By Daniel Brenner
There isn’t enough soy sauce in the world to feed
Jews on Christmas
Huddled around steaming plates of dumplings
Discussing cinematography
Angioplasty
Lactaid
Who has lived and who has died
Shocked to hear that the hot new Hollywood star is actually half-Jewish
(and not arguing which half)
I don’t see what all the fuss is about Nathan Englander.
Yes, it’s like The Wire, but different,
Costco is a mixed blessing,
Do you trust Yelp?
On our smartphones we subtract the Chinese year from the Jewish year to see how long the Jews had to wait to try egg drop soup.
The laughter of Jews on Christmas
shakes the jade Buddha under the faux waterfall from his
sleepy serenity
And for a moment, the enlightened one opens his eyes,
smiling contently as he joins us to look at pictures of relatives at Harry Potter world.
Now he’s Jewish too.
The Moo Shu comes with little tortillas, pancakes, wraps,
whatever you want to call them.
And we wrap up the mush of last year, with all of its regrets and tzuris,
And immerse into soy sauce,
a ritual bath,
three times dipped,
and we say – this is not bad.
Our highest compliment.
The poem, I’ve always felt, is an opportunity for me to create an integrated whole from so many broken shards --Rafael Campo
Tuesday, December 27, 2016
Tuesday, December 20, 2016
Toward a Better Love
“Sex is a political condition.” —Kate Millet
No one disputes that sex
is a condition in the world of the couple:
from there, tenderness and its wild branches.
No one disputes that sex
is a domestic condition:
from there, kids,
nights in common
and days divided
(he, looking for bread in the street,
in offices or factories;
she, in the rear guard of domestic functions,
in the strategy and tactic of the kitchen
that allows survival in a common struggle
at least to the end of the month).
No one disputes that sex
in an economic condition:
it’s enough to mention prostitution,
fashion,
the sections in the dailies that are only for her
or only for him.
Where the hassles begin
is when a woman says
sex is a political condition.
Because when a woman says
sex is a political condition
she can begin to stop being just a woman in herself
in order to become a woman for herself,
establishing the woman in woman
from the basis of her humanity
on not of her sex,
knowing that the magic deodorant with a hint of lemon
and soap that voluptuously caresses her skin
are made by the same manufacturer that makes napalm
knowing the labors of the homes themselves
are labors of a social class to which that home belongs,
that the difference between the sexes
burns much better in the loving depth of night
when all those secrets that kept us
masked and alien are revealed.
No one disputes that sex
is a condition in the world of the couple:
from there, tenderness and its wild branches.
No one disputes that sex
is a domestic condition:
from there, kids,
nights in common
and days divided
(he, looking for bread in the street,
in offices or factories;
she, in the rear guard of domestic functions,
in the strategy and tactic of the kitchen
that allows survival in a common struggle
at least to the end of the month).
No one disputes that sex
in an economic condition:
it’s enough to mention prostitution,
fashion,
the sections in the dailies that are only for her
or only for him.
Where the hassles begin
is when a woman says
sex is a political condition.
Because when a woman says
sex is a political condition
she can begin to stop being just a woman in herself
in order to become a woman for herself,
establishing the woman in woman
from the basis of her humanity
on not of her sex,
knowing that the magic deodorant with a hint of lemon
and soap that voluptuously caresses her skin
are made by the same manufacturer that makes napalm
knowing the labors of the homes themselves
are labors of a social class to which that home belongs,
that the difference between the sexes
burns much better in the loving depth of night
when all those secrets that kept us
masked and alien are revealed.
Monday, December 19, 2016
Try To Praise The Mutilated World
By Adam Zagajewski
Try to praise the mutilated world.
Remember June’s long days,
and wild strawberries, drops of wine, the dew.
The nettles that methodically overgrow
the abandoned homesteads of exiles.
You must praise the mutilated world.
You watched the stylish yachts and ships;
one of them had a long trip ahead of it,
while salty oblivion awaited others.
You’ve seen the refugees heading nowhere,
you’ve heard the executioners sing joyfully.
You should praise the mutilated world.
Remember the moments when we were together
in a white room and the curtain fluttered.
Return in thought to the concert where music flared.
You gathered acorns in the park in autumn
and leaves eddied over the earth’s scars.
Praise the mutilated world
and the grey feather a thrush lost,
and the gentle light that strays and vanishes
and returns.
Try to praise the mutilated world.
Remember June’s long days,
and wild strawberries, drops of wine, the dew.
The nettles that methodically overgrow
the abandoned homesteads of exiles.
You must praise the mutilated world.
You watched the stylish yachts and ships;
one of them had a long trip ahead of it,
while salty oblivion awaited others.
You’ve seen the refugees heading nowhere,
you’ve heard the executioners sing joyfully.
You should praise the mutilated world.
Remember the moments when we were together
in a white room and the curtain fluttered.
Return in thought to the concert where music flared.
You gathered acorns in the park in autumn
and leaves eddied over the earth’s scars.
Praise the mutilated world
and the grey feather a thrush lost,
and the gentle light that strays and vanishes
and returns.
Wednesday, December 14, 2016
Sorry!
By Amir Darwish
An apology from Muslims (or those perceived to be Muslims) to humanity
We are sorry for everything
That we have caused humanity to suffer from.
Sorry for Algebra and the letter X.
Sorry for all the words we throw at you;
Amber, candy, chemistry, cotton, giraffe, hazard,
Jar, jasmine, jumper, lemon, lime, lilac,
Oranges, sofa, scarlet, spinach,
Talisman, tangerine, tariff, traffic, tulips,
Mattress (yes mattress) and the massage you enjoy on it:
We are sorry for all of these.
Sorry that we replaced alcohol with coffee for Enlightenment philosophers.
Speaking of hot drinks,
We are sorry for the cappuccino the Turks brought over.
