Giving and Getting

By Tony Hoaglad

I like that, he said in the hospital, where I was rubbing his feet
which were dry and smelled a bit.

Ahh, he said, ahhh, as I worried
what the nurse in the corridor might think,

pushing my thumbs into the pads and calluses,
the skin that had grown leathery and hard

                                        over a lifetime of streets and shoes—

and me trying but unable to forget
some of the things he had done

over the course of our long friendship.
Rubbing his feet was like reaching into some

thick part of my heart that couldn’t feel
and kneading away at it—

Blame caught inside the love
like a fishhook, or a bug in honey.

It is in my character,
this persistent selfishness—

one of my hands offering the gift, the other
trying to take something back.

Giving and getting
like two horses arriving at the same time

from opposite directions
at the stone gate

that will allow only one to pass.


This poem was first published in the New Yorker. 

Worst Day Ever?

By Chanie Gorkin

Today was the absolute worst day ever
And don’t try to convince me that
There’s something good in every day
Because, when you take a closer look,
This world is a pretty evil place.
Even if
Some goodness does shine through once in a while
Satisfaction and happiness don’t last.
And it’s not true that
It’s all in the mind and heart
Because
True happiness can be attained
Only if one’s surroundings are good
It’s not true that good exists
I’m sure you can agree that
The reality
Creates
My attitude
It’s all beyond my control
And you’ll never in a million years hear me say
Today was a very good day

Now read it from bottom to top, the other way,
And see what I really feel about my day.


This poem has been viewed millions of times, but often without attribution to it's author. Please don't do that. Click here to read the story behind the poem.

Five Ways to Kill a Man

By Edwin Brock

There are many cumbersome ways to kill a man.
You can make him carry a plank of wood
to the top of a hill and nail him to it.
To do this properly you require a crowd of people
wearing sandals, a cock that crows, a cloak
to dissect, a sponge, some vinegar and one
man to hammer the nails home.

Or you can take a length of steel,
shaped and chased in a traditional way,
and attempt to pierce the metal cage he wears.
But for this you need white horses,
English trees, men with bows and arrows,
at least two flags, a prince, and a
castle to hold your banquet in.

Dispensing with nobility, you may, if the wind
allows, blow gas at him. But then you need
a mile of mud sliced through with ditches,
not to mention black boots, bomb craters,
more mud, a plague of rats, a dozen songs
and some round hats made of steel.

In an age of aeroplanes, you may fly
miles above your victim and dispose of him by
pressing one small switch. All you then
require is an ocean to separate you, two
systems of government, a nation's scientists,
several factories, a psychopath and
land that no-one needs for several years.

These are, as I began, cumbersome ways to kill a man.
Simpler, direct, and much more neat is to see
that he is living somewhere in the middle
of the twentieth century, and leave him there.

The Talk

By Jabari Asim

It’s more than time we had that talk
about what to say and where to walk,
how to act and how to strive,
how to be upright and stay alive.
How to live and how to learn,
how to dig and be dug in return.

When to concede and when to risk,
how to handle stop and frisk:
Keep your hands where they can see
and don’t reach for your ID
until they request it quite clearly.
Speak to them politely and answer them sincerely.
The law varies according to where you are,
whether you’re traveling by foot or driving a car.
It won’t help to be black and proud,
nor will you be safer in a crowd.
Keeping your speech calm and restrained,
ask if in fact you’re being detained.
If the answer is no, you’re free to go.
If the answer is yes, remained unfazed
to avoid being choked, shot or tazed.
Give every cop your ear, but none your wit;
don’t tempt him to fold, spindle, mutilate, hit
or otherwise cause pain
to tendons, bones, muscles, brain.
These are things you need to know
if you want to safely come and go.
But still there is no guarantee
that you will make it home to me.
Despite all our care and labor,
you might frighten a cop or neighbor
whose gun sends you to eternal sleep,
proving life’s unfair and talk is cheap

Rigour

By Khairani Barakka

This is what they will say about my daughter
And her eyes: that the way they haunt your
 Memories are vestiges of trauma, of how a
 Child was caught between battling tribes,
 Her reddened feet, chapped and just visible
 Beneath one ragged hemline, laid waste to
 Near-bleeding. Girl, aged eight, page 11.

