By Audre Lorde
The black unicorn is greedy.
The black unicorn is impatient.
The black unicorn was mistaken
for a shadow or symbol
and taken
through a cold country
where mist painted mockeries
of my fury.
It is not on her lap where the horn rests
but deep in her moonpit
growing.
The black unicorn is restless
the black unicorn is unrelenting
the black unicorn is not
free.
The poem, I’ve always felt, is an opportunity for me to create an integrated whole from so many broken shards --Rafael Campo
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Tuesday, October 27, 2015
Sunday, October 25, 2015
A manifesto
By Karen Estrella
After Joshua Bennett
“Say it” you command
sing it
and yet
I seem to have lost my voice
I seem to have lost
The very thread
That I wrapped around my finger
So that I wouldn’t forget
That I am beautiful
That you are worthy
Of trust
The very thread
That runs through my
Story
What is my story?
Make it
You say
Take it
You say
Trust the process
You say
And yet
Trust
is a word
that sounds so trite
in my ears
I cannot even trust
What I hear
From inside my own heart
Oh, and I am deaf too
My ear drums
Have been silenced
The ramparts red glare
The bombs bursting in air
Have seemed to burst those
Drums in my ears
I cannot find myself
In the American dream
I have become a zombie
The night of the living dead
Has become my default station
My waylay
My way
stay
Maybe there are drums
That can talk to my soul
That can wake up my heart
Voodoo drums
Like those that
Frankie sang about
Do do that voodoo
That you do so well
Do something to me
Make me
Wake me
Shake me
What will it
take me
To revive
To revise
This script
I can’t seem to
stray from
I can’t seem to
Unbind myself
Undo myself
From this mistrust
This mistake
I’ve staked my heart upon
This misappropriation of funds
I have mislaid
I am spent
Too tired
I am tired
Of trying
Of living
This dream
That promised me
The pursuit of happiness
I seem only to have
Been given the pursuit
I have been hunted down
By my ghosts
I have been
Held up
By my kin folk
They sit there
With their accusing finger
Pointed
at my heart
You are not
Entitled
To an endless supply
You are not
Entitled
To the right
To speak your mind
You are not
Entitled
To a voice
That speaks American
You are not
Entitled
To spend your trust
On something
You cannot name
You cannot speak
You cannot keep
Making
Something
Out of nothing
Make it
You say
Take it
You say
Trust the process
You say
And yet
Trust
is a word
that sounds so trite
in my ears
After Joshua Bennett
“Say it” you command
sing it
and yet
I seem to have lost my voice
I seem to have lost
The very thread
That I wrapped around my finger
So that I wouldn’t forget
That I am beautiful
That you are worthy
Of trust
The very thread
That runs through my
Story
What is my story?
Make it
You say
Take it
You say
Trust the process
You say
And yet
Trust
is a word
that sounds so trite
in my ears
I cannot even trust
What I hear
From inside my own heart
Oh, and I am deaf too
My ear drums
Have been silenced
The ramparts red glare
The bombs bursting in air
Have seemed to burst those
Drums in my ears
I cannot find myself
In the American dream
I have become a zombie
The night of the living dead
Has become my default station
My waylay
My way
stay
Maybe there are drums
That can talk to my soul
That can wake up my heart
Voodoo drums
Like those that
Frankie sang about
Do do that voodoo
That you do so well
Do something to me
Make me
Wake me
Shake me
What will it
take me
To revive
To revise
This script
I can’t seem to
stray from
I can’t seem to
Unbind myself
Undo myself
From this mistrust
This mistake
I’ve staked my heart upon
This misappropriation of funds
I have mislaid
I am spent
Too tired
I am tired
Of trying
Of living
This dream
That promised me
The pursuit of happiness
I seem only to have
Been given the pursuit
I have been hunted down
By my ghosts
I have been
Held up
By my kin folk
They sit there
With their accusing finger
Pointed
at my heart
You are not
Entitled
To an endless supply
You are not
Entitled
To the right
To speak your mind
You are not
Entitled
To a voice
That speaks American
You are not
Entitled
To spend your trust
On something
You cannot name
You cannot speak
You cannot keep
Making
Something
Out of nothing
Make it
You say
Take it
You say
Trust the process
You say
And yet
Trust
is a word
that sounds so trite
in my ears
Friday, October 23, 2015
Peaches
By Adrienne Su
A crate of peaches straight from the farm
has to be maintained, or eaten in days.
Obvious, but in my family, they went so fast,
I never saw the mess that punishes delay.
I thought everyone bought fruit by the crate,
stored it in the coolest part of the house,
then devoured it before any could rot.