Sorry for the black Arabian race horses,
For the clock,
Maths,
Parachutes.
Abdul in the US is sorry for what so and so did;
He does not know him but he is sorry anyway.
Sorry that we accompanied Columbus on his journey to the States.
And sorry for the Arab man with him
Who was the first to touch the shore and shout ‘Honolulu’
And named the place after him.
Sorry for the architecture in Spain and the Al Hambra palace there.
We apologise for churches in Seville
With their stars of David at the top that we built with our hands.
We say sorry for every number you use in your daily life from the 0 to
the trillion.
Even Adnan the Yezidi (mistaken for a Muslim)
Is sorry for the actions of Abu whatever who beheads people in Syria.
Sorry for the mercury chloride that heals wounds,
Please give us some –
Because the guilt of initiating all of the above
Gives us a wound as big as this earth.
Sorry for the guitar that was played by Moriscosin Spain
To ease their pain when they were kicked out of their homes.
Sorry for the hookah as you sip on its lips
And gaze into the moon hearing the Arabian Nay.
Sorry for cryptanalysis and the ability to analyse information systems,
To think what is at the heart of the heart of the heart and bring it to the world.
Sorry for painting Grenada white to evade social hierarchy.
Sorry for the stories in The Arabian Nights.
Every time we see a star, we remember to be sorry for Astronomy.
We are sorry that Mo Farah claimed asylum here
And went to become the British champion of the world.
Sorry for non-representational art,
Pattern and surface decoration.
We are sorry for all the food we brought over:
From tuna to chicken tikka masala,
Hummus,
Falafel,
Apricot,
Doner kebab
Right up to the shawarma roll.
And don’t forget the couscous.
If we forgot to apologise for something, never mind,
We are sorry for it without even knowing it.
Most of all we are sorry for Rumi’s love poems,
And we desperately echo one of them to you:
>Oh Beloved,
Take me.
Liberate my soul.
Fill me with your love and
Release me from the two worlds.
If I set my heart on anything but you
Let fire burn me from inside.
Oh Beloved,
Take away what I want.
Take away what I do.
Take away what I need.
Take away everything
That takes me from you.
Please forgive us.
We are sorry and cannot be sorry enough today.
An apology from Muslims (or those perceived to be Muslims) to humanity
We are sorry for everything
That we have caused humanity to suffer from.
Sorry for Algebra and the letter X.
Sorry for all the words we throw at you;
Amber, candy, chemistry, cotton, giraffe, hazard,
Jar, jasmine, jumper, lemon, lime, lilac,
Oranges, sofa, scarlet, spinach,
Talisman, tangerine, tariff, traffic, tulips,
Mattress (yes mattress) and the massage you enjoy on it:
We are sorry for all of these.
Sorry that we replaced alcohol with coffee for Enlightenment philosophers.
Speaking of hot drinks,
We are sorry for the cappuccino the Turks brought over.
Sorry for the black Arabian race horses,
For the clock,
Maths,
Parachutes.
Abdul in the US is sorry for what so and so did;
He does not know him but he is sorry anyway.
Sorry that we accompanied Columbus on his journey to the States.
And sorry for the Arab man with him
Who was the first to touch the shore and shout ‘Honolulu’
And named the place after him.
Sorry for the architecture in Spain and the Al Hambra palace there.
We apologise for churches in Seville
With their stars of David at the top that we built with our hands.
We say sorry for every number you use in your daily life from the 0 to
the trillion.
Even Adnan the Yezidi (mistaken for a Muslim)
Is sorry for the actions of Abu whatever who beheads people in Syria.
Sorry for the mercury chloride that heals wounds,
Please give us some –
Because the guilt of initiating all of the above
Gives us a wound as big as this earth.
Sorry for the guitar that was played by Moriscosin Spain
To ease their pain when they were kicked out of their homes.
Sorry for the hookah as you sip on its lips
And gaze into the moon hearing the Arabian Nay.
Sorry for cryptanalysis and the ability to analyse information systems,
To think what is at the heart of the heart of the heart and bring it to the world.
Sorry for painting Grenada white to evade social hierarchy.
Sorry for the stories in The Arabian Nights.
Every time we see a star, we remember to be sorry for Astronomy.
We are sorry that Mo Farah claimed asylum here
And went to become the British champion of the world.
Sorry for non-representational art,
Pattern and surface decoration.
We are sorry for all the food we brought over:
From tuna to chicken tikka masala,
Hummus,
Falafel,
Apricot,
Doner kebab
Right up to the shawarma roll.
And don’t forget the couscous.
If we forgot to apologise for something, never mind,
We are sorry for it without even knowing it.
Most of all we are sorry for Rumi’s love poems,
And we desperately echo one of them to you:
>Oh Beloved,
Take me.
Liberate my soul.
Fill me with your love and
Release me from the two worlds.
If I set my heart on anything but you
Let fire burn me from inside.
Oh Beloved,
Take away what I want.
Take away what I do.
Take away what I need.
Take away everything
That takes me from you.
Please forgive us.
We are sorry and cannot be sorry enough today.
Tuesday, December 13, 2016
Almost Visible
By Laura Gail Grohe
When you see me, if you see me,
I am your worst fears found form.
“Pardon me sir,
but could I have a dollar for food?”
You rush by me studying your cuticles
so you don’t have to see me.
“Excuse me miss,
do you have any spare change?”
When I used to rush from subway to office
I never noticed the dust.
Squatting on sidewalk’s edge
fishing for your eye and quarters
the city’s dandruff covers me.
I didn’t start here, few of us do.
It was when I still had a private place
to sleep, to shower, to read,
that I was overcome by almosts.
Almost enough money to pay bills.
Almost poor enough for help.
Almost good enough for promotion.
Almost sick enough for hospital care.
Almost together enough to find a way out.
Almost.