 It was her birthday. She was smiling again,
 Moments after the man left our village,
 Having been unsure of how to reconcile the
 Reach of zoom lenses with a robot cartoon
 Seen that morning—both unwieldy, pointing.
 Washing off the ruddy paint we’d placed
By her room. The war had never touched
Our subdistrict; all roads to it were closed by
 3PM. Their jeep driver would never ring the
 Bureau chief. My daughter stood by the side
 Of the road, having drawn a rusty, laughing
 Rooster on paper with the balls of her heels.

What Has Been Done To Women

By Naomi Shihab Nye

Yesterday you cried in the car when you said soldiers in that war asked if women were fair game and the leaders said, "Yes, fair game, do anything you want to them." My own throat filled up when you said the woman you are loving now asks you please to say more sweet things to her. We passed battered barns and bushes, every license plate said OREGON in one color or another. We passed the rest stop planted with trees of all the 50 states. The really hot sunny states were having trouble. Access roads and overpasses, stores selling all manner of useless things. I watched the seam of your cheek as you spoke, we named people we had loved that the other would never know, they were clues to the road. We talked about the ugly words hurled at women for centuries, how they all have a click-shut sound, and why is it some lives feel hard as a curb that you kick. And how they could be softened. I told you about Coleman, on the night he was robbed, saying, "How long do you stay robbed once you've been robbed? I think I'm getting over it" - and Susan, later, translating "robbed" into "raped" and weeping with joy - how long it takes anybody to get over, get under, get out, shout.

Of History and Hope

By Miller Williams

For the second inauguration of Bill Clinton (1997)

We have memorized America, 
how it was born and who we have been and where.   

In ceremonies and silence we say the words,   

telling the stories, singing the old songs. 

We like the places they take us. Mostly we do.   

The great and all the anonymous dead are there.   

We know the sound of all the sounds we brought.   

The rich taste of it is on our tongues. 

But where are we going to be, and why, and who?   

The disenfranchised dead want to know. 

We mean to be the people we meant to be,   

to keep on going where we meant to go. 

But how do we fashion the future? Who can say how

except in the minds of those who will call it Now? 

The children. The children. And how does our garden grow?   

With waving hands—oh, rarely in a row— 

and flowering faces. And brambles, that we can no longer allow. 

Who were many people coming together 

cannot become one people falling apart. 

Who dreamed for every child an even chance 

cannot let luck alone turn doorknobs or not. 

Whose law was never so much of the hand as the head   

cannot let chaos make its way to the heart. 

Who have seen learning struggle from teacher to child   

cannot let ignorance spread itself like rot. 

We know what we have done and what we have said,   

and how we have grown, degree by slow degree,   

believing ourselves toward all we have tried to become— 

just and compassionate, equal, able, and free. 

All this in the hands of children, eyes already set   

on a land we never can visit—it isn’t there yet— 

but looking through their eyes, we can see   

what our long gift to them may come to be.   

If we can truly remember, they will not forget.

Induction

By Annie Freud

I am here to welcome you
and to help you prepare for what is about to happen.
I can see that you're hoping that we've decided to call it off for today
but I'm afraid that is something we never do.
We consider ourselves very lucky that you're here at all
and our years of experience have taught us that it's always better
to go ahead as planned.
First, at the risk of repeating what has already been said in the letter,
you have been personally selected for this by people who know
what they're doing. We have no doubt in your ability to cope.
And the chances of anything going wrong on the technical front
are so minuscule as to render any concern you may have
as insignificant. At this point we usually offer
a glass of water as you won't be taking anything with you
once the doors are closed.
Secondly, there's the science that governs our practice.
There's been some debate in the public domain about why
up to now we haven't opted for the so-called virtual route
and looked at ways of mimicking reality.
The consensus is that absolutely nothing beats
real human beings—the richness of their emotional responses,
their capacity for facing the unknown—it's truly humbling.
And our concern for the integrity of any data we gather is genuine.
In return, our job is infinitely more rewarding, knowing
that we are doing our utmost to secure your co-operation
and make you as comfortable as possible.
I think that's everything covered.
If you would kindly undress in one of our cubicles;
your protective clothing is ready for you to put on.

