Whatever Lifts your Luggage

By Adam Stone

The nun teaching sex education
rolls the condom the wrong way over the banana
in a room full of starved monkeys

The sheep in wolf's clothing tells you to master your own destiny

The chickens are giving lessons in proper lipstick application

Every frightened old faggot in a red white and blue balled suit
wants to cure your homosexuality with his star spangled asshole

The praying mantis preaches monogamy and non-violence

The suitcase wishes you'd never leave the house

The republican drafting anti-gay marriage legislation
only sucks dick for research
It's not like he's getting enjoyment out of it

The sequins sing the praises of subtlety

Lions roam from college to college
educating students on the benefits of veganism

Plankton are trying to save the whales

Senators tapping their feet in airport bathrooms
are just practicing Morse Code

A Prayer for My Grandson

By Bonnie Lyons

He places anything resembling a cell phone
against the side of his head and listens,
and when his pudgy, dimpled finger fails
to awaken music from the iPad icon

his fist carries his mother's finger over, assuming
she has the magic touch.
For now she does: she adores her giggly
gorgeous black 16-month-old son.

But her finger can control gadgets, not people
and when at Arlington Vermont's "Norman's Attic"
(think Rockwell) street fair I buy him a handmade (in China)
sweater, his wary grandpa whispers, "His first hoodie."

Ay, ay, ay de la grifa negra

By Julia de Burgos

Ay, ay, ay, that am kinky-haired and pure black
kinks in my hair, Kafir in my lips;
and my flat nose Mozambiques.

Black of pure tint, I cry and laugh
the vibration of being a black statue;
a chunk of night, in which my white
teeth are lightning;
and to be a black vine
which entwines in the black
and curves the black nest
in which the raven lies.
Black chunk of black in which I sculpt myself,
ay, ay, ay, my statue is all black.

They tell me that my grandfather was the slave
for whom the master paid thirty coins.
Ay, ay, ay, that the slave was my grandfather
is my sadness, is my sadness.
If he had been the master
it would be my shame:
that in men, as in nations,
if being the slave is having no rights
being the master is having no conscience.

Ay, ay, ay wash the sins of the white King
in forgiveness black Queen.

Ay, ay, ay, the race escapes me
and buzzes and flies toward the white race,
to sink in its clear water;
or perhaps the white will be shadowed in the black.

Ay, ay, ay my black race flees
and with the white runs to become bronzed;
to be one for the future,
fraternity of America!

Robert Underhill’s Present

By Cynthia Macdonald
 

He was eight when they gave him the felt overcoat—

his birthday.

He knew it was special.

He was still reading Walter Scott not Gogol. The coat was light grey   

and he was a knight in armor. It was adamant. Iced snowballs   

and other missiles no longer hurt. Or barely.

He grew as do all boys who are not dwarves or midgets. The coat   

grew, too. It kept pain out, and in.

He only looked at colleges in northern places.

He often drew the coat about him, like heroines   

wrapping their shawls more tightly.

He was the intrepid leader through fresh snow and blue snow   

and rotten ice and the Mojave.

He loved to look at women. It is difficult   

to make love wearing an overcoat.

Gestalt and sandbox therapy did not help him   

remove the coat, but helped him to talk about it,   

to acknowledge it was there.

He knew that all the others knew, had always known.   

Some urged him to undress.

He saw La Boheme in San Francisco and felt betrayed   

when Schaunard sold his coat. Each time he played the CD   

he cried at the last act.

He knew he had to get it off. Several times: Almost. Almost.   

Perhaps that is exaggeration. He’d cut off a sleeve or a lapel.   

But only pulled and wrenched the whole: it was so thick.

Finally, at sixty-five he knew he could not. And sank   

into despair, the very state the coat was meant   

to turn away.

He took a ship to France for his last meal.

He took one home to jump. Felt really pulled   

him down into the deep.

I Worried

By Mary Oliver

I worried a lot.  Will the garden grow, will the rivers

flow in the right direction, will the earth turn

as it was taught, and if not how shall

I correct it?

Was I right, was I wrong, will I be forgiven,

can I do better?

Will I ever be able to sing, even the sparrows

can do it and I am, well,

hopeless.

Is my eyesight fading or am I just imagining it,

am I going to get rheumatism,

lockjaw, dementia?

Finally I saw that worrying had come to nothing.

And gave it up.  And took my old body

and went out into the morning,

and sang.

