those of you who stand for the sanctity of music
so that its soul can breathe
and be heard
so that it blooms in graveyards
echoes in hotel hallways
awakens neighbors in the night
and fills peoples minds with fire
shout it out loud with whatever microphone you have
or these stones will shout for you.
jump in front of demons,
and stand over cowards and those who would intend
to rip out your lungs and dampen your desire
tell the living and the dead
what you know in your heart to be true
and what you know your ears
will forever hear
that the melody of the human race
is a song that never ends.
music is sacred.
This poem was first featured in Rolling Stone magazine.
The poem, I’ve always felt, is an opportunity for me to create an integrated whole from so many broken shards --Rafael Campo
Thursday, May 28, 2015
Tuesday, May 26, 2015
All Intermediate Points
By Naomi Shihab Nye
If today you are going to Buda, Texas and the bus rolls into Buda, Texas and stops, you climb down and you are ready to climb down. Perhaps you sigh, make the great heave-ho. It has been a long trip. But if today you are going to St. Louis or Pittsburgh and the bus passes through Buda, Texas and someone else climbs down, it does not seem like such a long trip at all. This has always fascinated me. And if you are sitting in the bus terminal and the muddled loudspeaker announces ALL ABOARD FOR DEL RIO AND EL PASO AND ALL INTERMEDIATE POINTS, does the phrase "all intermediate points" wash over you pungently as the scent of the bus terminal hotcakes and do you eat them one at a time?
If today you are going to Buda, Texas and the bus rolls into Buda, Texas and stops, you climb down and you are ready to climb down. Perhaps you sigh, make the great heave-ho. It has been a long trip. But if today you are going to St. Louis or Pittsburgh and the bus passes through Buda, Texas and someone else climbs down, it does not seem like such a long trip at all. This has always fascinated me. And if you are sitting in the bus terminal and the muddled loudspeaker announces ALL ABOARD FOR DEL RIO AND EL PASO AND ALL INTERMEDIATE POINTS, does the phrase "all intermediate points" wash over you pungently as the scent of the bus terminal hotcakes and do you eat them one at a time?
Friday, May 22, 2015
You May Have Heard of Me
By Shazea Quraishi
He carried me through forest, sky
and over frozen sea. At night
I lay along his back
wrapped in fur and heat
and while I slept, he ran,
never stopping to rest, never
letting me fall.
He showed me how to be as careful as stone,
sharp as thorn and quick
as weather. When he hunted alone
he’d leave me somewhere safe – high up a tree
or deep within a cave.
And then a day went on …
He didn’t come.
I looked and looked for him.
The seasons changed and changed again.
Sleep became my friend. It even brought my father back.
The dark was like his fur,
the sea’s breathing echoed his breathing.
I left home behind, an empty skin.
Alone, I walked taller, balanced better.
So I came to the gates of this city
—tall, black gates with teeth.
Here you find me, keeping my mouth small,
hiding pointed teeth and telling stories,
concealing their truth as I conceal
the thick black fur on my back.
Friday, May 15, 2015
Take It Away
By Ronald Clark
Come on America, open your eyes
And stop the politicians from telling their lies
For their families won't come to death row
For they have money and power, you know
It's only the poor that will lay here and die.
For the rich do not qualify
And this you cannot deny
Nor can you justify
So let's take it away
And end it today
And stop another poor man from dying this way.
Ronald Clark was previously published in this blog. This poem previously appeared here.
Come on America, open your eyes
And stop the politicians from telling their lies
For their families won't come to death row
For they have money and power, you know
It's only the poor that will lay here and die.
For the rich do not qualify
And this you cannot deny
Nor can you justify
So let's take it away
And end it today
And stop another poor man from dying this way.
Ronald Clark was previously published in this blog. This poem previously appeared here.