Marriage

By Lawrence Raab

 

Years later they find themselves talking   

about chances, moments when their lives   

might have swerved off

for the smallest reason.

                                     What if

I hadn’t phoned, he says, that morning?   

What if you’d been out,

as you were when I tried three times   

the night before?

                           Then she tells him a secret.   

She’d been there all evening, and she knew   

he was the one calling, which was why   

she hadn’t answered.

                               Because she felt—

because she was certain—her life would change   

if she picked up the phone, said hello,   

said, I was just thinking

of you.

            I was afraid,

she tells him. And in the morning   

I also knew it was you, but I just   

answered the phone

                            the way anyone

answers a phone when it starts to ring,   

not thinking you have a choice.

My Father As a Guitar

By Martín Espada

The cardiologist prescribed
a new medication
and lectured my father
that he had to stop working.
And my father said: I can't.
The landlord won't let me.
The heart pills are dice
in my father's hand,
gambler who needs cash
by the first of the month.

On the night his mother died
in far away Puerto Rico
my father lurched upright in bed,
heart hammering
like the fist of a man at the door
with an eviction notice.
Minutes later,
the telephone sputtered
with news of the dead.

Sometimes I dream
my father is a guitar,
with a hole in his chest
where the music throbs
between my fingers.

At the Public Market Museum: Charleston, South Carolina

By Jane Kenyon

A volunteer, a Daughter of the Confederacy,
receives my admission and points the way.
Here are gray jackets with holes in them,
red sashes with individual flourishes,
things soft as flesh. Someone sewed
the gold silk cord onto that gray sleeve
as if embellishments
could keep a man alive.

I have been reading War and Peace,
and so the particulars of combat
are on my mind—the shouts and groans
of men and boys, and the horses' cries
as they fall, astonished at what
has happened to them.
Blood on leaves,
blood on grass, on snow; extravagant
beauty of red. Smoke, dust of disturbed
earth; parch and burn.

Who would choose this for himself?
And yet the terrible machinery
waited in place. With psalters
in their breast pockets, and gloves
knitted by their sisters and sweethearts,
the men in gray hurled themselves
out of the trenches, and rushed against
blue. It was what both sides
agreed to do.

Race

By Elizabeth Alexander

Sometimes I think about Great-Uncle Paul who left Tuskegee,
Alabama to become a forester in Oregon and in so doing
became fundamentally white for the rest of his life, except
when he traveled without his white wife to visit his siblings—
now in New York, now in Harlem, USA—just as pale-skinned,
as straight-haired, as blue-eyed as Paul, and black. Paul never told anyone
he was white, he just didn’t say that he was black, and who could imagine,
an Oregon forester in 1930 as anything other than white?
The siblings in Harlem each morning ensured
no one confused them for anything other than what they were, black.
They were black! Brown-skinned spouses reduced confusion.
Many others have told, and not told, this tale.
When Paul came East alone he was as they were, their brother.

The poet invents heroic moments where the pale black ancestor stands up
on behalf of the race. The poet imagines Great-Uncle Paul
in cool, sagey groves counting rings in redwood trunks,
imagines pencil markings in a ledger book, classifications,
imagines a sidelong look from an ivory spouse who is learning
her husband’s caesuras. She can see silent spaces
but not what they signify, graphite markings in a forester’s code.

Many others have told, and not told, this tale.
The one time Great-Uncle Paul brought his wife to New York
he asked his siblings not to bring their spouses,
and that is where the story ends: ivory siblings who would not
see their brother without their telltale spouses.
What a strange things is “race,” and family, stranger still.
Here a poem tells a story, a story about race.

