.
it may not be much light but
it beats the darkness.
be on the watch.
the gods will offer you chances.
know them.
take them.
you can’t beat death but
you can beat death in life, sometimes.
and the more often you learn to do it,
the more light there will be.
your life is your life.
know it while you have it.
you are marvelous
the gods wait to delight
in you.
Friday, August 10, 2012
An Almost Made Up Poem
By Charles Bukowski
I see you drinking at a fountain with tiny
blue hands, no, your hands are not tiny
they are small, and the fountain is in France
where you wrote me that last letter and
I answered and never heard from you again.
you used to write insane poems about
ANGELS AND GOD, all in upper case, and you
knew famous artists and most of them
were your lovers, and I wrote back, it’s all right,
go ahead, enter their lives, I’m not jealous
because we've never met. we got close once in
New Orleans, one half block, but never met, never
touched. so you went with the famous and wrote
about the famous, and, of course, what you found out
is that the famous are worried about
their fame –– not the beautiful young girl in bed
with them, who gives them that, and then awakens
in the morning to write upper case poems about
ANGELS AND GOD. we know God is dead, they’ve told
us, but listening to you I wasn't sure. maybe
it was the upper case. you were one of the
best female poets and I told the publishers,
editors, “her, print her, she’s mad but she’s
magic. there’s no lie in her fire.” I loved you
like a man loves a woman he never touches, only
writes to, keeps little photographs of. I would have
loved you more if I had sat in a small room rolling a
cigarette and listened to you piss in the bathroom,
but that didn’t happen. your letters got sadder.
your lovers betrayed you. kid, I wrote back, all
lovers betray. it didn’t help. you said
you had a crying bench and it was by a bridge and
the bridge was over a river and you sat on the crying
bench every night and wept for the lovers who had
hurt and forgotten you. I wrote back but never
heard again. a friend wrote me of your suicide
3 or 4 months after it happened. if I had met you
I would probably have been unfair to you or you
to me. it was best like this.
Friday, June 29, 2012
The Genius Of The Crowd
By Charles Bukowski
there is enough treachery, hatred violence absurdity in the average
human being to supply any given army on any given day
and the best at murder are those who preach against it
and the best at hate are those who preach love
and the best at war finally are those who preach peace
those who preach god, need god
those who preach peace do not have peace
those who preach peace do not have love
beware the preachers
beware the knowers
beware those who are always reading books
beware those who either detest poverty
or are proud of it
beware those quick to praise
for they need praise in return
beware those who are quick to censor
they are afraid of what they do not know
beware those who seek constant crowds for
they are nothing alone
beware the average man the average woman
beware their love, their love is average
seeks average
but there is genius in their hatred
there is enough genius in their hatred to kill you
to kill anybody
not wanting solitude
not understanding solitude
they will attempt to destroy anything
that differs from their own
not being able to create art
they will not understand art
they will consider their failure as creators
only as a failure of the world
not being able to love fully
they will believe your love incomplete
and then they will hate you
and their hatred will be perfect
like a shining diamond
like a knife
like a mountain
like a tiger
like hemlock
their finest art
there is enough treachery, hatred violence absurdity in the average
human being to supply any given army on any given day
and the best at murder are those who preach against it
and the best at hate are those who preach love
and the best at war finally are those who preach peace
those who preach god, need god
those who preach peace do not have peace
those who preach peace do not have love
beware the preachers
beware the knowers
beware those who are always reading books
beware those who either detest poverty
or are proud of it
beware those quick to praise
for they need praise in return
beware those who are quick to censor
they are afraid of what they do not know
beware those who seek constant crowds for
they are nothing alone
beware the average man the average woman
beware their love, their love is average
seeks average
but there is genius in their hatred
there is enough genius in their hatred to kill you
to kill anybody
not wanting solitude
not understanding solitude
they will attempt to destroy anything
that differs from their own
not being able to create art
they will not understand art
they will consider their failure as creators
only as a failure of the world
not being able to love fully
they will believe your love incomplete
and then they will hate you
and their hatred will be perfect
like a shining diamond
like a knife
like a mountain
like a tiger
like hemlock
their finest art
Thursday, March 8, 2012
The Aliens
By Charles Bukowski
you may not believe it
but there are people
who go through life with
very little
friction or
distress.
they dress well, eat
well, sleep well.
they are contented with
their family
life.
they have moments of
grief
but all in all
they are undisturbed
and often feel
very good.
and when they die
it is an easy
death, usually in their
sleep.
you may not believe
it
but such people do
exist.
but I am not one of
them.
oh no, I am not one
of them,
I am not even near
to being
one of
them
but they are
there
and I am
here.
you may not believe it
but there are people
who go through life with
very little
friction or
distress.
they dress well, eat
well, sleep well.
they are contented with
their family
life.
they have moments of
grief
but all in all
they are undisturbed
and often feel
very good.
and when they die
it is an easy
death, usually in their
sleep.
you may not believe
it
but such people do
exist.
but I am not one of
them.
oh no, I am not one
of them,
I am not even near
to being
one of
them
but they are
there
and I am
here.
