By Tony Hoaglad
I like that, he said in the hospital, where I was rubbing his feet
which were dry and smelled a bit.
Ahh, he said, ahhh, as I worried
what the nurse in the corridor might think,
pushing my thumbs into the pads and calluses,
the skin that had grown leathery and hard
over a lifetime of streets and shoes—
and me trying but unable to forget
some of the things he had done
over the course of our long friendship.
Rubbing his feet was like reaching into some
thick part of my heart that couldn’t feel
and kneading away at it—
Blame caught inside the love
like a fishhook, or a bug in honey.
It is in my character,
this persistent selfishness—
one of my hands offering the gift, the other
trying to take something back.
Giving and getting
like two horses arriving at the same time
from opposite directions
at the stone gate
that will allow only one to pass.
This poem was first published in the New Yorker.
The poem, I’ve always felt, is an opportunity for me to create an integrated whole from so many broken shards --Rafael Campo
Pages
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Friday, July 31, 2015
Monday, July 27, 2015
Worst Day Ever?
By Chanie Gorkin
Today was the absolute worst day ever
And don’t try to convince me that
There’s something good in every day
Because, when you take a closer look,
This world is a pretty evil place.
Even if
Some goodness does shine through once in a while
Satisfaction and happiness don’t last.
And it’s not true that
It’s all in the mind and heart
Because
True happiness can be attained
Only if one’s surroundings are good
It’s not true that good exists
I’m sure you can agree that
The reality
Creates
My attitude
It’s all beyond my control
And you’ll never in a million years hear me say
Today was a very good day
Now read it from bottom to top, the other way,
And see what I really feel about my day.
This poem has been viewed millions of times, but often without attribution to it's author. Please don't do that. Click here to read the story behind the poem.
Today was the absolute worst day ever
And don’t try to convince me that
There’s something good in every day
Because, when you take a closer look,
This world is a pretty evil place.
Even if
Some goodness does shine through once in a while
Satisfaction and happiness don’t last.
And it’s not true that
It’s all in the mind and heart
Because
True happiness can be attained
Only if one’s surroundings are good
It’s not true that good exists
I’m sure you can agree that
The reality
Creates
My attitude
It’s all beyond my control
And you’ll never in a million years hear me say
Today was a very good day
Now read it from bottom to top, the other way,
And see what I really feel about my day.
This poem has been viewed millions of times, but often without attribution to it's author. Please don't do that. Click here to read the story behind the poem.
Thursday, July 23, 2015
Five Ways to Kill a Man
By Edwin Brock
There are many cumbersome ways to kill a man.
You can make him carry a plank of wood
to the top of a hill and nail him to it.
To do this properly you require a crowd of people
wearing sandals, a cock that crows, a cloak
to dissect, a sponge, some vinegar and one
man to hammer the nails home.
Or you can take a length of steel,
shaped and chased in a traditional way,
and attempt to pierce the metal cage he wears.
But for this you need white horses,
English trees, men with bows and arrows,
at least two flags, a prince, and a
castle to hold your banquet in.
Dispensing with nobility, you may, if the wind
allows, blow gas at him. But then you need
a mile of mud sliced through with ditches,
not to mention black boots, bomb craters,
more mud, a plague of rats, a dozen songs
and some round hats made of steel.
In an age of aeroplanes, you may fly
miles above your victim and dispose of him by
pressing one small switch. All you then
require is an ocean to separate you, two
systems of government, a nation's scientists,
several factories, a psychopath and
land that no-one needs for several years.
These are, as I began, cumbersome ways to kill a man.
Simpler, direct, and much more neat is to see
that he is living somewhere in the middle
of the twentieth century, and leave him there.
There are many cumbersome ways to kill a man.
You can make him carry a plank of wood
to the top of a hill and nail him to it.
To do this properly you require a crowd of people
wearing sandals, a cock that crows, a cloak
to dissect, a sponge, some vinegar and one
man to hammer the nails home.
Or you can take a length of steel,
shaped and chased in a traditional way,
and attempt to pierce the metal cage he wears.