Scary, no scary

By Zachary Schomburg

One night, when
you return to your childhood
home after

a lifetime away,
you'll find it
abandoned. Its

paint will be
completely weathered.

It will have
a significant westward lean.

There will be
a hole in its roof
that bats fly
out of.

The old man
hunched over
at the front door
will be prepared
to give you a tour,
but first he'll ask
Scary, or no scary?

You should say
No scary.

Is It Better Where You Are?

By Christopher Salerno

The bakery’s graffiti either spells HOPE
or NOPE. But hope and results
are different, said Fanny Brawne to her Keats
voiding his unreasonable lung.
Getting off the medicine
completely means light again
blinking to light. Device returned
to its factory settings. The complete black
of before the meteor shower
above the bakery. If you lose the smell
of leather, lemon, or rose,
studies show you will fail at being,
like Keats. I keep watching the same meteor
shower videos on YouTube
where awe is always a question of scale.
Night can be moths or weather, pulled in the dark.
The bakery, now, is beginning to close.
My arrhythmic heart
aches for the kind of dramatic arc
one can’t shop for. Or else to lease
what’s real for a while—
is this the good kind of consumption?
I wonder over the weight
of meaning. The difference between
hull and seed. The sugary
donut and its graceful hole. The greasy
bags that everyone leaves
in the alley leading to my door.
These scraps I work at like a crow.

For my known and unknown maternal and paternal BlackWomen ancestors who both slaved and worked (for barely liveable wages) in White folks’ homes for centuries…

By Beah Richards

A Black Woman Speaks…
Of White Womanhood
Of White Supremacy
Of Peace
It is right that I a woman
black,
should speak of white womanhood.
My fathers
my brothers
my husbands
my sons
die for it; because of it.
And their blood chilled in electric chairs,
stopped by hangman’s noose,
cooked by lynch mobs’ fire,
spilled by white supremacist mad desire to kill for profit,
gives me that right.

I would that I could speak of white womanhood
as it will and should be
when it stands tall in full equality.
But then, womanhood will be womanhood
void of color and of class,
and all necessity for my speaking thus will be past.
Gladly past.

But now, since ‘tis deemed a thing apart
supreme,
I must in searching honesty report
how it seems to me.
White womanhood stands in bloodied skirt
and willing slavery
reaching out adulterous hand
killing mine and crushing me.
What then is this superior thing
that in order to be sustained must needs feed upon my flesh?
How came this horror to be?
Let’s look to history.

They said, the white supremacist said
that you were better than me,
that your fair brow should never know the sweat of slavery.
They lied.
White womanhood too is enslaved,
the difference is degree.

They brought me here in chains.
They brought you here willing slaves to man.
You, shiploads of women each filled with hope
that she might win with ruby lip and saucy curl
and bright and flashing eye
him to wife who had the largest tender.
Remember?
And they sold you here even as they sold me.
My sisters, there is no room for mockery.
If they counted my teeth
they did appraise your thigh
and sold you to the highest bidder the same as I.

And you did not fight for your right to choose
whom you would wed
but for whatever bartered price
that was the legal tender
you were sold to a stranger’s bed
in a stranger land
remember?

And you did not fight.
Mind you, I speak not mockingly
but I fought for freedom,
I’m fighting now for our unity.
We are women all,
and what wrongs you murders me
and eventually marks your grave
so we share a mutual death at the hand of tyranny.

They trapped me with the chain and gun.
They trapped you with lying tongue.
For, 'less you see that fault-
that male villainy
that robbed you of name, voice and authority,
that murderous greed that wasted you and me,
he, the white supremacist, fixed your minds with poisonous thought:
“white skin is supreme.”
and therewith bought that monstrous change
exiling you to things.
Changed all that nature had ill you wrought of gentle usefulness,
abolishing your spring.
Tore out your heart,
set your good apart from all that you could say,
think,
feel,
know to be right.
And you did not fight,
but set your minds fast on my slavery
the better to endure your own.