Wednesday, May 6, 2015
Motherhood is
A found poem from Google by Tania Lombrozo
Motherhood is hard
Motherhood is lonely
Motherhood is a choice
Motherhood is magical
Motherhood is hard
Motherhood is lonely
Motherhood is a choice
Motherhood is magical
Monday, May 4, 2015
Star Wars Love
By Eve Lyons
My spouse is obsessed with Darth Vader. She wanted to get married in her Darth Vader helmet, and I have to keep fighting off her attempts to wear the helmet to bed. The main reason I would never agree to this is that it would mean I am Amidala, and that would mean either I am dead or our love is dead, or both. I am, at heart, deeply superstitious. I never wanted to be a princess anyway. When I was a kid, I never wanted to be Princess Leia - I wanted to be Han Solo, traveling the galaxy unattached, having adventures. Or R2-D2, because he always had all the answers. In fact, I think I am more C-3PO than anything. Constantly worrying and a little nervous, with tons of useless knowledge. And if I am C-3P0, I think that means my spouse is actually R2-D2, because they’re pretty much a couple. Maybe I should get her that costume and have her start wearing it to bed.
Previously published in voxpoetica, January 22, 2011
My spouse is obsessed with Darth Vader. She wanted to get married in her Darth Vader helmet, and I have to keep fighting off her attempts to wear the helmet to bed. The main reason I would never agree to this is that it would mean I am Amidala, and that would mean either I am dead or our love is dead, or both. I am, at heart, deeply superstitious. I never wanted to be a princess anyway. When I was a kid, I never wanted to be Princess Leia - I wanted to be Han Solo, traveling the galaxy unattached, having adventures. Or R2-D2, because he always had all the answers. In fact, I think I am more C-3PO than anything. Constantly worrying and a little nervous, with tons of useless knowledge. And if I am C-3P0, I think that means my spouse is actually R2-D2, because they’re pretty much a couple. Maybe I should get her that costume and have her start wearing it to bed.
Previously published in voxpoetica, January 22, 2011
Thursday, April 30, 2015
Incident
By Countee Cullen
Once riding in old Baltimore,
Heart-filled, head-filled with glee
I saw a Baltimorean
Keep looking straight at me.
Now I was eight and very small,
And he was no whit bigger,
And so I smiled, but he poked out
His tongue, and called me, 'Nigger.'
I saw the whole of Baltimore
From May until December;
Of all the things that happened there
That's all that I remember.
Once riding in old Baltimore,
Heart-filled, head-filled with glee
I saw a Baltimorean
Keep looking straight at me.
Now I was eight and very small,
And he was no whit bigger,
And so I smiled, but he poked out
His tongue, and called me, 'Nigger.'
I saw the whole of Baltimore
From May until December;
Of all the things that happened there
That's all that I remember.
Monday, April 27, 2015
Waiting for the date to be set
By Marge Piercy
Sheets of rain slither through the trees
rain that looks coherent as tissue paper
buckled by the wind but still coming
sideways ghostlike to hit the siding.
Sheets of rain slither through the trees
rain that looks coherent as tissue paper
buckled by the wind but still coming
sideways ghostlike to hit the siding.
The threat of an operation hangs
before me like a black curtain
I can’t see through. I know there
are weeks of pain on the far side.
I take my fear out like a marble
I polish with the sweat of my palm.
Fear, you warble to me constantly
like a hopped up canary.
There is nowhere to go but forward
each grumpy day at a time toward
where I have no desire to arrive --but
the delay eats my brain for breakfast.
Pain’s my faithful companion already,
the yellow dog in my aging body
howling at the moon’s curved tooth.
Choice has narrowed. Onward!
before me like a black curtain
I can’t see through. I know there
are weeks of pain on the far side.
I take my fear out like a marble
I polish with the sweat of my palm.
Fear, you warble to me constantly
like a hopped up canary.
There is nowhere to go but forward
each grumpy day at a time toward
where I have no desire to arrive --but
the delay eats my brain for breakfast.
Pain’s my faithful companion already,
the yellow dog in my aging body
howling at the moon’s curved tooth.
Choice has narrowed. Onward!
