By Lawrence Raab
is different from the poem
that is not written, or the many
that are never finished—those boats
lost in the fog, adrift
in the windless latitudes,
the charts useless, the water gone.
In the poem that cannot
be written there is no danger,
no ponderous cargo of meaning,
no meaning at all. And this
is its splendor, this is how
it becomes an emblem,
not of failure or loss,
but of the impossible.
So the wind rises. The tattered sails
billow, and the air grows sweeter.
A green island appears.
Everyone is saved.
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