But for this you need white horses,
English trees, men with bows and arrows,
at least two flags, a prince, and a
castle to hold your banquet in.
Dispensing with nobility, you may, if the wind
allows, blow gas at him. But then you need
a mile of mud sliced through with ditches,
not to mention black boots, bomb craters,
more mud, a plague of rats, a dozen songs
and some round hats made of steel.
In an age of aeroplanes, you may fly
miles above your victim and dispose of him by
pressing one small switch. All you then
require is an ocean to separate you, two
systems of government, a nation's scientists,
several factories, a psychopath and
land that no-one needs for several years.
These are, as I began, cumbersome ways to kill a man.
Simpler, direct, and much more neat is to see
that he is living somewhere in the middle
of the twentieth century, and leave him there.
Thursday, July 16, 2015
The Talk
By Jabari Asim
It’s more than time we had that talk
about what to say and where to walk,
how to act and how to strive,
how to be upright and stay alive.
How to live and how to learn,
how to dig and be dug in return.
When to concede and when to risk,
how to handle stop and frisk:
Keep your hands where they can see
and don’t reach for your ID
until they request it quite clearly.
Speak to them politely and answer them sincerely.
The law varies according to where you are,
whether you’re traveling by foot or driving a car.
It won’t help to be black and proud,
nor will you be safer in a crowd.
Keeping your speech calm and restrained,
ask if in fact you’re being detained.
If the answer is no, you’re free to go.
If the answer is yes, remained unfazed
to avoid being choked, shot or tazed.
Give every cop your ear, but none your wit;
don’t tempt him to fold, spindle, mutilate, hit
or otherwise cause pain
to tendons, bones, muscles, brain.
These are things you need to know
if you want to safely come and go.
But still there is no guarantee
that you will make it home to me.
Despite all our care and labor,
you might frighten a cop or neighbor
whose gun sends you to eternal sleep,
proving life’s unfair and talk is cheap
It’s more than time we had that talk
about what to say and where to walk,
how to act and how to strive,
how to be upright and stay alive.
How to live and how to learn,
how to dig and be dug in return.
When to concede and when to risk,
how to handle stop and frisk:
Keep your hands where they can see
and don’t reach for your ID
until they request it quite clearly.
Speak to them politely and answer them sincerely.
The law varies according to where you are,
whether you’re traveling by foot or driving a car.
It won’t help to be black and proud,
nor will you be safer in a crowd.
Keeping your speech calm and restrained,
ask if in fact you’re being detained.
If the answer is no, you’re free to go.
If the answer is yes, remained unfazed
to avoid being choked, shot or tazed.
Give every cop your ear, but none your wit;
don’t tempt him to fold, spindle, mutilate, hit
or otherwise cause pain
to tendons, bones, muscles, brain.
These are things you need to know
if you want to safely come and go.
But still there is no guarantee
that you will make it home to me.
Despite all our care and labor,
you might frighten a cop or neighbor
whose gun sends you to eternal sleep,
proving life’s unfair and talk is cheap
Wednesday, July 15, 2015
Rigour
By Khairani Barakka
This is what they will say about my daughter
And her eyes: that the way they haunt your
Memories are vestiges of trauma, of how a
Child was caught between battling tribes,
Her reddened feet, chapped and just visible
Beneath one ragged hemline, laid waste to
Near-bleeding. Girl, aged eight, page 11.
It was her birthday. She was smiling again,
Moments after the man left our village,
Having been unsure of how to reconcile the
Reach of zoom lenses with a robot cartoon
Seen that morning—both unwieldy, pointing.
Washing off the ruddy paint we’d placed
By her room. The war had never touched
Our subdistrict; all roads to it were closed by
3PM. Their jeep driver would never ring the
Bureau chief. My daughter stood by the side
Of the road, having drawn a rusty, laughing
Rooster on paper with the balls of her heels.
This is what they will say about my daughter
And her eyes: that the way they haunt your
Memories are vestiges of trauma, of how a
Child was caught between battling tribes,
Her reddened feet, chapped and just visible
Beneath one ragged hemline, laid waste to
Near-bleeding. Girl, aged eight, page 11.
