By Vicki Wilson
There will be a last time that I carry you,
and I won't know it.
There will be no celebration,
no certificate,
as when you were born,
just the offhand thought:
He sure has gotten big.
And when I set you down,
on your own two feet,
I'll think nothing of it.
Previously published in Literary Mama, March 3, 2012
Poetic Medicine
The poem, I’ve always felt, is an opportunity for me to create an integrated whole from so many broken shards --Rafael Campo
Tuesday, March 20, 2012
Monday, March 19, 2012
At Dusk
By Martin Rosner
Call me greedy, for my lease on life
Is long, well past the day
When I could walk with grace,
And hard men looked away, and ladies
Smiled when I strode along the street.
Now I am reduced to recollections,
And they are just a jest,
A ruse the gods can use
To lift their boredom in eternity.
So knowing this, why do I persist?
Because a meteor flames a microsecond
In the frozen blackness of the void,
But its light is never lost.
Martin Rosner, M.D. has been published in numerous magazines and newspapers including 17 poems in "The New York Times" and is currently part of the course in modern poetry at American International College. He lives in New Jersey.
Call me greedy, for my lease on life
Is long, well past the day
When I could walk with grace,
And hard men looked away, and ladies
Smiled when I strode along the street.
Now I am reduced to recollections,
And they are just a jest,
A ruse the gods can use
To lift their boredom in eternity.
So knowing this, why do I persist?
Because a meteor flames a microsecond
In the frozen blackness of the void,
But its light is never lost.
Martin Rosner, M.D. has been published in numerous magazines and newspapers including 17 poems in "The New York Times" and is currently part of the course in modern poetry at American International College. He lives in New Jersey.
Labels:
***FIRST PUBLISHED HERE***,
Martin Rosner
Sunday, March 18, 2012
They Build the Tabernacle
By Ruth Brin
To devotion God set no limits,
and to dedication of the spirit
God set no bounds.
But great quantities of tribute God did not demand,
and the people were restrained from bringing
too much gold for the Tabernacle.
Though the Temples of Solomon and Herod
were far more costly,
it is written that the Divine Presence was found
more constantly in the humbler structure.
To dedicate the spirit to God is more difficult
than to give money,
to devote the whole heart to God
is more difficult than bringing gifts.
Not because of the gold on the walls
does the light of the sanctuary shine forth,
but because of the spirit within.
Those who worship carry away with them
more than they bring
for they find there the light to illumine
their lives.
To devotion God set no limits,
and to dedication of the spirit
God set no bounds.
But great quantities of tribute God did not demand,
and the people were restrained from bringing
too much gold for the Tabernacle.
Though the Temples of Solomon and Herod
were far more costly,
it is written that the Divine Presence was found
more constantly in the humbler structure.
To dedicate the spirit to God is more difficult
than to give money,
to devote the whole heart to God
is more difficult than bringing gifts.
Not because of the gold on the walls
does the light of the sanctuary shine forth,
but because of the spirit within.
Those who worship carry away with them
more than they bring
for they find there the light to illumine
their lives.
Labels:
Ruth Brin
Friday, March 16, 2012
The Mother
By Gwendolyn Brooks
Abortions will not let you forget.
You remember the children you got that you did not get,
The damp small pulps with a little or with no hair,
The singers and workers that never handled the air.
You will never neglect or beat
Them, or silence or buy with a sweet.
You will never wind up the sucking-thumb
Or scuttle off ghosts that come.
You will never leave them, controlling your luscious sigh,
Return for a snack of them, with gobbling mother-eye.
I have heard in the voices of the wind the voices of my dim killed
children.
I have contracted. I have eased
My dim dears at the breasts they could never suck.
I have said, Sweets, if I sinned, if I seized
Your luck
And your lives from your unfinished reach,
If I stole your births and your names,
Your straight baby tears and your games,
Your stilted or lovely loves, your tumults, your marriages, aches,
and your deaths,
If I poisoned the beginnings of your breaths,
Believe that even in my deliberateness I was not deliberate.
Though why should I whine,
Whine that the crime was other than mine?--
Since anyhow you are dead.
Or rather, or instead,
You were never made.
But that too, I am afraid,
Is faulty: oh, what shall I say, how is the truth to be said?
You were born, you had body, you died.
It is just that you never giggled or planned or cried.
Believe me, I loved you all.
Believe me, I knew you, though faintly, and I loved, I loved you
All.
Abortions will not let you forget.
