By Jeredith Merrin
The divorced mother and her divorcing
daughter. The about-to-be ex-son-in-law
and the ex-husband's adopted son.
The divorcing daughter's child, who is
the step-nephew of the ex-husband's
adopted son. Everyone cordial:
the ex-husband's second wife
friendly to the first wife, warm
to the divorcing daughter's child's
great-grandmother, who was herself
long ago divorced. Everyone
grown used to the idea of divorce.
Almost everyone has separated
from the landscape of a childhood.
Collections of people in cities
are divorced from clean air and stars.
Toddlers in day care are parted
from working parents, schoolchildren
from the assumption of unbloodied
daylong safety. Old people die apart
from all they've gathered over time,
and in strange beds. Adults
grow estranged from a God
evidently divorced from History;
most are cut off from their own
histories, each of which waits
like a child left at day care.
What if you turned back for a moment
and put your arms around yours?
Yes, you might be late for work;
no, your history doesn't smell sweet
like a toddler's head. But look
at those small round wrists,
that short-legged, comical walk.
Caress your history--who else will?
Promise to come back later.
Pay attention when it asks you
simple questions: Where are we going?
Is it scary? What happened? Can
I have more now? Who is that?
Saturday, November 21, 2009
Thursday, November 19, 2009
Favorite Pair of Blue Jeans
By Julia Liberman
She was putting a load of laundry
out to dry on the back porch
when her favorite pair of jeans
turned into a blue jay and flew away.
She watched in surprise
as soft, faded, blue denim
turned into feathers, bones, a beak, feet,
black beady eyes and an indignant screech.
She was putting a load of laundry
out to dry on the back porch
when her favorite pair of jeans
turned into a blue jay and flew away.
She watched in surprise
as soft, faded, blue denim
turned into feathers, bones, a beak, feet,
black beady eyes and an indignant screech.
Wednesday, November 18, 2009
Affirmation
By Donald Hall
To grow old is to lose everything.
Aging, everybody knows it.
Even when we are young,
we glimpse it sometimes, and nod our heads
when a grandfather dies.
Then we row for years on the midsummer
pond, ignorant and content. But a marriage,
that began without harm, scatters
into debris on the shore,
and a friend from school drops
cold on a rocky strand.
If a new love carries us
past middle age, our wife will die
at her strongest and most beautiful.
New women come and go. All go.
The pretty lover who announces
that she is temporary
is temporary. The bold woman,
middle-aged against our old age,
sinks under an anxiety she cannot withstand.
Another friend of decades estranges himself
in words that pollute thirty years.
Let us stifle under mud at the pond's edge
and affirm that it is fitting
and delicious to lose everything.
To grow old is to lose everything.
Aging, everybody knows it.
Even when we are young,
we glimpse it sometimes, and nod our heads
when a grandfather dies.
Then we row for years on the midsummer
pond, ignorant and content. But a marriage,
that began without harm, scatters
into debris on the shore,
and a friend from school drops
cold on a rocky strand.
If a new love carries us
past middle age, our wife will die
at her strongest and most beautiful.
New women come and go. All go.
The pretty lover who announces
that she is temporary
is temporary. The bold woman,
middle-aged against our old age,
sinks under an anxiety she cannot withstand.
Another friend of decades estranges himself
in words that pollute thirty years.
Let us stifle under mud at the pond's edge
and affirm that it is fitting
and delicious to lose everything.
Tuesday, November 17, 2009
two birds
By Andrea Gibson
"LOVE IS THE ONLY WAR WORTH DYING FOR." - Derrick Brown
When you ran for Canada
I spent three and a half months screaming your name
Til I saw your feet cross the border
And I bunkered down in your cheerleader pajamas
To stare at the photograph of the two birds.
Two birds.
Give me one stone.
Or a rifle.
I’ll collect the feather pens from the ground
And pretend to write poems about Obama.
Remember how we fucked in the bathroom stall
during his inauguration at Invesco Field?
Later in the bleachers you held my hand and said.
“Look at Michelle. She is so in love.”
There were so many snipers in the stands
When the fireworks started
I was convinced we were being bombed.
For five minutes we sprinted through
The tunnel of the stairwell.
I kept saying, I love you, I love you , I love you, I love….
I thought for sure I would die in your arms.
Dear Love-
I hope Canada is beautiful.
I hope you rise to your feet
every time she sings her anthem.
I hope your hand is forever on your heart.
I hope your heart is forever safe.
Here at home
they are saying Obama
is not the saint we had hoped he’d be.
I wonder if you’d notice
that Michelle is still in love.
"LOVE IS THE ONLY WAR WORTH DYING FOR." - Derrick Brown
When you ran for Canada
I spent three and a half months screaming your name
Til I saw your feet cross the border
And I bunkered down in your cheerleader pajamas
To stare at the photograph of the two birds.