It was her birthday. She was smiling again,
Moments after the man left our village,
Having been unsure of how to reconcile the
Reach of zoom lenses with a robot cartoon
Seen that morning—both unwieldy, pointing.
Washing off the ruddy paint we’d placed
By her room. The war had never touched
Our subdistrict; all roads to it were closed by
3PM. Their jeep driver would never ring the
Bureau chief. My daughter stood by the side
Of the road, having drawn a rusty, laughing
Rooster on paper with the balls of her heels.
Friday, July 10, 2015
What Has Been Done To Women
By Naomi Shihab Nye
Yesterday you cried in the car when you said soldiers in that war asked if women were fair game and the leaders said, "Yes, fair game, do anything you want to them." My own throat filled up when you said the woman you are loving now asks you please to say more sweet things to her. We passed battered barns and bushes, every license plate said OREGON in one color or another. We passed the rest stop planted with trees of all the 50 states. The really hot sunny states were having trouble. Access roads and overpasses, stores selling all manner of useless things. I watched the seam of your cheek as you spoke, we named people we had loved that the other would never know, they were clues to the road. We talked about the ugly words hurled at women for centuries, how they all have a click-shut sound, and why is it some lives feel hard as a curb that you kick. And how they could be softened. I told you about Coleman, on the night he was robbed, saying, "How long do you stay robbed once you've been robbed? I think I'm getting over it" - and Susan, later, translating "robbed" into "raped" and weeping with joy - how long it takes anybody to get over, get under, get out, shout.
Yesterday you cried in the car when you said soldiers in that war asked if women were fair game and the leaders said, "Yes, fair game, do anything you want to them." My own throat filled up when you said the woman you are loving now asks you please to say more sweet things to her. We passed battered barns and bushes, every license plate said OREGON in one color or another. We passed the rest stop planted with trees of all the 50 states. The really hot sunny states were having trouble. Access roads and overpasses, stores selling all manner of useless things. I watched the seam of your cheek as you spoke, we named people we had loved that the other would never know, they were clues to the road. We talked about the ugly words hurled at women for centuries, how they all have a click-shut sound, and why is it some lives feel hard as a curb that you kick. And how they could be softened. I told you about Coleman, on the night he was robbed, saying, "How long do you stay robbed once you've been robbed? I think I'm getting over it" - and Susan, later, translating "robbed" into "raped" and weeping with joy - how long it takes anybody to get over, get under, get out, shout.
Thursday, July 2, 2015
Of History and Hope
By Miller Williams
For the second inauguration of Bill Clinton (1997)
We have memorized America,
how it was born and who we have been and where.
For the second inauguration of Bill Clinton (1997)
We have memorized America,
how it was born and who we have been and where.
In ceremonies and silence we say the words,
telling the stories, singing the old songs.
We like the places they take us. Mostly we do.
The great and all the anonymous dead are there.
We know the sound of all the sounds we brought.
The rich taste of it is on our tongues.
But where are we going to be, and why, and who?
The disenfranchised dead want to know.
We mean to be the people we meant to be,
to keep on going where we meant to go.
But how do we fashion the future? Who can say how
except in the minds of those who will call it Now?
The children. The children. And how does our garden grow?
With waving hands—oh, rarely in a row—
and flowering faces. And brambles, that we can no longer allow.
Who were many people coming together
cannot become one people falling apart.
Who dreamed for every child an even chance
cannot let luck alone turn doorknobs or not.
Whose law was never so much of the hand as the head
cannot let chaos make its way to the heart.
Who have seen learning struggle from teacher to child
cannot let ignorance spread itself like rot.
We know what we have done and what we have said,
and how we have grown, degree by slow degree,
believing ourselves toward all we have tried to become—
just and compassionate, equal, able, and free.
All this in the hands of children, eyes already set
on a land we never can visit—it isn’t there yet—
but looking through their eyes, we can see
what our long gift to them may come to be.
If we can truly remember, they will not forget.