A Short Note to My Very Critical and Well-Beloved Friends and Comrades

By June Jordan

First they said I was too light
Then they said I was too dark
Then they said I was too different
Then they said I was too much the same
Then they said I was too young
Then they said I was too old
Then they said I was too interracial
Then they said I was too much a nationalist
Then they said I was too silly
Then they said I was too angry
Then they said I was too idealistic
Then they said I was too confusing altogether:
Make up your mind!
They said, Are you militant? Or sweet?
Are you vegetarian or meat?
Are you straight? Or are you gay?
And I said, Hey! It’s not about my mind.

Giving and Getting

By Tony Hoaglad

I like that, he said in the hospital, where I was rubbing his feet
which were dry and smelled a bit.

Ahh, he said, ahhh, as I worried
what the nurse in the corridor might think,

pushing my thumbs into the pads and calluses,
the skin that had grown leathery and hard

                                        over a lifetime of streets and shoes—

and me trying but unable to forget
some of the things he had done

over the course of our long friendship.
Rubbing his feet was like reaching into some

thick part of my heart that couldn’t feel
and kneading away at it—

Blame caught inside the love
like a fishhook, or a bug in honey.

It is in my character,
this persistent selfishness—

one of my hands offering the gift, the other
trying to take something back.

Giving and getting
like two horses arriving at the same time

from opposite directions
at the stone gate

that will allow only one to pass.


This poem was first published in the New Yorker. 

Worst Day Ever?

By Chanie Gorkin

Today was the absolute worst day ever
And don’t try to convince me that
There’s something good in every day
Because, when you take a closer look,
This world is a pretty evil place.
Even if
Some goodness does shine through once in a while
Satisfaction and happiness don’t last.
And it’s not true that
It’s all in the mind and heart
Because
True happiness can be attained
Only if one’s surroundings are good
It’s not true that good exists
I’m sure you can agree that
The reality
Creates
My attitude
It’s all beyond my control
And you’ll never in a million years hear me say
Today was a very good day

Now read it from bottom to top, the other way,
And see what I really feel about my day.


This poem has been viewed millions of times, but often without attribution to it's author. Please don't do that. Click here to read the story behind the poem.

Five Ways to Kill a Man

By Edwin Brock

There are many cumbersome ways to kill a man.
You can make him carry a plank of wood
to the top of a hill and nail him to it.
To do this properly you require a crowd of people
wearing sandals, a cock that crows, a cloak
to dissect, a sponge, some vinegar and one
man to hammer the nails home.

Or you can take a length of steel,
shaped and chased in a traditional way,
and attempt to pierce the metal cage he wears.
But for this you need white horses,
English trees, men with bows and arrows,
at least two flags, a prince, and a
castle to hold your banquet in.

Dispensing with nobility, you may, if the wind
allows, blow gas at him. But then you need
a mile of mud sliced through with ditches,
not to mention black boots, bomb craters,
more mud, a plague of rats, a dozen songs
and some round hats made of steel.

In an age of aeroplanes, you may fly
miles above your victim and dispose of him by
pressing one small switch. All you then
require is an ocean to separate you, two
systems of government, a nation's scientists,
several factories, a psychopath and
land that no-one needs for several years.

These are, as I began, cumbersome ways to kill a man.
Simpler, direct, and much more neat is to see
that he is living somewhere in the middle
of the twentieth century, and leave him there.

The Talk

By Jabari Asim

It’s more than time we had that talk
about what to say and where to walk,
how to act and how to strive,
how to be upright and stay alive.
How to live and how to learn,
how to dig and be dug in return.

When to concede and when to risk,
how to handle stop and frisk:
Keep your hands where they can see
and don’t reach for your ID
until they request it quite clearly.
Speak to them politely and answer them sincerely.
The law varies according to where you are,
whether you’re traveling by foot or driving a car.
It won’t help to be black and proud,
nor will you be safer in a crowd.
Keeping your speech calm and restrained,
ask if in fact you’re being detained.
If the answer is no, you’re free to go.
If the answer is yes, remained unfazed
to avoid being choked, shot or tazed.
Give every cop your ear, but none your wit;
don’t tempt him to fold, spindle, mutilate, hit
or otherwise cause pain
to tendons, bones, muscles, brain.
These are things you need to know
if you want to safely come and go.
But still there is no guarantee
that you will make it home to me.
Despite all our care and labor,
you might frighten a cop or neighbor
whose gun sends you to eternal sleep,
proving life’s unfair and talk is cheap

Rigour

By Khairani Barakka

This is what they will say about my daughter
And her eyes: that the way they haunt your
 Memories are vestiges of trauma, of how a
 Child was caught between battling tribes,
 Her reddened feet, chapped and just visible
 Beneath one ragged hemline, laid waste to
 Near-bleeding. Girl, aged eight, page 11.