You remember the children you got that you did not get,
The damp small pulps with a little or with no hair,
The singers and workers that never handled the air.
You will never neglect or beat
Them, or silence or buy with a sweet.
You will never wind up the sucking-thumb
Or scuttle off ghosts that come.
You will never leave them, controlling your luscious sigh,
Return for a snack of them, with gobbling mother-eye.
I have heard in the voices of the wind the voices of my dim killed
children.
I have contracted. I have eased
My dim dears at the breasts they could never suck.
I have said, Sweets, if I sinned, if I seized
Your luck
And your lives from your unfinished reach,
If I stole your births and your names,
Your straight baby tears and your games,
Your stilted or lovely loves, your tumults, your marriages, aches,
and your deaths,
If I poisoned the beginnings of your breaths,
Believe that even in my deliberateness I was not deliberate.
Though why should I whine,
Whine that the crime was other than mine?--
Since anyhow you are dead.
Or rather, or instead,
You were never made.
But that too, I am afraid,
Is faulty: oh, what shall I say, how is the truth to be said?
You were born, you had body, you died.
It is just that you never giggled or planned or cried.
Believe me, I loved you all.
Believe me, I knew you, though faintly, and I loved, I loved you
All.
Labels:
Gwendolyn Brooks
Thursday, March 15, 2012
Waiting
By Nikki Grimes
The orphanage
put my picture
on a postcard.
My smile says
“Pick me! Pick me!”
But mostly, people say
I’m too old to adopt,
like I’m a run-down clock
(tick-tock, tick-tock)
and the big hand says
Julie is half-past loving.
The orphanage
put my picture
on a postcard.
My smile says
“Pick me! Pick me!”
But mostly, people say
I’m too old to adopt,
like I’m a run-down clock
(tick-tock, tick-tock)
and the big hand says
Julie is half-past loving.
Labels:
Nikki Grimes
Tuesday, March 13, 2012
Economy
By Sandra Beasley
After you've surrendered to pillows
and I, that second whiskey,
on the way to bed I trace my fingers
over a thermostat we dare not turn up.
You have stolen what we call the green thing—
too thick to be a blanket, too soft to be a rug—
turned away, mid-dream. Yet your legs
still reach for my legs, folding them quick
to your accumulated heat.
These days
only a word can earn overtime.
Economy: once a net, now a handful of holes.
Economy: what a man moves with
when, even in sleep, he is trying to save
all there is left to save.
After you've surrendered to pillows
and I, that second whiskey,
on the way to bed I trace my fingers
over a thermostat we dare not turn up.
You have stolen what we call the green thing—
too thick to be a blanket, too soft to be a rug—
turned away, mid-dream. Yet your legs
still reach for my legs, folding them quick
to your accumulated heat.
These days
only a word can earn overtime.
Economy: once a net, now a handful of holes.
Economy: what a man moves with
when, even in sleep, he is trying to save
all there is left to save.
Labels:
Sandra Beasley
Monday, March 12, 2012
gravity
By Christina Murphy
eons submerged in the starry glare of
deep winter nights;
fault lines of galaxies poised as star-tips
against the darkness that is perhaps eternal
phantoms of dying matter haunt the night
as new states of being emerge;
everything is internal and coalescing
with no essence beyond the core
within the symmetry of space-time,
arcs of white-gold—mostly symphonies of light—
perhaps even truer than the pull of celestial magic,
as spectacular as Narcissus looking for the image
that presents a reason for desire.
Christina Murphy lives and writes in a 100 year-old Arts and Crafts style house along the Ohio River. She continues to be amazed at how the Arts and Crafts movement—like the painter Piet Mondrian-- found such artistic integrity (and solace) in straight lines and simple (yet complex) forms. She tries to emulate the same idea in her poetry. Her poems have appeared in a range of journals, including PANK, Poetry Quarterly, POOL, Contemporary World Poetry, MUSE, MiPOesias, Quantum Poetry Magazine, Blue Fifth Review, and Counterexample Poetics, among others.
eons submerged in the starry glare of
deep winter nights;
fault lines of galaxies poised as star-tips
against the darkness that is perhaps eternal
phantoms of dying matter haunt the night
as new states of being emerge;
everything is internal and coalescing
with no essence beyond the core
within the symmetry of space-time,
arcs of white-gold—mostly symphonies of light—
perhaps even truer than the pull of celestial magic,
as spectacular as Narcissus looking for the image
that presents a reason for desire.