'Tis true
my pearls were beads of sweat
wrung from weary bodies’ pain,
instead of rings upon my hands
I wore swollen, bursting veins.
My ornaments were the whip-lash’s scar
my diamond, perhaps, a tear.
Instead of paint and powder on my face
I wore a solid mask of fear to see my blood so spilled.
And you, women seeing
spoke no protest
but cuddled down in your pink slavery
and thought somehow my wasted blood
confirmed your superiority.

Because your necklace was of gold
you did not notice that it throttled speech.
Because diamond rings bedecked your hands
you did not regret their dictated idleness.
Nor could you see that the platinum bracelets
which graced your wrists were chains
binding you fast to economic slavery.
And though you claimed your husband’s name
still could not command his fidelity.

You bore him sons.
I bore him sons.
No, not willingly.
He purchased you.
He raped me,
I fought!
But you fought neither for yourselves nor me.
Sat trapped in your superiority
and spoke no reproach.
Consoled your outrage with an added diamond brooch.
Oh, God, how great is a woman’s fear
who for a stone, a cold, cold stone
would not defend honor, love or dignity!

You bore the damning mockery of your marriage
and heaped your hate on me,
a woman too,
a slave more so.
And when your husband disowned his seed
that was my son
and sold him apart from me
you felt avenged.
Understand:
I was not your enemy in this,
I was not the source of your distress.
I was your friend, I fought.
But you would not help me fight
thinking you helped only me.
Your deceived eyes seeing only my slavery
aided your own decay.
Yes, they condemned me to death
and they condemned you to decay.
Your heart whisked away,
consumed in hate,
used up in idleness
playing yet the lady’s part
estranged to vanity.
It is justice to you to say your fear equaled your tyranny.

You were afraid to nurse your young
lest fallen breast offend your master’s sight
and he should flee to firmer loveliness.
And so you passed them, your children, on to me.
Flesh that was your flesh and blood that was your blood
drank the sustenance of life from me.
And as I gave suckle I knew I nursed my own child’s enemy.
I could have lied,
told you your child was fed till it was dead of hunger.
But I could not find the heart to kill orphaned innocence.
For as it fed, it smiled and burped and gurgled with content
and as for color knew no difference.
Yes, in that first while
I kept your sons and daughters alive.

But when they grew strong in blood and bone
that was of my milk
you
taught them to hate me.
Put your decay in their hearts and upon their lips
so that strength that was of myself
turned and spat upon me,
despoiled my daughters, and killed my sons.
You know I speak true.
Though this is not true for all of you.

When I bestirred myself for freedom
and brave Harriet led the way
some of you found heart and played a part
in aiding my escape.
And when I made my big push for freedom
your sons fought at my sons’ side,
Your husbands and brothers too fell in that battle
when Crispus Attucks died.
It’s unfortunate that you acted not in the way of justice
but to preserve the Union
and for dear sweet pity’s sake;
Else how came it to be with me as it is today?
You abhorred slavery
yet loathed equality.

I would that the poor among you could have seen
through the scheme
and joined hands with me.
Then, we being the majority, could long ago have rescued
our wasted lives.
But no.
The rich, becoming richer, could be content
while yet the poor had only the pretense of superiority
and sought through murderous brutality
to convince themselves that what was false was true.

So with KKK and fiery cross
and bloodied appetites
set about to prove that “white is right”
forgetting their poverty.
Thus the white supremacist used your skins
to perpetuate slavery.
And woe to me.
Woe to Willie McGee.
Woe to the seven men of Martinsville.
And woe to you.
It was no mistake that your naked body on an Esquire calendar
announced the date, May Eighth.
This is your fate if you do not wake to fight.
They will use your naked bodies to sell their wares
though it be hate, Coca Cola or rape.

When a white mother disdained to teach her children
this doctrine of hate,
but taught them instead of peace
and respect for all men’s dignity
the courts of law did legislate
that they be taken from her
and sent to another state.
To make a Troy Hawkins of the little girl
and a killer of the little boy!