 It was her birthday. She was smiling again,
 Moments after the man left our village,
 Having been unsure of how to reconcile the
 Reach of zoom lenses with a robot cartoon
 Seen that morning—both unwieldy, pointing.
 Washing off the ruddy paint we’d placed
By her room. The war had never touched
Our subdistrict; all roads to it were closed by
 3PM. Their jeep driver would never ring the
 Bureau chief. My daughter stood by the side
 Of the road, having drawn a rusty, laughing
 Rooster on paper with the balls of her heels.

What Has Been Done To Women

By Naomi Shihab Nye

Yesterday you cried in the car when you said soldiers in that war asked if women were fair game and the leaders said, "Yes, fair game, do anything you want to them." My own throat filled up when you said the woman you are loving now asks you please to say more sweet things to her. We passed battered barns and bushes, every license plate said OREGON in one color or another. We passed the rest stop planted with trees of all the 50 states. The really hot sunny states were having trouble. Access roads and overpasses, stores selling all manner of useless things. I watched the seam of your cheek as you spoke, we named people we had loved that the other would never know, they were clues to the road. We talked about the ugly words hurled at women for centuries, how they all have a click-shut sound, and why is it some lives feel hard as a curb that you kick. And how they could be softened. I told you about Coleman, on the night he was robbed, saying, "How long do you stay robbed once you've been robbed? I think I'm getting over it" - and Susan, later, translating "robbed" into "raped" and weeping with joy - how long it takes anybody to get over, get under, get out, shout.

Of History and Hope

By Miller Williams

For the second inauguration of Bill Clinton (1997)

We have memorized America, 
how it was born and who we have been and where.   

In ceremonies and silence we say the words,   

telling the stories, singing the old songs. 

We like the places they take us. Mostly we do.   

The great and all the anonymous dead are there.   

We know the sound of all the sounds we brought.   

The rich taste of it is on our tongues. 

But where are we going to be, and why, and who?   

The disenfranchised dead want to know. 

We mean to be the people we meant to be,   

to keep on going where we meant to go. 

But how do we fashion the future? Who can say how

except in the minds of those who will call it Now? 

The children. The children. And how does our garden grow?   

With waving hands—oh, rarely in a row— 

and flowering faces. And brambles, that we can no longer allow. 

Who were many people coming together 

cannot become one people falling apart. 

Who dreamed for every child an even chance 

cannot let luck alone turn doorknobs or not. 

Whose law was never so much of the hand as the head   

cannot let chaos make its way to the heart. 

Who have seen learning struggle from teacher to child   

cannot let ignorance spread itself like rot. 

We know what we have done and what we have said,   

and how we have grown, degree by slow degree,   

believing ourselves toward all we have tried to become— 

just and compassionate, equal, able, and free. 

All this in the hands of children, eyes already set   

on a land we never can visit—it isn’t there yet— 

but looking through their eyes, we can see   

what our long gift to them may come to be.   

If we can truly remember, they will not forget.

Induction

By Annie Freud

I am here to welcome you
and to help you prepare for what is about to happen.
I can see that you're hoping that we've decided to call it off for today
but I'm afraid that is something we never do.
We consider ourselves very lucky that you're here at all
and our years of experience have taught us that it's always better
to go ahead as planned.
First, at the risk of repeating what has already been said in the letter,
you have been personally selected for this by people who know
what they're doing. We have no doubt in your ability to cope.
And the chances of anything going wrong on the technical front
are so minuscule as to render any concern you may have
as insignificant. At this point we usually offer
a glass of water as you won't be taking anything with you
once the doors are closed.
Secondly, there's the science that governs our practice.
There's been some debate in the public domain about why
up to now we haven't opted for the so-called virtual route
and looked at ways of mimicking reality.
The consensus is that absolutely nothing beats
real human beings—the richness of their emotional responses,
their capacity for facing the unknown—it's truly humbling.
And our concern for the integrity of any data we gather is genuine.
In return, our job is infinitely more rewarding, knowing
that we are doing our utmost to secure your co-operation
and make you as comfortable as possible.
I think that's everything covered.
If you would kindly undress in one of our cubicles;
your protective clothing is ready for you to put on.

Marriage

By Lawrence Raab

 

Years later they find themselves talking   

about chances, moments when their lives   

might have swerved off

for the smallest reason.

                                     What if

I hadn’t phoned, he says, that morning?   

What if you’d been out,

as you were when I tried three times   

the night before?

                           Then she tells him a secret.   

She’d been there all evening, and she knew   

he was the one calling, which was why   

she hadn’t answered.