Wednesday, February 1, 2012
The Worst And The Best
By Charles Bukowski
in the hospitals and jails
it's the worst
in madhouses
it's the worst
in penthouses
it's the worst
in skid row flophouses
it's the worst
at poetry readings
at rock concerts
at benefits for the disabled
it's the worst
at funerals
at weddings
it's the worst
at parades
at skating rinks
at sexual orgies
it's the worst
at midnight
at 3 a.m.
at 5:45 p.m.
it's the worst
falling through the sky
firing squads
that's the best
thinking of India
looking at popcorn stands
watching the bull get the matador
that's the best
boxed lightbulbs
an old dog scratching
peanuts in a celluloid bag
that's the best
spraying roaches
a clean pair of stockings
natural guts defeating natural talent
that's the best
in front of firing squads
throwing crusts to seagulls
slicing tomatoes
that's the best
rugs with cigarette burns
cracks in sidewalks
waitresses still sane
that's the best
my hands dead
my heart dead
silence
adagio of rocks
the world ablaze
that's the best
for me.
in the hospitals and jails
it's the worst
in madhouses
it's the worst
in penthouses
it's the worst
in skid row flophouses
it's the worst
at poetry readings
at rock concerts
at benefits for the disabled
it's the worst
at funerals
at weddings
it's the worst
at parades
at skating rinks
at sexual orgies
it's the worst
at midnight
at 3 a.m.
at 5:45 p.m.
it's the worst
falling through the sky
firing squads
that's the best
thinking of India
looking at popcorn stands
watching the bull get the matador
that's the best
boxed lightbulbs
an old dog scratching
peanuts in a celluloid bag
that's the best
spraying roaches
a clean pair of stockings
natural guts defeating natural talent
that's the best
in front of firing squads
throwing crusts to seagulls
slicing tomatoes
that's the best
rugs with cigarette burns
cracks in sidewalks
waitresses still sane
that's the best
my hands dead
my heart dead
silence
adagio of rocks
the world ablaze
that's the best
for me.
Tuesday, January 17, 2012
Bluebird
By Charles Bukowski
there's a bluebird in my heart that
wants to get out
but I'm too tough for him,
I say, stay in there, I'm not going
to let anybody see
you.
there's a bluebird in my heart that
wants to get out
but I pour whiskey on him and inhale
cigarette smoke
and the whores and the bartenders
and the grocery clerks
never know that
he's
in there.
there's a bluebird in my heart that
wants to get out
but I'm too tough for him,
I say,
stay down, do you want to mess
me up?
you want to screw up the
works?
you want to blow my book sales in
Europe?
there's a bluebird in my heart that
wants to get out
but I'm too clever, I only let him out
at night sometimes
when everybody's asleep.
I say, I know that you're there,
so don't be
sad.
then I put him back,
but he's singing a little
in there, I haven't quite let him
die
and we sleep together like
that
with our
secret pact
and it's nice enough to
make a man
weep, but I don't
weep, do
you?
there's a bluebird in my heart that
wants to get out
but I'm too tough for him,
I say, stay in there, I'm not going
to let anybody see
you.
there's a bluebird in my heart that
wants to get out
but I pour whiskey on him and inhale
cigarette smoke
and the whores and the bartenders
and the grocery clerks
never know that
he's
in there.
there's a bluebird in my heart that
wants to get out
but I'm too tough for him,
I say,
stay down, do you want to mess
me up?
you want to screw up the
works?
you want to blow my book sales in
Europe?
there's a bluebird in my heart that
wants to get out
but I'm too clever, I only let him out
at night sometimes
when everybody's asleep.
I say, I know that you're there,
so don't be
sad.
then I put him back,
but he's singing a little
in there, I haven't quite let him
die
and we sleep together like
that
with our
secret pact
and it's nice enough to
make a man
weep, but I don't
weep, do
you?