Two birds.
Give me one stone.
Or a rifle.
I’ll collect the feather pens from the ground
And pretend to write poems about Obama.
Remember how we fucked in the bathroom stall
during his inauguration at Invesco Field?
Later in the bleachers you held my hand and said.
“Look at Michelle. She is so in love.”
There were so many snipers in the stands
When the fireworks started
I was convinced we were being bombed.
For five minutes we sprinted through
The tunnel of the stairwell.
I kept saying, I love you, I love you , I love you, I love….
I thought for sure I would die in your arms.
Dear Love-
I hope Canada is beautiful.
I hope you rise to your feet
every time she sings her anthem.
I hope your hand is forever on your heart.
I hope your heart is forever safe.
Here at home
they are saying Obama
is not the saint we had hoped he’d be.
I wonder if you’d notice
that Michelle is still in love.
Monday, November 16, 2009
A Kol Nidrei
By Mark Belletini
Let’s set it all down, you and me.
The disappointments.
Little and large.
The frustrations.
Let’s open our fists and drop them.
The useless waiting.
The obsession with what we cannot have.
The focus on foolish things.
The pin-wheeling worry which wears us out.
The fretting.
Let’s throw them down.
The comparisons of ourselves with others.
The competition, as if Domination
was the best name we could give to God.
The cynical assumptions.
The unspoken, shelved anger.
Let’s toss them.
The inarticulate suspicions.
The self-doubt.
The pre-emptive self-dumping.
The numbing bouts of self-pity.
Let’s sink them all like stones.
Like stones in the pool of this gift of silence.
Let’s drop them like hot rocks
into the cool silence.
And when they’re gone,
let’s lay back gently, and float,
float on the calm surface of the silence.
Let’s be supported in this still cradle
of the world, new-born, ready for anything.
Let’s set it all down, you and me.
The disappointments.
Little and large.
The frustrations.
Let’s open our fists and drop them.
The useless waiting.
The obsession with what we cannot have.
The focus on foolish things.
The pin-wheeling worry which wears us out.
The fretting.
Let’s throw them down.
The comparisons of ourselves with others.
The competition, as if Domination
was the best name we could give to God.
The cynical assumptions.
The unspoken, shelved anger.
Let’s toss them.
The inarticulate suspicions.
The self-doubt.
The pre-emptive self-dumping.
The numbing bouts of self-pity.
Let’s sink them all like stones.
Like stones in the pool of this gift of silence.
Let’s drop them like hot rocks
into the cool silence.
And when they’re gone,
let’s lay back gently, and float,
float on the calm surface of the silence.
Let’s be supported in this still cradle
of the world, new-born, ready for anything.
Sunday, November 15, 2009
Poem to my uterus
By Lucille Clifton
you uterus
you have been patient
as a sock
while i have slippered into you
my dead and living children
now
they want to cut you out
stocking i will not need
where i am going
where am i going
old girl
without you
uterus
my bloody print
my estrogen kitchen
my black bag of desire
where can i go
barefoot
without you
where can you go
without me
you uterus
you have been patient
as a sock
while i have slippered into you
my dead and living children
now
they want to cut you out
stocking i will not need
where i am going
where am i going
old girl
without you
uterus
my bloody print
my estrogen kitchen
my black bag of desire
where can i go
barefoot
without you
where can you go
without me
Saturday, November 14, 2009
Being Jewish in a Small Town
By Lyn Lifshin
Someone writes kike on
the blackboard and the
"k's" pull thru the
chalk stick in my
plump pale thighs
even after the high
school burns down the
word is written in
the ashes my under
pants elastic snaps
on Main St because
I can't go to
Pilgrim Fellowship
I'm the one Jewish girl
in town but the 4
Cohen brothers
want blond hair
blowing from their
car they don't know
my black braids
smell of almond
I wear my clothes
loose so no one
dreams who I am
will never know
Hebrew keep a
Christmas tree in
my drawer in
the dark my fingers
could be the menorah
that pulls you toward
honey in the snow
Someone writes kike on
the blackboard and the
"k's" pull thru the
chalk stick in my
plump pale thighs
even after the high
school burns down the
word is written in
the ashes my under
pants elastic snaps
on Main St because
I can't go to
Pilgrim Fellowship
I'm the one Jewish girl
in town but the 4
Cohen brothers
want blond hair
blowing from their
car they don't know
my black braids
smell of almond
I wear my clothes
loose so no one
dreams who I am
will never know
Hebrew keep a
Christmas tree in
my drawer in
the dark my fingers
could be the menorah
that pulls you toward
honey in the snow
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