By Fred D'Aguiar
What a smile! One large lamp for a face,
smaller lanterns where skin stretches over
bones waiting for muscle, body all angles.
bones waiting for muscle, body all angles.
His Kalashnikov fires at each moving
thing before he knows what he drags
down. He halts movement of every
kind and fails to weigh whom he stops
thing before he knows what he drags
down. He halts movement of every
kind and fails to weigh whom he stops
dead or maims, his bullets
like jabs thrown before the thought
to throw them, involuntary shudders
when someone, somewhere, steps over
like jabs thrown before the thought
to throw them, involuntary shudders
when someone, somewhere, steps over
his shallow, unmarked, mass grave.
But his smile remains undimmed,
inviting, not knowing what hit him,
what snuffs out the wicks in his eyes.
But his smile remains undimmed,
inviting, not knowing what hit him,
what snuffs out the wicks in his eyes.
Except that he moves and a face just like
his figures like him to stop all action
with a flick of finger on the trigger.
his figures like him to stop all action
with a flick of finger on the trigger.
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