Between the crushing weight of invisibility
and the slippery slide of not quite enough
I am just another dusty almost.
This poem originally appeared in Writers Resist.
When you see me, if you see me,
I am your worst fears found form.
“Pardon me sir,
but could I have a dollar for food?”
You rush by me studying your cuticles
so you don’t have to see me.
“Excuse me miss,
do you have any spare change?”
When I used to rush from subway to office
I never noticed the dust.
Squatting on sidewalk’s edge
fishing for your eye and quarters
the city’s dandruff covers me.
I didn’t start here, few of us do.
It was when I still had a private place
to sleep, to shower, to read,
that I was overcome by almosts.
Almost enough money to pay bills.
Almost poor enough for help.
Almost good enough for promotion.
Almost sick enough for hospital care.
Almost together enough to find a way out.
Almost.
Between the crushing weight of invisibility
and the slippery slide of not quite enough
I am just another dusty almost.
This poem originally appeared in Writers Resist.
Monday, December 12, 2016
The Other Day I Peed On a Stick
and when I peed on the stick I knew my blood was like poison.
When I turned 18, I had just started my medication, I peed on a stick, called a number
from the phone book to see if I could afford an abortion without anyone knowing.
It was a pro-life group with a deceptive name, the woman begging me to keep the baby.
So I told my mother. The doctor she took me to stuck his head in the room, said
“Congratulations, you’re pregnant.”
Shut the door. The woman who filled out my outtake form rattled on about her midwife.
Her face changed. “You’re happy about this, right?”
She slowly drew hearts around her midwife’s name.
I wished those hearts could work some sort of magic —
make my blood less like the poison I was just beginning to know.
My mother’s aunt died of a back alley abortion. My mother wrote a poem about it called, “Floating,” because as she bleeds to death she is floating above the pain. Or maybe it was the ether that killed her. All sorts of things could kill you from an abortion back then.
At 22 my mother’s future mother-in-law said, “I can get you an abortion, but you have to say you’re crazy.” But my mother wanted him. In fact, my mother has wanted every pregnancy, especially the miscarriage. She has his mobile hanging above her bed. A group of tiny ceramic bears in bowties that clink sweetly, quietly.
The other day I peed on a stick and when I peed on the stick
I knew my blood was like poison, but without my medication, I’ll go crazy.
I’ll never be the girl in the movie who throws up, pees on a stick, then says,
honey? I’m pregnant! And runs to her lover. Buys bitty shoes. Buys bitty hats.
I’ll never read aloud to my belly, then deny doing such a silly thing.
I won’t look into a tiny face and see a glimmer of me, of my mother, of my husband.
I won’t be looking at someone I will love forever. Someone to give the world to.
Someone for whom I’d make sure the world was something to fall in love with.
Trump is the President-elect. I peed on a stick and when I peed on the stick I knew
my blood was like poison and I’d spare a child all sorts of deformity, sickness.
I waited the two minutes you have to wait, wondering, what if he changes everything?
What if someday I can’t get an abortion, my blood like poison?
Will we use the phrase “back alley,” keep notes for other women of doctors who perform
the operation? Could I become a story my nephews tell? Another aunt with a tragic end? Will I float above the pain? Right out of the world I’d try to make magical for my child if my blood was nothing, wasn’t anything like poison.
By Rae Rose
This poem originally appeared in Writers Resist.
When I turned 18, I had just started my medication, I peed on a stick, called a number
from the phone book to see if I could afford an abortion without anyone knowing.
It was a pro-life group with a deceptive name, the woman begging me to keep the baby.
So I told my mother. The doctor she took me to stuck his head in the room, said
“Congratulations, you’re pregnant.”
Shut the door. The woman who filled out my outtake form rattled on about her midwife.
Her face changed. “You’re happy about this, right?”
She slowly drew hearts around her midwife’s name.
I wished those hearts could work some sort of magic —
make my blood less like the poison I was just beginning to know.
My mother’s aunt died of a back alley abortion. My mother wrote a poem about it called, “Floating,” because as she bleeds to death she is floating above the pain. Or maybe it was the ether that killed her. All sorts of things could kill you from an abortion back then.
At 22 my mother’s future mother-in-law said, “I can get you an abortion, but you have to say you’re crazy.” But my mother wanted him. In fact, my mother has wanted every pregnancy, especially the miscarriage. She has his mobile hanging above her bed. A group of tiny ceramic bears in bowties that clink sweetly, quietly.
The other day I peed on a stick and when I peed on the stick
I knew my blood was like poison, but without my medication, I’ll go crazy.
I’ll never be the girl in the movie who throws up, pees on a stick, then says,
honey? I’m pregnant! And runs to her lover. Buys bitty shoes. Buys bitty hats.
I’ll never read aloud to my belly, then deny doing such a silly thing.
I won’t look into a tiny face and see a glimmer of me, of my mother, of my husband.
I won’t be looking at someone I will love forever. Someone to give the world to.
Someone for whom I’d make sure the world was something to fall in love with.
Trump is the President-elect. I peed on a stick and when I peed on the stick I knew
my blood was like poison and I’d spare a child all sorts of deformity, sickness.
I waited the two minutes you have to wait, wondering, what if he changes everything?
What if someday I can’t get an abortion, my blood like poison?
Will we use the phrase “back alley,” keep notes for other women of doctors who perform
the operation? Could I become a story my nephews tell? Another aunt with a tragic end? Will I float above the pain? Right out of the world I’d try to make magical for my child if my blood was nothing, wasn’t anything like poison.
By Rae Rose
This poem originally appeared in Writers Resist.
Sunday, December 11, 2016
B'resheet
By Julia Liberman
This is how it was for Lilith, first-born
human daughter of the Lord, first wife
to a man whose name was mud:
She was born into the orgasm of life,
the entire world stroking her towards devotion.