Sunday, November 27, 2011
it's the way you play the game
By Charles Bukowski
call it love
stand it up in the failing
light
put it in a dress
pray sing beg cry laugh
turn off hte lights
turn on the radio
add trimmings:
butter raw eggs, yesterday's
newspaper;
one new shoelace, then add
paprika, sugar, salt, pepper,
phone your drunken aunt in
Calexico;
call it love, you
skewer it good, add
cabbage and applesauce,
then heat it from the right
side,
put it in a box
give it away
leave it on a doorstep
vomiting as you go
into the
hydrangea.
call it love
stand it up in the failing
light
put it in a dress
pray sing beg cry laugh
turn off hte lights
turn on the radio
add trimmings:
butter raw eggs, yesterday's
newspaper;
one new shoelace, then add
paprika, sugar, salt, pepper,
phone your drunken aunt in
Calexico;
call it love, you
skewer it good, add
cabbage and applesauce,
then heat it from the right
side,
put it in a box
give it away
leave it on a doorstep
vomiting as you go
into the
hydrangea.
Tuesday, April 12, 2011
How is your heart?
By Charles Bukowski
during my worst times
on the park benches
in the jails
or living with
whores
I always had this certain
contentment-
I wouldn’t call it
happiness-
it was more of an inner
balance
that settled for
whatever was occurring
and it helped in the
factories
and when relationships
went wrong
with the
girls.
it helped
through the
wars and the
hangovers
the backalley fights
the
hospitals.
to awaken in a cheap room
in a strange city and
pull up the shade-
this was the craziest kind of
contentment
and to walk across the floor
to an old dresser with a
cracked mirror-
see myself, ugly,
grinning at it all.
what matters most is
how well you
walk through the
fire.
during my worst times
on the park benches
in the jails
or living with
whores
I always had this certain
contentment-
I wouldn’t call it
happiness-
it was more of an inner
balance
that settled for
whatever was occurring
and it helped in the
factories
and when relationships
went wrong
with the
girls.
it helped
through the
wars and the
hangovers
the backalley fights
the
hospitals.
to awaken in a cheap room
in a strange city and
pull up the shade-
this was the craziest kind of
contentment
and to walk across the floor
to an old dresser with a
cracked mirror-
see myself, ugly,
grinning at it all.
what matters most is
how well you
walk through the
fire.
Friday, March 18, 2011
as the poems go
By Charles Bukowski
as the poems go into the thousands you
realize that you've created very
little.
it comes down to the rain, the sunlight,
the traffic, the nights and the days of the
years, the faces.
leaving this will be easier than living
it, typing one more line now as
a man plays a piano through the radio,
the best writers have said very
little
and the worst,
far too much.
as the poems go into the thousands you
realize that you've created very
little.
it comes down to the rain, the sunlight,
the traffic, the nights and the days of the
years, the faces.
leaving this will be easier than living
it, typing one more line now as
a man plays a piano through the radio,
the best writers have said very
little
and the worst,
far too much.
Monday, October 11, 2010
doom and siesta time
By Charles Bukowski
my friend is worried about dying
he lives in Frisco
I live in L.A.
he goes to the gym and
works with the iron and hits
the big bag.
old age diminishes him.
he can't drink because of
his liver.
he can do
50 pushups.
he writes me
letters
telling me
that I'm the only one
who listens to him.
sure, Hal, I answer him
on a postcard.
but I don't want to pay
all those gym fees.
I go to bed
with a liverwurst and
onion sandwich at
one p.m.
after I eat I
nap
with the heli-
copters and vultures
circling over my
sagging mattress.
my friend is worried about dying
he lives in Frisco
I live in L.A.
he goes to the gym and
works with the iron and hits
the big bag.
old age diminishes him.
he can't drink because of
his liver.
he can do
50 pushups.
he writes me
letters
telling me
that I'm the only one
who listens to him.
sure, Hal, I answer him
on a postcard.
but I don't want to pay
all those gym fees.
I go to bed
with a liverwurst and
onion sandwich at
one p.m.
after I eat I
nap
with the heli-
copters and vultures
circling over my
sagging mattress.
Tuesday, August 3, 2010
this kind of fire
By Charles Bukowski
sometimes I think the gods
deliberately keep pushing me
into the fire
just to hear me
yelp
a few good
lines.
they just aren't going to
let me retire
silk scarf about neck
giving lectures at
Yale.
the gods need me to
entertain them.
they must be terribly
bored with all
the others
and I am too.
and now my cigarette lighter
has gone dry.
I sit here
hopelessly
flicking it.
this kind of fire
they can't give
me.
sometimes I think the gods
deliberately keep pushing me
into the fire
just to hear me
yelp
a few good
lines.
they just aren't going to
let me retire
silk scarf about neck
giving lectures at
Yale.
the gods need me to
entertain them.
they must be terribly
bored with all
the others
and I am too.
and now my cigarette lighter
has gone dry.
I sit here
hopelessly
flicking it.
this kind of fire
they can't give
me.