Tuesday, April 21, 2015
All Their Stanzas Look Alike
By Thomas Sayers Ellis
All their fences
All their prisons
All their exercises
All their agendas
All their stanzas look alike
All their metaphors
All their bookstores
All their plantations
All their assassinations
All their stanzas look alike
All their rejection letters
All their letters to the editor
All their arts and letters
All their letters of recommendation
All their stanzas look alike
All their sexy coverage
All their literary journals
All their car commercials
All their bribe-spiked blurbs
All their stanzas look alike
All their favorite writers
All their writing programs
All their visiting writers
All their writers-in-residence
All their stanzas look alike
All their third worlds
All their world series
All their serial killers
All their killing fields
All their stanzas look alike
All their state grants
All their tenure tracks
All their artist colonies
All their core faculties
All their stanzas look alike
All their Selected Collecteds
All their Oxford Nortons
All their Academy Societies
All their Oprah Vendlers
All their stanzas look alike
All their haloed holocausts
All their coy hetero couplets
All their hollow haloed causes
All their tone-deaf tercets
All their stanzas look alike
All their tables of contents
All their Poet Laureates
All their Ku Klux classics
All their Supreme Court justices
Except one, except one
Exceptional one. Exceptional or not,
One is not enough.
All their stanzas look alike.
Even this, after publication,
Might look alike. Disproves
My stereo types.
All their fences
All their prisons
All their exercises
All their agendas
All their stanzas look alike
All their metaphors
All their bookstores
All their plantations
All their assassinations
All their stanzas look alike
All their rejection letters
All their letters to the editor
All their arts and letters
All their letters of recommendation
All their stanzas look alike
All their sexy coverage
All their literary journals
All their car commercials
All their bribe-spiked blurbs
All their stanzas look alike
All their favorite writers
All their writing programs
All their visiting writers
All their writers-in-residence
All their stanzas look alike
All their third worlds
All their world series
All their serial killers
All their killing fields
All their stanzas look alike
All their state grants
All their tenure tracks
All their artist colonies
All their core faculties
All their stanzas look alike
All their Selected Collecteds
All their Oxford Nortons
All their Academy Societies
All their Oprah Vendlers
All their stanzas look alike
All their haloed holocausts
All their coy hetero couplets
All their hollow haloed causes
All their tone-deaf tercets
All their stanzas look alike
All their tables of contents
All their Poet Laureates
All their Ku Klux classics
All their Supreme Court justices
Except one, except one
Exceptional one. Exceptional or not,
One is not enough.
All their stanzas look alike.
Even this, after publication,
Might look alike. Disproves
My stereo types.
Tuesday, April 14, 2015
Opening Day
By Dick Flavin
The long snow-bound winter casts a dark pall
Till one day an umpire hollers, “Play ball!”
Then skies start to brighten, blue displaces gray.
Baseball springs eternal. It’s Opening Day.
The birds begin singing. The trees start to bloom.
The umpire’s dusting home plate with his broom.
It’s a brand new beginning, a time we all cheer.
In baseball language it’s, “Happy New Year!”
The setbacks will surface, the losses, the gloom.
Each team except one is destined for doom.
But the Red Sox might win it, so let’s start to play.
And that is the magic of Opening Day.
Friday, April 10, 2015
Touching Tomorrow
By A.J. Huffman
Another sleepless night hovers, tangles
my mind. I try to focus,
force ritualistic countings of imaginary
sheep. Mine are electric and pulse
their numbers in mock Morse code. I decipher
the twisted language of faceless clock, figure
an hour has passed, maybe two. Not
enough. I try to rewind the ceiling
fan. Follow its rotation until we sink. Psych
it out. It slows, refuses to reverse. The effort
sucks my eyes into stalemate, between
sleep and awake. I almost miss shadows
lightening through the shades. I push
apart the blinds, palm to pain, almost prayer.
I have been delivered to another
dawn.