Thereafter, she spent the rest of her existence
searching for the exaltation of her first breath.
She thought that Adam had felt it too—that he
recalled the rapturous breath of God upon his skin,
remembered standing in the glory of Creation,
filled with the ecstasy of living. She hoped
that together they might reassemble
enough parts to make the whole of it,
to recreate the awe of entering the universe.
But he did not know, and he did not remember,
and his idea of pleasure was so small it bored her.
And that was why she had left Adam and the Garden
behind: he did not remember the feeling,
any more than he could redeliver it.
Every time she returns to Eden, after years
of searching for slivers of satisfaction, she sits
beneath the Tree of Knowledge. She touches
herself, eating of its many fruits: peaches, mangoes,
pomegranates, and figs. She is trying to find
the one that will teach her how to return
to the Beginning.
This piece was originally published in Strange Horizons.
This is how it was for Lilith, first-born
human daughter of the Lord, first wife
to a man whose name was mud:
She was born into the orgasm of life,
the entire world stroking her towards devotion.
Thereafter, she spent the rest of her existence
searching for the exaltation of her first breath.
She thought that Adam had felt it too—that he
recalled the rapturous breath of God upon his skin,
remembered standing in the glory of Creation,
filled with the ecstasy of living. She hoped
that together they might reassemble
enough parts to make the whole of it,
to recreate the awe of entering the universe.
But he did not know, and he did not remember,
and his idea of pleasure was so small it bored her.
And that was why she had left Adam and the Garden
behind: he did not remember the feeling,
any more than he could redeliver it.
Every time she returns to Eden, after years
of searching for slivers of satisfaction, she sits
beneath the Tree of Knowledge. She touches
herself, eating of its many fruits: peaches, mangoes,
pomegranates, and figs. She is trying to find
the one that will teach her how to return
to the Beginning.
This piece was originally published in Strange Horizons.
Wednesday, December 7, 2016
Resolution (6)
By Layli Long Soldier
I too urge the President to acknowledge the wrongs of the United States against Indian tribes in the history of the United States in order to bring healing to this land although healing this land is not dependent never has been upon this President meaning tribal nations and the people themselves are healing this land its waters with or without Presidential acknowledgement they act upon this right without apology–
I too urge the President to acknowledge the wrongs of the United States against Indian tribes in the history of the United States in order to bring healing to this land although healing this land is not dependent never has been upon this President meaning tribal nations and the people themselves are healing this land its waters with or without Presidential acknowledgement they act upon this right without apology–
To speak to law enforcement
these Direct Action Principles
be really clear always ask
have been painstakingly drafted
who what when where why
at behest of the local leadership
e.g. Officer, my name is _________
from Standing Rock
please explain
and are the guidelines
the probable cause for stopping me
for the Oceti Sakowin camp
you may ask
I acknowledge a plurality of ways
does that seem reasonable to you
to resist oppression
don’t give any further info
People ask why do you bring up
we are Protectors
so many other issues it’s because
we are peaceful and prayerful
these issues have been ongoing
‘isms’ have no place
for 200 years they’re inter-dependent
here we all stand together
we teach the distinction
we are non-violent
btwn civil rights and civil liberties
we are proud to stand
btwn what’s legal & what isn’t legal
no masks
the camp is 100% volunteer
respect local
it’s a choice to be a protector
no weapons
liberty is freedom
or what could be construed as weapons
of speech it’s a right
property damage does not get us closer
to privacy a fair trial
to our goal
you’re free
all campers must get an orientation
from unreasonable search
Direct Action Training
free from seizure of person or home
is required
& civil disobedience: the camp is
for everyone taking action
an act of civil disobedience
no children
now the law protects the corporation
in potentially dangerous situations
so the camp is illegal
we keep each accountable
you must have a buddy system
to these principles
someone must know when you’re leaving
this is a ceremony
& when you’re coming back
act accordingly
Monday, December 5, 2016
Male Bias
By Katherine D. Perry
Waiting five years to adopt a daughter,
I had time to carefully consider the impact
of male bias on foreign shores,
where, when you can only have one, girls
are left on the steps of schools and libraries,
and if they survive, they might be sent away,
to western countries, where women
can have as many as eight babies at once.
I look into her eyes and ache for a mother
who felt forced to let her go,
who had to break the mother-daughter bond
because of money and laws and culture and the need for a male child.
Now that I’m pregnant with a son,
I see my naiveté.
When I tell my friends that he is a boy,
I watch as eyes light and listen
to the long list of reasons why sons
are better than daughters: easy and calm
among the most common.
But then they add: simple pregnancies,
less dramatics, even a unique mother-son bond
that will somehow overtake my life.
I think of my feminism training,
of the penis-baby who, according to psychoanalytic theory,
will make me whole.
I look at the pay stubs stacked next to each other: mine and my partner’s
and consider the defeating weight of that common inequity.
Here in America, we claim equality.
Here in America, I walk without hoods or chains;
I drive my car; I vote in every election; I work.
Here in America, my son is expected to be
my easy child, the love of my life,
the missing key to my life’s mystery.
He will make more money than she will;
he will get promotions more quickly.
But I as I hold my Chinese daughter,
and share with her the pain of our two cultures
that leave our girls behind,
I am sure that we are not meant to be seconds.
This poem first published by Writers Resist on December 1, 2016.
Waiting five years to adopt a daughter,
I had time to carefully consider the impact
of male bias on foreign shores,
where, when you can only have one, girls
are left on the steps of schools and libraries,
and if they survive, they might be sent away,
to western countries, where women
can have as many as eight babies at once.
I look into her eyes and ache for a mother
who felt forced to let her go,
who had to break the mother-daughter bond
because of money and laws and culture and the need for a male child.
Now that I’m pregnant with a son,
I see my naiveté.