                               Because she felt—

because she was certain—her life would change   

if she picked up the phone, said hello,   

said, I was just thinking

of you.

            I was afraid,

she tells him. And in the morning   

I also knew it was you, but I just   

answered the phone

                            the way anyone

answers a phone when it starts to ring,   

not thinking you have a choice.

My Father As a Guitar

By Martín Espada

The cardiologist prescribed
a new medication
and lectured my father
that he had to stop working.
And my father said: I can't.
The landlord won't let me.
The heart pills are dice
in my father's hand,
gambler who needs cash
by the first of the month.

On the night his mother died
in far away Puerto Rico
my father lurched upright in bed,
heart hammering
like the fist of a man at the door
with an eviction notice.
Minutes later,
the telephone sputtered
with news of the dead.

Sometimes I dream
my father is a guitar,
with a hole in his chest
where the music throbs
between my fingers.

At the Public Market Museum: Charleston, South Carolina

By Jane Kenyon

A volunteer, a Daughter of the Confederacy,
receives my admission and points the way.
Here are gray jackets with holes in them,
red sashes with individual flourishes,
things soft as flesh. Someone sewed
the gold silk cord onto that gray sleeve
as if embellishments
could keep a man alive.

I have been reading War and Peace,
and so the particulars of combat
are on my mind—the shouts and groans
of men and boys, and the horses' cries
as they fall, astonished at what
has happened to them.
Blood on leaves,
blood on grass, on snow; extravagant
beauty of red. Smoke, dust of disturbed
earth; parch and burn.

Who would choose this for himself?
And yet the terrible machinery
waited in place. With psalters
in their breast pockets, and gloves
knitted by their sisters and sweethearts,
the men in gray hurled themselves
out of the trenches, and rushed against
blue. It was what both sides
agreed to do.

Race

By Elizabeth Alexander

Sometimes I think about Great-Uncle Paul who left Tuskegee,
Alabama to become a forester in Oregon and in so doing
became fundamentally white for the rest of his life, except
when he traveled without his white wife to visit his siblings—
now in New York, now in Harlem, USA—just as pale-skinned,
as straight-haired, as blue-eyed as Paul, and black. Paul never told anyone
he was white, he just didn’t say that he was black, and who could imagine,
an Oregon forester in 1930 as anything other than white?
The siblings in Harlem each morning ensured
no one confused them for anything other than what they were, black.
They were black! Brown-skinned spouses reduced confusion.
Many others have told, and not told, this tale.
When Paul came East alone he was as they were, their brother.

The poet invents heroic moments where the pale black ancestor stands up
on behalf of the race. The poet imagines Great-Uncle Paul
in cool, sagey groves counting rings in redwood trunks,
imagines pencil markings in a ledger book, classifications,
imagines a sidelong look from an ivory spouse who is learning
her husband’s caesuras. She can see silent spaces
but not what they signify, graphite markings in a forester’s code.

Many others have told, and not told, this tale.
The one time Great-Uncle Paul brought his wife to New York
he asked his siblings not to bring their spouses,
and that is where the story ends: ivory siblings who would not
see their brother without their telltale spouses.
What a strange things is “race,” and family, stranger still.
Here a poem tells a story, a story about race.

Scary, no scary

By Zachary Schomburg

One night, when
you return to your childhood
home after

a lifetime away,
you'll find it
abandoned. Its

paint will be
completely weathered.

It will have
a significant westward lean.

There will be
a hole in its roof
that bats fly
out of.

The old man
hunched over
at the front door
will be prepared
to give you a tour,
but first he'll ask
Scary, or no scary?

You should say
No scary.

Is It Better Where You Are?

By Christopher Salerno

The bakery’s graffiti either spells HOPE
or NOPE. But hope and results
are different, said Fanny Brawne to her Keats
voiding his unreasonable lung.
Getting off the medicine
completely means light again
blinking to light. Device returned
to its factory settings. The complete black
of before the meteor shower
above the bakery. If you lose the smell
of leather, lemon, or rose,
studies show you will fail at being,
like Keats. I keep watching the same meteor
shower videos on YouTube
where awe is always a question of scale.
Night can be moths or weather, pulled in the dark.
The bakery, now, is beginning to close.
My arrhythmic heart
aches for the kind of dramatic arc
one can’t shop for. Or else to lease
what’s real for a while—
is this the good kind of consumption?
I wonder over the weight
of meaning. The difference between
hull and seed. The sugary
donut and its graceful hole. The greasy
bags that everyone leaves
in the alley leading to my door.
These scraps I work at like a crow.