A.J. Huffman has published eleven solo chapbooks and one joint chapbook through various small presses. Her new full-length poetry collection, Another Blood Jet, is now available from Eldritch Press. She has another full-length poetry collection, A Few Bullets Short of Home, scheduled for release in Summer 2015, from mgv2>publishing. She is a Pushcart Prize nominee, and has published over 2000 poems in various national and international journals, including Labletter, The James Dickey Review, Bone Orchard, EgoPHobia, and Kritya. She is also the founding editor of Kind of a Hurricane Press. www.kindofahurricanepress.com
Another sleepless night hovers, tangles
my mind. I try to focus,
force ritualistic countings of imaginary
sheep. Mine are electric and pulse
their numbers in mock Morse code. I decipher
the twisted language of faceless clock, figure
an hour has passed, maybe two. Not
enough. I try to rewind the ceiling
fan. Follow its rotation until we sink. Psych
it out. It slows, refuses to reverse. The effort
sucks my eyes into stalemate, between
sleep and awake. I almost miss shadows
lightening through the shades. I push
apart the blinds, palm to pain, almost prayer.
I have been delivered to another
dawn.
A.J. Huffman has published eleven solo chapbooks and one joint chapbook through various small presses. Her new full-length poetry collection, Another Blood Jet, is now available from Eldritch Press. She has another full-length poetry collection, A Few Bullets Short of Home, scheduled for release in Summer 2015, from mgv2>publishing. She is a Pushcart Prize nominee, and has published over 2000 poems in various national and international journals, including Labletter, The James Dickey Review, Bone Orchard, EgoPHobia, and Kritya. She is also the founding editor of Kind of a Hurricane Press. www.kindofahurricanepress.com
Tuesday, March 31, 2015
Occupying Mumia’s Cell
By Alice Walker
I Sing of Mumia
brilliant and strong
and of the captivity
that
few black men escape
if they are as free
as he has become.
What a teacher he is for all of us.
Nearly thirty years in solitary
and still,
Himself.
He will die himself.
A black man;
whom many consider to be
a Muslim, though this is not
how he narrows down
the criss-crossing paths of
his soul’s journey.
Perhaps it is simpler
to call him
a lover of truth
who refuses
to be silenced.
Is anything more persecuted
in this land?
No boots will be allowed
of course
so he will not
die with them on;
but there will always be
boots
of the mind and spirit
and of the heart and soul.
His will be black and shining
(or maybe the color of rainbows)
and they will sprout wings.
Mumia
they have decided
finally
not to kill you
hoping no blood will
stain their hands
at the tribunal
of the people;
but to let you continue
to die slowly
creating and singing
your own songs
as you pace
alone, sometimes terrorized,
for decades of long nights
in your small cage
of a cell.
We lament our impotence: that we have failed
to get you out of there.
Your regal mane may have thinned
as our locks too, those flags of our self sovereignty, may even have
disappeared;
waiting out this unjust sentence,
until we, like you, have become old.
Still,
if you will: accept our gratitude
that you stand, even bootless,
on your feet. We see
that few of those around us,
well shod and walking, even owning, the streets
are freed.
Somehow you have been.
Enough to remind us
of freedom’s devout
internal and
ineradicable seed.
What a magnificent Lion
you have been all these
disastrous years
and still are,
indeed.

Monday, March 30, 2015
The poet must die
By Don Mattera
For James Matthews and Gladys Thomas after their poems were executed
The poet must die
her murmuring threatens their survival
her breath could start the revolution;
she must be destroyed
Ban her
Send her to the Island
Call the firing-squad
But remember to wipe her blood
From the wall,
Then destroy the wall
Crush the house
Kill the neighbours
If their lies are to survive
The poet must die
For James Matthews and Gladys Thomas after their poems were executed
The poet must die
her murmuring threatens their survival
her breath could start the revolution;
she must be destroyed
Ban her
Send her to the Island
Call the firing-squad
But remember to wipe her blood
From the wall,
Then destroy the wall
Crush the house
Kill the neighbours
If their lies are to survive
The poet must die
Friday, March 20, 2015
Solar Eclipse
By Gustan Koumantaros
Once
in a while
our orbits
cross
and we
dance
until
the day
is night.