When I tell my friends that he is a boy,
I watch as eyes light and listen
to the long list of reasons why sons
are better than daughters: easy and calm
among the most common.
But then they add: simple pregnancies,
less dramatics, even a unique mother-son bond
that will somehow overtake my life.
I think of my feminism training,
of the penis-baby who, according to psychoanalytic theory,
will make me whole.
I look at the pay stubs stacked next to each other: mine and my partner’s
and consider the defeating weight of that common inequity.
Here in America, we claim equality.
Here in America, I walk without hoods or chains;
I drive my car; I vote in every election; I work.
Here in America, my son is expected to be
my easy child, the love of my life,
the missing key to my life’s mystery.
He will make more money than she will;
he will get promotions more quickly.
But I as I hold my Chinese daughter,
and share with her the pain of our two cultures
that leave our girls behind,
I am sure that we are not meant to be seconds.
This poem first published by Writers Resist on December 1, 2016.
Monday, November 28, 2016
Somoza Unveils Somoza’s Statue of Somoza at the Somoza Stadium
By Ernesto Cardenal
It’s not that I think the people raised this statue to me,
because I know better than you that I ordered it myself.
Nor that I have any illusions about passing with it into posterity
because I know the people will one day tear it down.
Nor that I wished to erect to myself in life
the monument you’ll not erect to me in death:
I put up this statue just because I know you’ll hate it.
Somoza desveliza la estatua de Somoza en el estadio Somoza
No es que yo crea que el pueblo me erigió esta estatua
porque yo sé mejor que vosotros que la ordené yo mismo.
Ni tampoco que pretenda pasar con ella a la posteridad
porque yo sé que el pueblo la derribará un día.
Ni que haya querido erigirme a mí mismo en vida
el momento que muerto no me erigiréis vosotros:
sino que erigí esta estatua porque sé que la odiáis.
Translated by Donald Walsh
It’s not that I think the people raised this statue to me,
because I know better than you that I ordered it myself.
Nor that I have any illusions about passing with it into posterity
because I know the people will one day tear it down.
Nor that I wished to erect to myself in life
the monument you’ll not erect to me in death:
I put up this statue just because I know you’ll hate it.
Somoza desveliza la estatua de Somoza en el estadio Somoza
No es que yo crea que el pueblo me erigió esta estatua
porque yo sé mejor que vosotros que la ordené yo mismo.
Ni tampoco que pretenda pasar con ella a la posteridad
porque yo sé que el pueblo la derribará un día.
Ni que haya querido erigirme a mí mismo en vida
el momento que muerto no me erigiréis vosotros:
sino que erigí esta estatua porque sé que la odiáis.
Translated by Donald Walsh
Wednesday, November 16, 2016
The President Elect speaks
By Marge Piercy
“You can always go to another state”
to have your abortion
just so long as you’re rich,
have a nanny to watch your
kids, can take off from your
job, have a ride available
or your own car, aren’t
living at home or needing
to hide the procedure. Yes
affluent women could fly
to Puerto rico while the rest
of us were doing it to ourselves,
dying of back alley butchery,
bleeding to death, left sterile
from botched operations,
yes, we can always just die
Mr. Trump and many mothers
will be leaving their children
to be raised by others, many
teenagers will drop out of school,
many women will die alone
in their bloody beds. It will
be just the way you like it
for women who dare to choose.
“You can always go to another state”
to have your abortion
just so long as you’re rich,
have a nanny to watch your
kids, can take off from your
job, have a ride available
or your own car, aren’t
living at home or needing
to hide the procedure. Yes
affluent women could fly
to Puerto rico while the rest
of us were doing it to ourselves,
dying of back alley butchery,
bleeding to death, left sterile
from botched operations,
yes, we can always just die
Mr. Trump and many mothers
will be leaving their children
to be raised by others, many
teenagers will drop out of school,
many women will die alone
in their bloody beds. It will
be just the way you like it
for women who dare to choose.
Tuesday, November 15, 2016
Skinhead
By Patricia Smith
They call me skinhead, and I got my own beauty.
It is knife-scrawled across my back in sore, jagged letters,
it’s in the way my eyes snap away from the obvious.
I sit in my dim matchbox,
on the edge of a bed tousled with my ragged smell,
slide razors across my hair,
count how many ways
I can bring blood closer to the surface of my skin.
These are the duties of the righteous,
the ways of the anointed.
The face that moves in my mirror is huge and pockmarked,
scraped pink and brilliant, apple-cheeked,
I am filled with my own spit.
Two years ago, a machine that slices leather
sucked in my hand and held it,
whacking off three fingers at the root.
I didn’t feel nothing till I looked down
and saw one of them on the floor
next to my boot heel,
and I ain’t worked since then.
I sit here and watch niggers take over my TV set,
walking like kings up and down the sidewalks in my head,
walking like their fat black mamas named them freedom.
My shoulders tell me that ain’t right.
So I move out into the sun
where my beauty makes them lower their heads,
or into the night
with a lead pipe up my sleeve,
a razor tucked in my boot.
I was born to make things right.
It’s easy now to move my big body into shadows,
to move from a place where there was nothing
into the stark circle of a streetlight,
the pipe raised up high over my head.
It’s a kick to watch their eyes get big,
round and gleaming like cartoon jungle boys,
right in that second when they know
the pipe’s gonna come down, and I got this thing
I like to say, listen to this, I like to say
“Hey, nigger, Abe Lincoln’s been dead a long time.”
I get hard listening to their skin burst.
I was born to make things right.
Then this newspaper guy comes around,
seems I was a little sloppy kicking some fag’s ass
and he opened his hole and screamed about it.
This reporter finds me curled up in my bed,
those TV flashes licking my face clean.
Same ol’ shit.
Ain’t got no job, the coloreds and spics got ’em all.
Why ain’t I working? Look at my hand, asshole.
