By Jeremy Rutledge
If you want
to pray for Houston
you have to pray
in her way
pray like Beyoncé
when she was
at HSPVA
or Billy and Dusty
shooting pool
at Rudyard's
pray like you're
sitting over soup
at Spanish Flowers
or pho at Mai's
steaming your glasses
pray like the kids
playing soccer
on the east side
or mutton busting
at the livestock show
pray like the runners
in Memorial Park
lacing them up
or the researchers
in the medical center
looking into microscopes
if you want
to pray for Houston
you have to pray
as quietly as
the Rothko Chapel
or Houston Zen Center
and you have to pray
as loudly as
the old scoreboard
at the Astrodome
after a José Cruz
home run
you have to pray
sitting under
a live oak tree
or standing next to
an azalea bloom
while your skin
clams in the heat
if you want to pray
for Houston
you have to pray
without pretense
this ain't Dallas
and in a neighborly way
as friends come out
to check on each other
in the rain
and those
who are far away
watch screens
and wipe our eyes
if you want to pray
for Houston
raise a bottle of Shiner
to the gray sky
and say that 130 mile an hour winds
and 9 trillion gallons of rain
are no match
for a city of such life
and diversity
you can fill up our bayou
but you will never rain
on our parade
The poem, I’ve always felt, is an opportunity for me to create an integrated whole from so many broken shards --Rafael Campo
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Wednesday, August 30, 2017
Monday, August 21, 2017
Seeing the eclipse in Maine
By Robert Bly
It started about noon. On top of Mount Batte,
We were all exclaiming. Someone had a cardboard
And a pin, and we all cried out when the sun
Appeared in tiny form on the notebook cover.
It was hard to believe. The high school teacher
We’d met called it a pinhole camera,
People in the Renaissance loved to do that.
And when the moon had passed partly through
We saw on a rock underneath a fir tree,
Dozens of crescents—made the same way—
Thousands! Even our straw hats produced
A few as we moved them over the bare granite.
We shared chocolate, and one man from Maine
Told a joke. Suns were everywhere—at our feet.
It started about noon. On top of Mount Batte,
We were all exclaiming. Someone had a cardboard
And a pin, and we all cried out when the sun
Appeared in tiny form on the notebook cover.
It was hard to believe. The high school teacher
We’d met called it a pinhole camera,
People in the Renaissance loved to do that.
And when the moon had passed partly through
We saw on a rock underneath a fir tree,
Dozens of crescents—made the same way—
Thousands! Even our straw hats produced
A few as we moved them over the bare granite.
We shared chocolate, and one man from Maine
Told a joke. Suns were everywhere—at our feet.
Friday, August 18, 2017
An Oregon Message
By William Stafford
When we first moved here, pulled
the trees in around us, curled
our backs to the wind, no one
had ever hit the moon—no one.
Now our trees are safer than the stars,
and only other people's neglect
is our precious and abiding shell,
pierced by meteors, radar, and t he telephone.
From our snug place we shout
religiously for attention, in order to hide:
only silence or evasion will bring
dangerous notice, the hovering hawk
of the state, or the sudden quiet stare
and fatal estimate of an alerted neighbor.
This message we smuggle out in
its plain cover, to be opened
quietly: Friends everywhere—
we are alive! Those moon rockets
have missed millions of secret
places! Best wishes.
Burn this.
When we first moved here, pulled
the trees in around us, curled
our backs to the wind, no one
had ever hit the moon—no one.
Now our trees are safer than the stars,
and only other people's neglect
is our precious and abiding shell,
pierced by meteors, radar, and t he telephone.
From our snug place we shout
religiously for attention, in order to hide:
only silence or evasion will bring
dangerous notice, the hovering hawk
of the state, or the sudden quiet stare
and fatal estimate of an alerted neighbor.
This message we smuggle out in
its plain cover, to be opened
quietly: Friends everywhere—
we are alive! Those moon rockets
have missed millions of secret
places! Best wishes.
Burn this.
Friday, August 11, 2017
Sonnet 130
By William Shakespeare
My mistress’ eyes are nothing like the sun;
Coral is far more red than her lips’ red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress when she walks treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.
My mistress’ eyes are nothing like the sun;
Coral is far more red than her lips’ red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damasked, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress when she walks treads on the ground.
And yet, by heaven, I think my love as rare
As any she belied with false compare.
Thursday, August 10, 2017
New Colossus (re-write)
By Stephen Colbert
Give me your wealthy, your rich, your huddled MBAs yearning to be tax-free. Send these, the English-speaking, fully insured to me. I lift my lamp beside the golden door and lift my leg upon your filthy poor. P.S. No fatties, please.
Give me your wealthy, your rich, your huddled MBAs yearning to be tax-free. Send these, the English-speaking, fully insured to me. I lift my lamp beside the golden door and lift my leg upon your filthy poor. P.S. No fatties, please.
Thursday, August 3, 2017
The Trump Wall
By William Marr
William Marr has published volumes of poetry (two in English and the rest in his native Chinese language), 3 books of essays, several books of translations, and 10 eBooks. His most recent published work, Chicago Serenade, is a trilingual (Chinese/English/French) anthology of poems published in Paris in 2015. His poetry has been translated into more than ten languages and included in over one hundred anthologies. Some of his poems are used in high school and college textbooks in Taiwan, China, England, and Germany. He is a former president of the Illinois State Poetry Society and has received numerous honors, including several awards for his poetry and translations. His Website, The Art World of William Marr displays some of his literary and artistic works.
Built at the border of our hearts
this wall of the 21st century will grow
drawing nourishment from all dark corners
of human nature
to become the Great Wall
of America
Hold it!
are you trying to come in
or get outWilliam Marr has published volumes of poetry (two in English and the rest in his native Chinese language), 3 books of essays, several books of translations, and 10 eBooks. His most recent published work, Chicago Serenade, is a trilingual (Chinese/English/French) anthology of poems published in Paris in 2015. His poetry has been translated into more than ten languages and included in over one hundred anthologies. Some of his poems are used in high school and college textbooks in Taiwan, China, England, and Germany. He is a former president of the Illinois State Poetry Society and has received numerous honors, including several awards for his poetry and translations. His Website, The Art World of William Marr displays some of his literary and artistic works.
Wednesday, August 2, 2017
Prospective Immigrants Please Note
By Adrienne Rich
Either you will
go through this door
or you will not go through.
If you go through
there is always the risk
of remembering your name.
Things look at you doubly
and you must look back
and let them happen.
If you do not go through
it is possible
to live worthily
to maintain your attitudes
to hold your position
to die bravely
but much will blind you,
much will evade you,
at what cost who knows?
The door itself
makes no promises.
It is only a door.
Either you will
go through this door
or you will not go through.
If you go through
there is always the risk
of remembering your name.
Things look at you doubly
and you must look back
and let them happen.
If you do not go through
it is possible
to live worthily
to maintain your attitudes
to hold your position
to die bravely
but much will blind you,
much will evade you,
at what cost who knows?
The door itself
makes no promises.
It is only a door.