I'm from the Peach State, and to those
who ask But where are you from originally,
I'd like to reply The homeland of the peach,
but I'm too nice, and they might not look it up.
In truth, the reason we bought so much
did have to do with being Chinese-at least
Chinese in that part of America, both strangers
and natives on a lonely, beautiful street
where food came in stackable containers
and fussy bags, unless you bothered to drive
to the source, where the same money landed
a bushel of fruit, a twenty-pound sack of rice.
You had to drive anyway, each house surrounded
by land enough to grow your own, if lawns
hadn't been required. At home I loved to stare
into the extra freezer, reviewing mountains
of foil-wrapped meats, cakes, juice concentrate,
mysterious packets brought by house guests
from New York Chinatown, to be transformed
by heat, force, and my mother's patient effort,
enough to keep us fed through flood or storm,
provided the power stayed on, or fire and ice
could be procured, which would be labor-intensive,
but so was everything else my parents did.
Their lives were labor, they kept this from the kids,
who grew up to confuse work with pleasure,
to become typical immigrants' children,
taller than their parents and unaware of hunger
except when asked the odd, perplexing question.
A crate of peaches straight from the farm
has to be maintained, or eaten in days.
Obvious, but in my family, they went so fast,
I never saw the mess that punishes delay.
I thought everyone bought fruit by the crate,
stored it in the coolest part of the house,
then devoured it before any could rot.
I'm from the Peach State, and to those
who ask But where are you from originally,
I'd like to reply The homeland of the peach,
but I'm too nice, and they might not look it up.
In truth, the reason we bought so much
did have to do with being Chinese-at least
Chinese in that part of America, both strangers
and natives on a lonely, beautiful street
where food came in stackable containers
and fussy bags, unless you bothered to drive
to the source, where the same money landed
a bushel of fruit, a twenty-pound sack of rice.
You had to drive anyway, each house surrounded
by land enough to grow your own, if lawns
hadn't been required. At home I loved to stare
into the extra freezer, reviewing mountains
of foil-wrapped meats, cakes, juice concentrate,
mysterious packets brought by house guests
from New York Chinatown, to be transformed
by heat, force, and my mother's patient effort,
enough to keep us fed through flood or storm,
provided the power stayed on, or fire and ice
could be procured, which would be labor-intensive,
but so was everything else my parents did.
Their lives were labor, they kept this from the kids,
who grew up to confuse work with pleasure,
to become typical immigrants' children,
taller than their parents and unaware of hunger
except when asked the odd, perplexing question.
Tuesday, October 13, 2015
Yad Mordechai
Yad Mordechai. Those who fell here
still look out the windows like sick children
who are not allowed outside to play.
And on the hillside, the battle is reenacted
for the benefit of hikers and tourists. Soldiers of thin sheet iron
rise and fall and rise again. Sheet iron dead and a sheet iron life
and the voices all—sheet iron. And the resurrection of the dead,
sheet iron that clangs and clangs.
And I said to myself: Everyone is attached to his own lament
as to a parachute. Slowly he descends and slowly hovers
until he touches the hard place.
still look out the windows like sick children
who are not allowed outside to play.
And on the hillside, the battle is reenacted
for the benefit of hikers and tourists. Soldiers of thin sheet iron
rise and fall and rise again. Sheet iron dead and a sheet iron life
and the voices all—sheet iron. And the resurrection of the dead,
sheet iron that clangs and clangs.
And I said to myself: Everyone is attached to his own lament
as to a parachute. Slowly he descends and slowly hovers
until he touches the hard place.
Wednesday, October 7, 2015
Riding Alone for Thousands of Miles
By Sally Wen Mao
In Lijiang, the sign outside your hostel
glares: Ride alone, ride alone, ride
alone — it taunts you for the mileage
of your solitude, must be past
thousands, for you rode this plane
alone, this train alone, you'll ride
this bus alone well into the summer night,
well into the next hamlet, town,
city, the next century, as the trees twitch
and the clouds wane and the tides
quiver and the galaxies tilt and the sun
spins us another lonely cycle, you'll
wonder if this compass will ever change.
The sun doesn't need more heat,
so why should you? The trees don't need
to be close, so why should you?
In Lijiang, the sign outside your hostel
glares: Ride alone, ride alone, ride
alone — it taunts you for the mileage
of your solitude, must be past
thousands, for you rode this plane
alone, this train alone, you'll ride
this bus alone well into the summer night,
well into the next hamlet, town,
city, the next century, as the trees twitch
and the clouds wane and the tides
quiver and the galaxies tilt and the sun
spins us another lonely cycle, you'll
wonder if this compass will ever change.
The sun doesn't need more heat,
so why should you? The trees don't need
to be close, so why should you?