Once
in a while
our orbits
cross
and we
dance
until
the day
is night.
Tuesday, March 17, 2015
Shema/V'ahavta
Shema
Hear, Israel, you are of God and God is one.
Praise the name that speaks us through all time.
V'ahavta
So you shall love what is holy with all your courage, with all your passion
with all your strength.
Let the words that have come down
shine in our words and our actions.
We must teach our children to know and understand them.
We must speak about what is good
and holy within our homes
when we are working, when we are at play,
when we lie down and when we get up.
Let the work of our hands speak of goodness.
Let it run in our blood
and glow from our doors and windows.
We should love ourselves, for we are of God.
We should love our neighbors as ourselves.
We should love the stranger, for we
were once strangers in the land of Egypt
and have been strangers in all the lands of the world since.
Let love fill our hearts with its clear precious water.
Heaven and earth observe how we cherish or spoil our world.
Heaven and earth watch whether we choose life or choose death.
We must chose life so our children's children may live.
Be quiet and listen to the still small voice within that speaks in love.
Open to that voice, hear it, heed it and work for life.
Let us remember and strive to be good.
Let us remember to find what is holy within and without.
By Marge Piercy
Hear, Israel, you are of God and God is one.
Praise the name that speaks us through all time.
V'ahavta
So you shall love what is holy with all your courage, with all your passion
with all your strength.
Let the words that have come down
shine in our words and our actions.
We must teach our children to know and understand them.
We must speak about what is good
and holy within our homes
when we are working, when we are at play,
when we lie down and when we get up.
Let the work of our hands speak of goodness.
Let it run in our blood
and glow from our doors and windows.
We should love ourselves, for we are of God.
We should love our neighbors as ourselves.
We should love the stranger, for we
were once strangers in the land of Egypt
and have been strangers in all the lands of the world since.
Let love fill our hearts with its clear precious water.
Heaven and earth observe how we cherish or spoil our world.
Heaven and earth watch whether we choose life or choose death.
We must chose life so our children's children may live.
Be quiet and listen to the still small voice within that speaks in love.
Open to that voice, hear it, heed it and work for life.
Let us remember and strive to be good.
Let us remember to find what is holy within and without.
By Marge Piercy
Thursday, March 12, 2015
Harlem
By Langston Hughes
What happens to a dream deferred?
Does it dry up
like a raisin in the sun?
Or fester like a sore—
And then run?
Does it stink like rotten meat?
Or crust and sugar over—
like a syrupy sweet?
Maybe it just sags
like a heavy load.
Or does it explode?
What happens to a dream deferred?
Does it dry up
like a raisin in the sun?
Or fester like a sore—
And then run?
Does it stink like rotten meat?
Or crust and sugar over—
like a syrupy sweet?
Maybe it just sags
like a heavy load.
Or does it explode?
Sunday, March 8, 2015
Ego
By Denise Duhamel
I just didn’t get it—
even with the teacher holding an orange (the earth) in one hand
and a lemon (the moon) in the other,
her favorite student (the sun) standing behind her with a flashlight.
I just couldn’t grasp it—
this whole citrus universe, these bumpy planets revolving so slowly
no one could even see themselves moving.
I used to think if I could only concentrate hard enough
I could be the one person to feel what no one else could,
sense a small tug from the ground, a sky shift, the earth changing gears.
Even though I was only one mini-speck on a speck,
even though I was merely a pinprick in one goosebump on the orange,
I was sure then I was the most specially perceptive, perceptively sensitive.
I was sure then my mother was the only mother to snap,
“The world doesn’t revolve around you!”
The earth was fragile and mostly water,
just the way the orange was mostly water if you peeled it,
just the way I was mostly water if you peeled me.
Looking back on that third grade science demonstration,
I can understand why some people gave up on fame or religion or cures—
especially people who have an understanding
of the excruciating crawl of the world,
who have a well-developed sense of spatial reasoning
and the tininess that it is to be one of us.