No, I ain’t part of no organized group,
I’m just a white boy who loves his race,
fighting for a pure country.
Sometimes it’s just me. Sometimes three. Sometimes 30.
AIDS will take care of the faggots,
then it’s gon’ be white on black in the streets.
Then there’ll be three million.
I tell him that.
So he writes it up
and I come off looking like some kind of freak,
like I’m Hitler himself. I ain’t that lucky,
but I got my own beauty.
It is in my steel-toed boots,
in the hard corners of my shaved head.
I look in the mirror and hold up my mangled hand,
only the baby finger left, sticking straight up,
I know it’s the wrong goddamned finger,
but fuck you all anyway.
I’m riding the top rung of the perfect race,
my face scraped pink and brilliant.
I’m your baby, America, your boy,
drunk on my own spit, I am goddamned fuckin’ beautiful.
And I was born
and raised
right here.
They call me skinhead, and I got my own beauty.
It is knife-scrawled across my back in sore, jagged letters,
it’s in the way my eyes snap away from the obvious.
I sit in my dim matchbox,
on the edge of a bed tousled with my ragged smell,
slide razors across my hair,
count how many ways
I can bring blood closer to the surface of my skin.
These are the duties of the righteous,
the ways of the anointed.
The face that moves in my mirror is huge and pockmarked,
scraped pink and brilliant, apple-cheeked,
I am filled with my own spit.
Two years ago, a machine that slices leather
sucked in my hand and held it,
whacking off three fingers at the root.
I didn’t feel nothing till I looked down
and saw one of them on the floor
next to my boot heel,
and I ain’t worked since then.
I sit here and watch niggers take over my TV set,
walking like kings up and down the sidewalks in my head,
walking like their fat black mamas named them freedom.
My shoulders tell me that ain’t right.
So I move out into the sun
where my beauty makes them lower their heads,
or into the night
with a lead pipe up my sleeve,
a razor tucked in my boot.
I was born to make things right.
It’s easy now to move my big body into shadows,
to move from a place where there was nothing
into the stark circle of a streetlight,
the pipe raised up high over my head.
It’s a kick to watch their eyes get big,
round and gleaming like cartoon jungle boys,
right in that second when they know
the pipe’s gonna come down, and I got this thing
I like to say, listen to this, I like to say
“Hey, nigger, Abe Lincoln’s been dead a long time.”
I get hard listening to their skin burst.
I was born to make things right.
Then this newspaper guy comes around,
seems I was a little sloppy kicking some fag’s ass
and he opened his hole and screamed about it.
This reporter finds me curled up in my bed,
those TV flashes licking my face clean.
Same ol’ shit.
Ain’t got no job, the coloreds and spics got ’em all.
Why ain’t I working? Look at my hand, asshole.
No, I ain’t part of no organized group,
I’m just a white boy who loves his race,
fighting for a pure country.
Sometimes it’s just me. Sometimes three. Sometimes 30.
AIDS will take care of the faggots,
then it’s gon’ be white on black in the streets.
Then there’ll be three million.
I tell him that.
So he writes it up
and I come off looking like some kind of freak,
like I’m Hitler himself. I ain’t that lucky,
but I got my own beauty.
It is in my steel-toed boots,
in the hard corners of my shaved head.
I look in the mirror and hold up my mangled hand,
only the baby finger left, sticking straight up,
I know it’s the wrong goddamned finger,
but fuck you all anyway.
I’m riding the top rung of the perfect race,
my face scraped pink and brilliant.
I’m your baby, America, your boy,
drunk on my own spit, I am goddamned fuckin’ beautiful.
And I was born
and raised
right here.
Thursday, November 10, 2016
The Low Road
By Marge Piercy
What can they do
to you? Whatever they want.
They can set you up, they can
bust you, they can break
your fingers, they can
burn your brain with electricity,
blur you with drugs till you
can't walk, can’t remember, they can
take your child, wall up
your lover. They can do anything
you can’t blame them
from doing. How can you stop
them? Alone, you can fight,
you can refuse, you can
take what revenge you can
but they roll over you.
But two people fighting
back to back can cut through
a mob, a snake-dancing file
can break a cordon, an army
can meet an army.
Two people can keep each other
sane, can give support, conviction,
love, massage, hope, sex.
Three people are a delegation,
a committee, a wedge. With four
you can play bridge and start
an organization. With six
you can rent a whole house,
eat pie for dinner with no
seconds, and hold a fund raising party.
A dozen make a demonstration.
A hundred fill a hall.
A thousand have solidarity and your own newsletter;
ten thousand, power and your own paper;
a hundred thousand, your own media;
ten million, your own country.
It goes on one at a time,
it starts when you care
to act, it starts when you do
it again after they said no,
it starts when you say We
and know who you mean, and each
day you mean one more.
What can they do
to you? Whatever they want.
They can set you up, they can
bust you, they can break
your fingers, they can
burn your brain with electricity,
blur you with drugs till you
can't walk, can’t remember, they can
take your child, wall up
your lover. They can do anything
you can’t blame them
from doing. How can you stop
them? Alone, you can fight,
you can refuse, you can
take what revenge you can
but they roll over you.
But two people fighting
back to back can cut through
a mob, a snake-dancing file
can break a cordon, an army
can meet an army.
Two people can keep each other
sane, can give support, conviction,
love, massage, hope, sex.
Three people are a delegation,
a committee, a wedge. With four
you can play bridge and start
an organization. With six
you can rent a whole house,
eat pie for dinner with no
seconds, and hold a fund raising party.
A dozen make a demonstration.
A hundred fill a hall.
A thousand have solidarity and your own newsletter;
ten thousand, power and your own paper;
a hundred thousand, your own media;
ten million, your own country.
It goes on one at a time,
it starts when you care
to act, it starts when you do
it again after they said no,
it starts when you say We
and know who you mean, and each
day you mean one more.