Wednesday, July 7, 2010
a non-urgent poem
By Charles Bukowski
I had this fellow write me that
he felt there wasn’t the
“urgency” in my poems
of the present
as compared to my poems
of the past.
now, if this is true
why did he write me
about it?
have I made his days
more
incomplete?
it’s
possible.
Well, I too have felt
let down
by writers
I once thought were
powerful
or
at least
very damned
good
but
I never considered
writing them to
inform them that I
sensed their
demise.
I found the best thing
I could do
was just to type away
at my own work
and let the dying
die
as they always
have.
I had this fellow write me that
he felt there wasn’t the
“urgency” in my poems
of the present
as compared to my poems
of the past.
now, if this is true
why did he write me
about it?
have I made his days
more
incomplete?
it’s
possible.
Well, I too have felt
let down
by writers
I once thought were
powerful
or
at least
very damned
good
but
I never considered
writing them to
inform them that I
sensed their
demise.
I found the best thing
I could do
was just to type away
at my own work
and let the dying
die
as they always
have.
Saturday, June 26, 2010
how to be a great writer
By Charles Bukowski
you've got to fuck a great many women
beautiful women
and write a few decent love poems.
and don't worry about age
and/or freshly-arrived talents.
just drink more beer
more and more beer
and attend the racetrack at least once a week
and win
if possible
learning to win is hard -
any slob can be a good loser.
and don't forget your Brahms
and your Bach and your
beer.
don't overexercise.
sleep until moon.
avoid paying credit cards
or paying for anything on
time.
remember that there isn't a piece of ass
in this world over $50
(in 1977).
and if you have the ability to love
love yourself first
but always be aware of the possibility of
total defeat
whether the reason for that defeat
seems right or wrong -
an early taste of death is not necessarily
a bad thing.
stay out of churches and bars and museums,
and like the spider be
patient -
time is everybody's cross,
plus
exile
defeat
treachery
all that dross.
stay with the beer.
beer is continuous blood.
a continuous lover.
get a large typewriter
and as the footsteps go up and down
outside your window
hit that thing
hit it hard
make it a heavyweight fight
make it the bull when he first charges in
and remember the old dogs
who fought so well:
Hemingway, Celine, Dostoevsky, Hamsun.
If you think they didn't go crazy
in tiny rooms
just like you're doing now
without women
without food
without hope
then you're not ready.
drink more beer.
there's time.
and if there's not
that's all right
too.
you've got to fuck a great many women
beautiful women
and write a few decent love poems.
and don't worry about age
and/or freshly-arrived talents.
just drink more beer
more and more beer
and attend the racetrack at least once a week
and win
if possible
learning to win is hard -
any slob can be a good loser.
and don't forget your Brahms
and your Bach and your
beer.
don't overexercise.
sleep until moon.
avoid paying credit cards
or paying for anything on
time.
remember that there isn't a piece of ass
in this world over $50
(in 1977).
and if you have the ability to love
love yourself first
but always be aware of the possibility of
total defeat
whether the reason for that defeat
seems right or wrong -
an early taste of death is not necessarily
a bad thing.
stay out of churches and bars and museums,
and like the spider be
patient -
time is everybody's cross,
plus
exile
defeat
treachery
all that dross.
stay with the beer.
beer is continuous blood.
a continuous lover.
get a large typewriter
and as the footsteps go up and down
outside your window
hit that thing
hit it hard
make it a heavyweight fight
make it the bull when he first charges in
and remember the old dogs
who fought so well:
Hemingway, Celine, Dostoevsky, Hamsun.
If you think they didn't go crazy
in tiny rooms
just like you're doing now
without women
without food
without hope
then you're not ready.
drink more beer.
there's time.
and if there's not
that's all right
too.
Sunday, May 2, 2010
On Going Back To The Street After Viewing An Art Show
By Charles Bukowski
they talk down through
the centuries to us,
and this we need more and more,
the statues and paintings
in midnight age
as we go along
holding dead hands.
and we would say
rather than delude the knowing:
a damn good show,
but hardly enough for a horse to eat,
and out on the sunshine street where
eyes are dabbled in metazoan faces
i decide again
that in theses centuries
they have done very well
considering the nature of their
brothers:
it's more than good
that some of them,
(closer really to the field-mouse than
falcon)
have been bold enough to tr
they talk down through
the centuries to us,
and this we need more and more,
the statues and paintings
in midnight age
as we go along
holding dead hands.
and we would say
rather than delude the knowing:
a damn good show,
but hardly enough for a horse to eat,
and out on the sunshine street where
eyes are dabbled in metazoan faces
i decide again
that in theses centuries
they have done very well
considering the nature of their
brothers:
it's more than good
that some of them,
(closer really to the field-mouse than
falcon)
have been bold enough to tr
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