Showing posts with label Philip Levine. Show all posts
Showing posts with label Philip Levine. Show all posts

Monday, September 2, 2019

What Work Is

By Philip Levine

We stand in the rain in a long line
waiting at Ford Highland Park. For work.
You know what work is--if you're
old enough to read this you know what
work is, although you may not do it.
Forget you. This is about waiting,
shifting from one foot to another.
Feeling the light rain falling like mist
into your hair, blurring your vision
until you think you see your own brother
ahead of you, maybe ten places.
You rub your glasses with your fingers,
and of course it's someone else's brother,
narrower across the shoulders than
yours but with the same sad slouch, the grin
that does not hide the stubbornness,
the sad refusal to give in to
rain, to the hours wasted waiting,
to the knowledge that somewhere ahead
a man is waiting who will say, "No,
we're not hiring today," for any
reason he wants. You love your brother,
now suddenly you can hardly stand
the love flooding you for your brother,
who's not beside you or behind or
ahead because he's home trying to
sleep off a miserable night shift
at Cadillac so he can get up
before noon to study his German.
Works eight hours a night so he can sing
Wagner, the opera you hate most,
the worst music ever invented.
How long has it been since you told him
you loved him, held his wide shoulders,
opened your eyes wide and said those words,
and maybe kissed his cheek? You've never
done something so simple, so obvious,
not because you're too young or too dumb,
not because you're jealous or even mean
or incapable of crying in
the presence of another man, no,
just because you don't know what work is.

Monday, February 16, 2015

An Abandoned Factory, Detroit

By Philip Levine

 The gates are chained, the barbed-wire fencing stands,
 An iron authority against the snow,
 And this grey monument to common sense
 Resists the weather. Fears of idle hands,
 Of protest, men in league, and of the slow
 Corrosion of their minds, still charge this fence.

 Beyond, through broken windows one can see 
Where the great presses paused between their strokes
 And thus remain, in air suspended, caught
 In the sure margin of eternity.
 The cast-iron wheels have stopped; one counts the spokes

 Which movement blurred, the struts inertia fought,
 And estimates the loss of human power,
 Experienced and slow, the loss of years,
 The gradual decay of dignity.
 Men lived within these foundries, hour by hour;

 Nothing they forged outlived the rusted gears
 Which might have served to grind their eulogy.