Tuesday, November 8, 2016
A Desire For Civic Alchemy
By Cory Booker
After the election,
May we seek to practice
Civic Alchemy
May we turn:
Battle Ground
Into
Common Ground
Swing States
Into
United States
And turn:
The Hubris of Competing Certainties
Into
The Humility of Cooperating Countrywomen and Men.
After this election,
Let us be
Civic Alchemists
Let us turn:
An inability to hear one another
Into
A determination to listen
Without prejudice
Without fear
With a Courageous Empathy
After this election,
Let us engage in
Civic Alchemy
Let us work to turn:
The Lie of Separation
Into
The Truth of
Interconnection
Interdependence
Of One Nation, Indivisible.
After this election
Let Us Together Turn:
Entrenched Animosity
Into
Elevated Love
Clinched Fists
Into
Outstretched Hands
Red and Blue
Into
Us: beautiful, incredible, hopeful, helpful, united, Civic Alchemists.
After the election,
May we seek to practice
Civic Alchemy
May we turn:
Battle Ground
Into
Common Ground
Swing States
Into
United States
And turn:
The Hubris of Competing Certainties
Into
The Humility of Cooperating Countrywomen and Men.
After this election,
Let us be
Civic Alchemists
Let us turn:
An inability to hear one another
Into
A determination to listen
Without prejudice
Without fear
With a Courageous Empathy
After this election,
Let us engage in
Civic Alchemy
Let us work to turn:
The Lie of Separation
Into
The Truth of
Interconnection
Interdependence
Of One Nation, Indivisible.
After this election
Let Us Together Turn:
Entrenched Animosity
Into
Elevated Love
Clinched Fists
Into
Outstretched Hands
Red and Blue
Into
Us: beautiful, incredible, hopeful, helpful, united, Civic Alchemists.
Monday, November 7, 2016
Guilt, Desire and Love
By James Baldwin
At the dark street corner
where Guilt and Desire
are attempting to stare
each other down
(presently, one of them
will light a cigarette
and glance in the direction
of the abandoned warehouse)
Love came slouching along,
an exploded silence
standing a little apart
but visible anyway
in the yellow, silent, steaming light,
while Guilt and Desire wrangled,
trying not to be overheard
by this trespasser.
Each time Desire looked towards Love,
hoping to find a witness,
Guilt shouted louder
and shook them hips
and the fire of the cigarette
threatened to burn the warehouse down.
Desire actually started across the street,
time after time,
to hear what Love might have to say,
but Guilt flagged down a truckload
of other people
and knelt down in the middle of the street
and, while the truckload of other people
looked away, and swore that they
didn't see nothing
and couldn't testify nohow,
and Love moved out of sight,
Guilt accomplished upon the standing body
of Desire
the momentary, inflammatory soothing
which seals their union
(for ever?) and creates a mighty traffic problem.
At the dark street corner
where Guilt and Desire
are attempting to stare
each other down
(presently, one of them
will light a cigarette
and glance in the direction
of the abandoned warehouse)
Love came slouching along,
an exploded silence
standing a little apart
but visible anyway
in the yellow, silent, steaming light,
while Guilt and Desire wrangled,
trying not to be overheard
by this trespasser.
Each time Desire looked towards Love,
hoping to find a witness,
Guilt shouted louder
and shook them hips
and the fire of the cigarette
threatened to burn the warehouse down.
Desire actually started across the street,
time after time,
to hear what Love might have to say,
but Guilt flagged down a truckload
of other people
and knelt down in the middle of the street
and, while the truckload of other people
looked away, and swore that they
didn't see nothing
and couldn't testify nohow,
and Love moved out of sight,
Guilt accomplished upon the standing body
of Desire
the momentary, inflammatory soothing
which seals their union
(for ever?) and creates a mighty traffic problem.
Thursday, November 3, 2016
How to Care for a Poet
By Shadab Zeest Hashmi
Discard old sponges. Wash her bitter with dried gourd
This to surface the memory of aniseed
She has walked down a staircase all night. Each step was a NO.
Be a tall window in her dream. A light
that rises from basement to terrace.
Pick thorns from her hair,
spasms from her ankle. She abides
in a storm, her suitcase full of stopped
clocks. Paste a Persian garden
on her door, a gazebo of swans.
Promise her wild grass
and oil lamps. Fold her at least nine times
in the crushed velvet you found her in. Keep
her aglow with moth wings.
Discard old sponges. Wash her bitter with dried gourd
This to surface the memory of aniseed
She has walked down a staircase all night. Each step was a NO.
Be a tall window in her dream. A light
that rises from basement to terrace.
Pick thorns from her hair,
spasms from her ankle. She abides
in a storm, her suitcase full of stopped
clocks. Paste a Persian garden
on her door, a gazebo of swans.
Promise her wild grass
and oil lamps. Fold her at least nine times
in the crushed velvet you found her in. Keep
her aglow with moth wings.
Wednesday, October 26, 2016
Destruction Bay, Yukon
By Cinthia Ritchie
Fog fills the water,
it’s hard to see the mountains,
we’ve been camped here for days,
like my own skin, ordinary, warm,
the surprise of no surprises,
<>we swim through nights without
darkness, wake to
mouths, meanings,
bear prints around the tent,
we hang our food from tree branches,
drink dirty water,
sit on the shore until we lose
our capacity for words,
the waves,
the long cool stretches,
and wild.
Cinthia Ritchie writes and runs mountains in Anchorage, Alaska. Find her work at Evening Street Review, Sport Literate, Best American Sports Writing 2013, Cactus Heart Press, Water-Stone Review, damfino, Mary, The Boiler Journal, damselfly press, Foliate Oak Literary Magazine and others. Her first novel, "Dolls Behaving Badly," released from Grand Central Publishing/Hachette Book Group.