But not me—even now I wouldn’t mind being god, the force
who spins the planets the way I spin a globe, a basketball, a yoyo.
I wouldn’t mind being that teacher who chooses the fruit,
or that favorite kid who gives the moon its glow.
I just didn’t get it—
even with the teacher holding an orange (the earth) in one hand
and a lemon (the moon) in the other,
her favorite student (the sun) standing behind her with a flashlight.
I just couldn’t grasp it—
this whole citrus universe, these bumpy planets revolving so slowly
no one could even see themselves moving.
I used to think if I could only concentrate hard enough
I could be the one person to feel what no one else could,
sense a small tug from the ground, a sky shift, the earth changing gears.
Even though I was only one mini-speck on a speck,
even though I was merely a pinprick in one goosebump on the orange,
I was sure then I was the most specially perceptive, perceptively sensitive.
I was sure then my mother was the only mother to snap,
“The world doesn’t revolve around you!”
The earth was fragile and mostly water,
just the way the orange was mostly water if you peeled it,
just the way I was mostly water if you peeled me.
Looking back on that third grade science demonstration,
I can understand why some people gave up on fame or religion or cures—
especially people who have an understanding
of the excruciating crawl of the world,
who have a well-developed sense of spatial reasoning
and the tininess that it is to be one of us.
But not me—even now I wouldn’t mind being god, the force
who spins the planets the way I spin a globe, a basketball, a yoyo.
I wouldn’t mind being that teacher who chooses the fruit,
or that favorite kid who gives the moon its glow.
Saturday, March 7, 2015
Wednesday, March 4, 2015
Travel
By Edna St. Vincent Millay
The railroad track is miles away,
And the day is loud with voices speaking,
Yet there isn't a train goes by all day
But I hear its whistle shrieking.
All night there isn't a train goes by,
Though the night is still for sleep and dreaming,
But I see its cinders red on the sky,
And hear its engine steaming.
My heart is warm with friends I make,
And better friends I'll not be knowing;
Yet there isn't a train I'd rather take,
No matter where it's going.
The railroad track is miles away,
And the day is loud with voices speaking,
Yet there isn't a train goes by all day
But I hear its whistle shrieking.
All night there isn't a train goes by,
Though the night is still for sleep and dreaming,
But I see its cinders red on the sky,
And hear its engine steaming.
My heart is warm with friends I make,
And better friends I'll not be knowing;
Yet there isn't a train I'd rather take,
No matter where it's going.
Tuesday, March 3, 2015
Wildpeace
By Yehuda Amichai
Not the peace of a cease-fire,
not even the vision of the wolf and the lamb,
but rather
as in the heart when the excitement is over
and you can talk only about a great weariness.
I know that I know how to kill,
that makes me an adult.
And my son plays with a toy gun that knows
how to open and close its eyes and say Mama.
A peace
without the big noise of beating swords into ploughshares,
without words, without
the thud of the heavy rubber stamp: let it be
light, floating, like lazy white foam.
A little rest for the wounds —
who speaks of healing?
(And the howl of the orphans is passed from one generation
to the next, as in a relay race:
the baton never falls.)
Let it come
like wildflowers,
suddenly, because the field
must have it: wildpeace.
Not the peace of a cease-fire,
not even the vision of the wolf and the lamb,
but rather
as in the heart when the excitement is over
and you can talk only about a great weariness.
I know that I know how to kill,
that makes me an adult.
And my son plays with a toy gun that knows
how to open and close its eyes and say Mama.
A peace
without the big noise of beating swords into ploughshares,
without words, without
the thud of the heavy rubber stamp: let it be
light, floating, like lazy white foam.
A little rest for the wounds —
who speaks of healing?
(And the howl of the orphans is passed from one generation
to the next, as in a relay race:
the baton never falls.)
Let it come
like wildflowers,
suddenly, because the field
must have it: wildpeace.
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