Christina Murphy lives and writes in a 100 year-old Arts and Crafts style house along the Ohio River. She continues to be amazed at how the Arts and Crafts movement—like the painter Piet Mondrian-- found such artistic integrity (and solace) in straight lines and simple (yet complex) forms. She tries to emulate the same idea in her poetry. Her poems have appeared in a range of journals, including PANK, Poetry Quarterly, POOL, Contemporary World Poetry, MUSE, MiPOesias, Quantum Poetry Magazine, Blue Fifth Review, and Counterexample Poetics, among others.
Sunday, March 11, 2012
Vision
By Aldous Huxley
I had been sitting alone with books,
Till doubt was a black disease,
When I heard the cheerful shout of rooks
In the bare, prophetic trees.
Bare trees, prophetic of new birth,
You lift your branches clean and free
To be a beacon to the earth,
A flame of wrath for all to see.
And the rooks in the branches laugh and shout
To those that can hear and understand:
"Walk through the gloomy ways of doubt
With the torch of vision in your hand."
I had been sitting alone with books,
Till doubt was a black disease,
When I heard the cheerful shout of rooks
In the bare, prophetic trees.
Bare trees, prophetic of new birth,
You lift your branches clean and free
To be a beacon to the earth,
A flame of wrath for all to see.
And the rooks in the branches laugh and shout
To those that can hear and understand:
"Walk through the gloomy ways of doubt
With the torch of vision in your hand."
Labels:
Aldous Huxley
Friday, March 9, 2012
Hidden
By Rachel Barenblat
Vashti, the first favorite
was well before my time, though
I still wonder sometimes
why he asked her to strip.
Maybe he’d grown tired of her
and needed an excuse.
Of course I use my body
to get what I need: what woman
doesn’t? But until now
all I’ve needed were clothes,
bread, the freedom to read
in a quiet corner of the room.
The king thinks I hung the stars
but when the time comes
to make my play my hands shake.
And Haman leers. He’s thinking
casual threesome! score!
but I know karma's a bitch.
The story ends in celebration
and bloodshed, a revenge fantasy
your children will retell
for generations, but listen--
I’m not a paragon of virtue.
I’m not your blank canvas.
I was never hiding. I’m not
a Torah scroll to be concealed
behind ornate walls, then
revealed bit by bit (here a flash
of ankle, there a glimpse of hip)
for your viewing pleasure.
I’m not God, veiling My face
like the newest of moons.
I’m a dark-skinned Persian girl
raised on twisty Shushan streets
who gambled for a favor
and won.
Vashti, the first favorite
was well before my time, though
I still wonder sometimes
why he asked her to strip.
Maybe he’d grown tired of her
and needed an excuse.
Of course I use my body
to get what I need: what woman
doesn’t? But until now
all I’ve needed were clothes,
bread, the freedom to read
in a quiet corner of the room.
The king thinks I hung the stars
but when the time comes
to make my play my hands shake.
And Haman leers. He’s thinking
casual threesome! score!
but I know karma's a bitch.
The story ends in celebration
and bloodshed, a revenge fantasy
your children will retell
for generations, but listen--
I’m not a paragon of virtue.
I’m not your blank canvas.
I was never hiding. I’m not
a Torah scroll to be concealed
behind ornate walls, then
revealed bit by bit (here a flash
of ankle, there a glimpse of hip)
for your viewing pleasure.
I’m not God, veiling My face
like the newest of moons.
I’m a dark-skinned Persian girl
raised on twisty Shushan streets
who gambled for a favor
and won.
Labels:
Rachel Barenblat
Thursday, March 8, 2012
The Aliens
By Charles Bukowski
you may not believe it
but there are people
who go through life with
very little
friction or
distress.
they dress well, eat
well, sleep well.
they are contented with
their family
life.
they have moments of
grief
but all in all
they are undisturbed
and often feel
very good.
and when they die
it is an easy
death, usually in their
sleep.
you may not believe
it
but such people do
exist.
but I am not one of
them.
oh no, I am not one
of them,
I am not even near
to being
one of
them
but they are
there
and I am
here.
you may not believe it
but there are people
who go through life with
very little
friction or
distress.
they dress well, eat
well, sleep well.
they are contented with
their family
life.
they have moments of
grief
but all in all
they are undisturbed
and often feel
very good.
and when they die
it is an easy
death, usually in their
sleep.
you may not believe
it
but such people do
exist.
but I am not one of
them.
oh no, I am not one
of them,
I am not even near
to being
one of
them
but they are
there
and I am
here.
Labels:
Charles Bukowski
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