Fog fills the water,
it’s hard to see the mountains,
we’ve been camped here for days,
the surprise of no surprises,
<>we swim through nights without
darkness, wake to
mouths, meanings,
bear prints around the tent,
we hang our food from tree branches,
drink dirty water,
sit on the shore until we lose
our capacity for words,
the waves,
the long cool stretches,
and wild.
Cinthia Ritchie writes and runs mountains in Anchorage, Alaska. Find her work at Evening Street Review, Sport Literate, Best American Sports Writing 2013, Cactus Heart Press, Water-Stone Review, damfino, Mary, The Boiler Journal, damselfly press, Foliate Oak Literary Magazine and others. Her first novel, "Dolls Behaving Badly," released from Grand Central Publishing/Hachette Book Group.
Tuesday, October 25, 2016
After the Dragonflies
By W.S. Merwin
Dragonflies were as common as sunlight
hovering in their own days
backward forward and sideways
as though they were memory
now there are grown-ups hurrying
who never saw one
and do not know what they
are not seeing
the veins in a dragonfly’s wings
were made of light
the veins in the leaves knew them
and the flowing rivers
the dragonflies came out of the color of water
knowing their own way
when we appeared in their eyes
we were strangers
they took their light with them when they went
there will be no one to remember us
Dragonflies were as common as sunlight
hovering in their own days
backward forward and sideways
as though they were memory
now there are grown-ups hurrying
who never saw one
and do not know what they
are not seeing
the veins in a dragonfly’s wings
were made of light
the veins in the leaves knew them
and the flowing rivers
the dragonflies came out of the color of water
knowing their own way
when we appeared in their eyes
we were strangers
they took their light with them when they went
there will be no one to remember us
Thursday, October 20, 2016
Trying to talk with a man
By Adrienne Rich
Out in this desert we are testing bombs,
that's why we came here.
Sometimes I feel an underground river
forcing its way between deformed cliffs
an acute angle of understanding
moving itself like a locus of the sun
into this condemned scenery.
What we’ve had to give up to get here –
whole LP collections, films we starred in
playing in the neighborhoods, bakery windows
full of dry, chocolate-filled Jewish cookies,
the language of love-letters, of suicide notes,
afternoons on the riverbank
pretending to be children
Coming out to this desert
we meant to change the face of
driving among dull green succulents
walking at noon in the ghost town
surrounded by a silence
that sounds like the silence of the place
except that it came with us
and is familiar
and everything we were saying until now
was an effort to blot it out –
coming out here we are up against it
Out here I feel more helpless
with you than without you
You mention the danger
and list the equipment
we talk of people caring for each other
in emergencies - laceration, thirst -
but you look at me like an emergency
Your dry heat feels like power
your eyes are stars of a different magnitude
they reflect lights that spell out: EXIT
when you get up and pace the floor
talking of the danger
as if it were not ourselves
as if we were testing anything else.
Out in this desert we are testing bombs,
that's why we came here.
Sometimes I feel an underground river
forcing its way between deformed cliffs
an acute angle of understanding
moving itself like a locus of the sun
into this condemned scenery.
What we’ve had to give up to get here –
whole LP collections, films we starred in
playing in the neighborhoods, bakery windows
full of dry, chocolate-filled Jewish cookies,
the language of love-letters, of suicide notes,
afternoons on the riverbank
pretending to be children
Coming out to this desert
we meant to change the face of
driving among dull green succulents
walking at noon in the ghost town
surrounded by a silence
that sounds like the silence of the place
except that it came with us
and is familiar
and everything we were saying until now
was an effort to blot it out –
coming out here we are up against it
Out here I feel more helpless
with you than without you
You mention the danger
and list the equipment
we talk of people caring for each other
in emergencies - laceration, thirst -
but you look at me like an emergency
Your dry heat feels like power
your eyes are stars of a different magnitude
they reflect lights that spell out: EXIT
when you get up and pace the floor
talking of the danger
as if it were not ourselves
as if we were testing anything else.
Tuesday, October 18, 2016
Like You
By Roque Dalton
Like you I
love love, life, the sweet smell
of things, the sky-blue
landscape of January days.
And my blood boils up
and I laugh through eyes
that have known the buds of tears.
I believe the world is beautiful
and that poetry, like bread, is for everyone.
And that my veins don't end in me
but in the unanimous blood
of those who struggle for life,
love,
little things,
landscape and bread,
the poetry of everyone.
Translated by Jack Hirschman
Como tu
Yo, como tu,
amo el amor, la vida, el dulce encanto
de las cosas, el paisaje
celeste de los dias de enero.
Tambien mi sangre bulle
y rio por los ojos
que han conocido el brote de las lagrimas.
Creo que el mundo es bello,
que la poesia es como el pan, de todos.
Y que mis venas no terminan en mi
sino en la sangre unanime
de lose que luchan por la vida,
el amor,
las cosas,
el paisaje y el pan,
las poesia de todos.
Like you I
love love, life, the sweet smell
of things, the sky-blue
landscape of January days.
And my blood boils up
and I laugh through eyes
that have known the buds of tears.
I believe the world is beautiful
and that poetry, like bread, is for everyone.
And that my veins don't end in me
but in the unanimous blood
of those who struggle for life,
love,
little things,
landscape and bread,
the poetry of everyone.
Translated by Jack Hirschman
Como tu
Yo, como tu,
amo el amor, la vida, el dulce encanto
de las cosas, el paisaje
celeste de los dias de enero.
Tambien mi sangre bulle
y rio por los ojos
que han conocido el brote de las lagrimas.
Creo que el mundo es bello,
que la poesia es como el pan, de todos.
Y que mis venas no terminan en mi
sino en la sangre unanime
de lose que luchan por la vida,
el amor,
las cosas,
el paisaje y el pan,
las poesia de todos.
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