No, it was not for the womanhood of this mother
that Willie McGee died
but for a depraved, enslaved, adulterous woman
whose lustful demands denied,
lied and killed what she could not possess.
Only three months before another such woman lied
and seven black men shuddered and gave up their lives.
These women were upheld in these bloody deeds
by the president of this nation,
thus putting the official seal on the fate
of white womanhood within these United States.
This is what they plan for you.
This is the depravity they would reduce you to.
Death for me
and worse than death for you.

What will you do?
Will you fight with me?
White supremacy is your enemy and mine.
So be careful when you talk with me.
Remind me not of my slavery, I know it well
but rather tell me of your own.
Remember, you have never known me.
You’ve been busy seeing me
as white supremacist would have me be,
and I will be myself.
Free!
My aim is full equality.
I would usurp their plan!
Justice
peace
and plenty
for every man, woman and child
who walks the earth.
This is my fight!

If you will fight with me then take my hand
and the hand of Rosa Ingram, and Rosalee McGee,
and as we set about our plan
let our wholehearted fight be:
PEACE IN A WORLD WHERE THERE IS EQUALITY.

Music is Sacred

those of you who stand for the sanctity of music
so that its soul can breathe
and be heard
so that it blooms in graveyards
echoes in hotel hallways
awakens neighbors in the night
and fills peoples minds with fire
shout it out loud with whatever microphone you have
or these stones will shout for you.
jump in front of demons,
and stand over cowards and those who would intend
to rip out your lungs and dampen your desire
tell the living and the dead
what you know in your heart to be true
and what you know your ears
will forever hear
that the melody of the human race
is a song that never ends.
music is sacred.

This poem was first featured in Rolling Stone magazine.

All Intermediate Points

By Naomi Shihab Nye

If today you are going to Buda, Texas and the bus rolls into Buda, Texas and stops, you climb down and you are ready to climb down. Perhaps you sigh, make the great heave-ho. It has been a long trip. But if today you are going to St. Louis or Pittsburgh and the bus passes through Buda, Texas and someone else climbs down, it does not seem like such a long trip at all. This has always fascinated me. And if you are sitting in the bus terminal and the muddled loudspeaker announces ALL ABOARD FOR DEL RIO AND EL PASO AND ALL INTERMEDIATE POINTS, does the phrase "all intermediate points" wash over you pungently as the scent of the bus terminal hotcakes and do you eat them one at a time?

You May Have Heard of Me

By Shazea Quraishi 

My father was a bear.
He carried me through forest, sky
and over frozen sea. At night
I lay along his back
wrapped in fur and heat
and while I slept, he ran,
never stopping to rest, never
letting me fall.
He showed me how to be as careful as stone,
sharp as thorn and quick
as weather. When he hunted alone
he’d leave me somewhere safe – high up a tree
or deep within a cave.
And then a day went on …
He didn’t come.
I looked and looked for him.
The seasons changed and changed again.
Sleep became my friend. It even brought my father back.
The dark was like his fur,
the sea’s breathing echoed his breathing.
I left home behind, an empty skin.
Alone, I walked taller, balanced better.
So I came to the gates of this city
—tall, black gates with teeth.
Here you find me, keeping my mouth small,
hiding pointed teeth and telling stories,
concealing their truth as I conceal
the thick black fur on my back.

Take It Away

By Ronald Clark

Come on America, open your eyes
And stop the politicians from telling their lies
For their families won't come to death row
For they have money and power, you know
It's only the poor that will lay here and die.
For the rich do not qualify
And this you cannot deny
Nor can you justify
So let's take it away
And end it today
And stop another poor man from dying this way.


Ronald Clark was previously published in this blog.  This poem previously appeared here.  

Motherhood is

A found poem from Google by Tania Lombrozo

Motherhood is hard
Motherhood is lonely
Motherhood is a choice
Motherhood is magical